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  • Cameraperson

    Cameraperson

    ★★★★½

    Some visual metaphors to draw upon: tapestry, palimpsest, mosaic. Shifts from the heartbreaking to the suspenseful, from the personal to the objective, from the political to the natural, all without judgment or prejudice. A feat of editing and empathy.

  • Morgan

    Morgan

    ★★

    Oh hey, just what I was clamoring for: a dumber (if less pretentious) Ex Machina with a bunch of wasted talent.

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  • Jodorowsky's Dune

    Jodorowsky's Dune

    ★★½

    Could this have been a game-changing psychedelic, philosophical sci-fi epic of gargantuan proportions, somehow bankrolled by a Hollywood studio? I guess, but I sure as hell wouldn't have ponied up the money for a project like this, with only a weighty scrapbook and a surrealistic supergroup helmed by an excitable madman to recommend it.

    The movie itself is badly-shot auteur-stroking of the highest order, as indulgent of its subject as Jodorowsky is of himself, but the art and imagery do…

  • In the Cut

    In the Cut

    ★★★★

    A drifting intellectual late-bloomer's sexual awakening in the guise of an erotic thriller, unfairly if understandably maligned by viewers hoodwinked by advertising and unaccustomed to whodunits slathered in atmosphere and psychology at the expense of rollercoaster theatrics, put off by a reckless and glistening camera too busy charting the headspace of isolated and sexually paranoid Meg Ryan (fearless and vulnerable and as willing to shed her on-screen past as her character is to shed her depressed, idealistic innocence) faced with…