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  • Anguish

    Anguish 1987

    Added 1

    First published by FilmLand Empire

    "My name is Tom Goldman," a voice is heard announcing at the beginning of Bigas Luna's L.A.-set, English-language Spanish-American co-production Anguish (Angustia), "Welcome to our movie. As you've seen in the lobby, we have provided medical service which is free of charge on presenting your ticket stub. Oxygen masks are available…"

    As the unseen Tom continues this arch introduction with conflicting advice to enjoy the film but not to hold the theatre legally responsible for…

  • He Never Died

    He Never Died 2015

    Added

    First published by FilmLand Empire

    He Never Died begins with a day in the life of protagonist Jack (Henry Rollins) - a 'muttering man' of reclusion, routine and relatively few words who spends most of his time alone in his New York apartment, sleeping or zoning out in front of the TV. Visited by his elderly landlady, Jack pays the rent from a chest beneath his bed that is full of hard cash and various antique items (including a visible…

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  • Nymphomaniac

    Nymphomaniac 2013

    Added 2

    review from Film4 (slightly altered)
    www.film4.com/reviews/2013/nymphomaniac

    Descriptive synopsis: Controversial Danish filmmaker Lars von Trier rounds off his 'Trilogy of Depression' with a tale (in two parts) of sexual liberation, oppression and exploitation.

    Review:
    "Fill all my holes, please."
    It is perhaps not as catchy as the line "Chaos reigns" from Lars von Trier's Antichrist (2009), the first film of the so-called 'Trilogy of Depression' (which Nymphomaniac closes) - but nonetheless it is a line repeated several times by the heroine…

  • Scream 4

    Scream 4 2011

    Added 9

    First Published by EyeforFilm

    In the mid-Nineties, when horror had all but disappeared from the multiplexes, Wes Craven's Scream came along to cast a wry, critical eye back over what viewers had once loved about the genre, and so to bring it kicking and, well, screaming into the new millennium.

    A smart deconstruction of slashers filled with articulate, cine-savvy teens and self-referential flourishes, it was the sharp jab that horror needed for its revival - and inevitably spawned a series…