RSS feed for Anton
  • Her

    Her 2013


    For Film4

    Synopsis: Spike Jonze (Being John Malkovich, Adaptation, Where The Wild Things Are) writes and directs this melancholic romance set in the near future.

    Review: Spike Jonze’s Her opens with its moustachioed main character Theodore Twombly (the ever-astonishing Joaquin Phoenix) reading – in voice-over – a letter that he is composing at work. The missive is almost embarrassingly personal in its details – and yet Theodore’s connection to its nominal author and addressee, a couple celebrating their fiftieth…

  • The Wolf of Wall Street

    The Wolf of Wall Street 2013


    Review for Grolsch FilmWorks

    "The world of investing can be a jungle," states the slick corporate advertisement with which The Wolf of Wall Street opens, "Bulls, bears, danger at every turn" – and, underlining this animal metaphor, a lion is shown prowling between the office desks. Once the ad has come to an end, we see a different side of brokerage firm Stratton Oakmont during a bacchanalian office shindig, as whitecollars high on Quaaludes and coke hurl a hired…

  • Birdman

    Birdman 2014


    Truth/fiction. Theatre/cinema. Young/old. Actor/persona. Continuity/cut. Levity/gravity. Art/pop. BIRDMAN perches magically on many edges.

  • Boyhood

    Boyhood 2014


    First published as part of a Top Five Films of 2014 list for FilmLand Empire

    Shot over 12 years, Richard Linklater fictionalises young Mason's rites of passage from boy to man while documenting the actual on-screen development of actor Ellar Coltrane and the other cast members. Time and change are the universal themes here, embodied and particularised in Linklater's dramatic study of a divided and mildly dysfunctional family - and although it is called Boyhood, Linklater's democratic approach to event and characterisation ensures that it might equally have been called Girlhood, Fatherhood or Motherhood. This is one for the (and all) ages.

    Anton Bitel

  • Interstellar

    Interstellar 2014


    Review first published by Grolsch FilmWorks

    The opening of Interstellar, the latest head-spinning, heart-breaking blockbuster from Christopher Nolan, introduces a paradox. We know we are in an Earth of the future, where humankind is faced with terminal decline as ever more frequent dust clouds and blight devastate the crops that feed the planet – and yet we seem to be in an agrarian past, as the planet's inhabitants turn their backs on progress, officially declare the Apollo moon landings to…

  • Whiplash

    Whiplash 2014


    First published by Sight & Sound


    Whiplash is a syncopated Faust (or The Social Network with polyrhythms), drumming away at the wages of elitist education and artistic excellence, while delivering this year's tensest and most exhilarating climax. Here the final rewards are very hard earned.

    Anton Bitel

  • The Lego Movie

    The Lego Movie 2014


    For Film4

    Synopsis: Phil Lord and Chris Miller (Cloudy With A Chance of Meatballs) bring the Lego multiverse to comic life in this animated adventure.

    Review: Lego's interlocking bricks have been around since 1949, their very plasticity and modularity ensuring that they have provided foundations for the constructive imaginations not only of today's boys and girls, but also of their parents and even grandparents. Besides crossing platforms to games and theme parks, Lego has featured in many official and…

  • American Hustle

    American Hustle 2013


    Review for LWLies:

    "We don't do new — we renovate!"

    So declares Mayor Carmine Polito (Jeremy Renner), a salt-of-the-earth politician in New Jersey 1978, as he shows Sheik Abdullah (Michael Peña) around the Atlantic City building that he hopes to turn into a casino. Carmine's big dream depends on Abdullah's investment, but the Sheik is a fake — part of an elaborate sting operation spearheaded by Agent Richie DiMaso (Bradley Cooper), who has his own dreams of FBI glory,…

  • X-Men: Days of Future Past

    X-Men: Days of Future Past 2014


    X-MEN: DAYS OF FUTURE PAST is a mutant hybrid of ensemble heroics and time travel antics - the former bringing the tag-team action, the latter the TERMINATOR-stye loopy paradoxes. It is full of plot holes - all widened considerably by knowledge of 'previous' entries in the franchise - but upon reflection, those yawning gaps in logic can just about be construed instead as wormholes between alternative universes in an endless war that just keeps repeating itself in slightly mutated forms…

  • Under the Skin

    Under the Skin 2013


    For movieScope

    We first meet Laura (Scarlett Johansson) near the beginning of Under the Skin in a room of uncannily pure white. Dressing her own naked body in the clothes that she has just stripped from a dead woman, she pauses, in a circumstantially odd, unexpectedly tender gesture, to stroke the corpse's flesh.
    Director/co-writer Jonathan Glazer (Sexy Beast, Birth) has similarly stripped down Michel Faber's 2000 novel to exposition-free scenes of a vampish Laura seeking out Scottish male loners to…

  • Edge of Tomorrow

    Edge of Tomorrow 2014

    Added 3

    It's a smart, and smartly edited, mash-up of GROUNDHOG DAY, SOURCE CODE, STARSHIP TROOPERS and the best part of SAVING PRIVATE RYAN (played on loop) - but the ending that seems to make no real sense does not suddenly make better sense in retrospect, and comes across merely as someone else's idea of crowd-pandering wish fulfilment - which is a problem for a film that realises so very many possible endings. Still, any film that merges the repeat play of video games with the endless nightmare of PTSD is doing something interesting...

  • Dallas Buyers Club

    Dallas Buyers Club 2013


    Review for Film4

    Synopsis: Jean-Marc Vallée (C.R.A.Z.Y., The Young Victoria) directs this true-life story of a Texan redneck's struggle against AIDS, America's pharmaceutical industry, and his own individualist instincts.

    Review: Dallas Buyers Club opens in 1986 with a double image of the thrills and dangers of bareback riding. As one man tries vainly to sit upright on the back of a bucking rodeo bull, another takes a pair of 'whores' from behind in the now-empty bull cage. The latter…