From my Sundance report for Cinema Scope here.
"Whereas Computer Chess made a playground of its dense field of binary oppositions (win/lose, black/white, 1/0, analog/digital, male/female, etc.), Results operates amongst a network of more angular relationships; its sets are comprised of three components, with one of which acting as a pivot point for the other two. It’s a motif embedded into the film’s open, purely utilitarian, fitness-conscious mise en scène, intrinsically emphasized by the calisthenic joint movements taking place on the periphery (as well as in a great door-slamming gag)."
Was only able to include a brief mention in my Sundance report for Cinema Scope here.
"Merging the surrealists’ gonzo exquisite corpse form with its 21st-century correlate, the database web narrative, Maddin de-compartmentalizes the Seances project that he began in 2012 to form a shadowbox of cinema’s lost, non-existent, and parallel histories—into and out of which Maddin thrusts like a raving lunatic.”
Reviewed for Cinema Scope here.
That's ~7% of what I currently have to say about this film. I'm by no means "a Godard," (of the 19 other features of his I've seen to date, my current second favourite is Alphaville, which scores a stingy 6.7 on the Richter scale) but for my money this is, in 2014 and ~3250 films into my cinephilia, the greatest cinematic achievement I have seen. That it made me burst into tears, for reasons still…