Also, this: cinema-scope.com/currency/spring-breakers-harmony-korine-us/

As much as I wanted to give up on Harmony Korine after Trash Humpers, he’s too in-tune with the cultural zeitgeist to ignore his work, and Spring Breakers underlines this claim. Essentially the same film as Humpers, Korine improves on that film here by correcting one essential trait: what was grotesquely hideous, grating, and ostentatiously low-grade is now euphoric and drenched in a gorgeous, neon HD glow. The central trio of girls form a Feuilladian gang of…

For all the talk about consciousness, environment, and labour that is getting tossed around with this one – all of which, don’t get me wrong, are among the major themes here – the project seems to be first and foremost an attempt at recalibrating viewers’ sense of gravity. Functioning as a quasi-sequel to Michael Snow’s landmark (pun kind of intended) La région centrale, Leviathan thrashes the camera erratically in any and every which direction; space is spun, flipped, and exploded…