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  • Junun

    Junun 2015

    ★★★½ Watched 18 Oct, 2015

    What's with all these complaints of PTA not putting enough of himself into Junun? Whether in a static long shot that suddenly jerks up and rushes forward as if unable to stay back any longer or the wealth of wowing drone shots that fly through the sky, this is Anderson doing what he always does: training the camera on some superb talent and following their cue. Superbly cinematic: the scenes that meet the Eastern-electronic fusions with shots of ancient surrounds infused with the paraphernalia of modern life are just about everything a music video need be.

  • The Lobster

    The Lobster 2015

    ★★★★ Watched 18 Oct, 2015 1

    Perhaps expectedly, Lanthimos loses nothing in translation: The Lobster is every bit as absurd a deadpan delight as Dogtooth and Alps before it, and perhaps even a touch more fun for the delight of seeing a boatload of famous folk act out this knowing nonsense. That Farrell's a fine actor isn't much of a surprise, but his fitting so snugly into this world I can't say I saw coming: he is perfect here, the cadence of his speech giving the…

  • Wild Tigers I Have Known

    Wild Tigers I Have Known 2006

    ★★½ Watched 18 Oct, 2015

    No surprise to see Gus van Sant pop up as EP in the credits here: from the experimentally-inclined editorial sensibility to the subject matter, this is very much Gus' jam. Unfortunately he's no stranger to a serious slip-up himself, and as much as this nails the sensuality of nascent sexuality, it's that curious combination of impermeably elliptical and on-the-nose obvious in its rendition of this kid's sexual awakening. Worse still, it's dreadfully obvious how little money there was to play with here; from awkward audio to terribly overwrought actors, this would be a bit of a slog even if its drama was effectively realised.

  • Cops

    Cops 1922

    ★★★★ Watched 15 Oct, 2015

    The bravura invention of every set piece here, the staggering seeming-simplicity of the logistics, the articulate madcap motion of it all, had me hooting so hard I thought I might throw up. Buster, of course, gave us one of the most wonderful odes to the phantasmagorical power of cinema in Sherlock Jr, but here he's on phenomenal form showing off its sheer fun (not to suggest there isn't more going on here; there's plenty). There is a peculiar joy one gets in the gaiety of silent cinema I've yet to encounter any place else.

  • Paris of the North

    Paris of the North 2014

    ★★★★ Rewatched 15 Oct, 2015 4

    Distracted by the slight-but-significant differences between this rewatch screener and the festival-screened version I saw some months back (which is going out there to the world!?), but this is still a superbly effective twist on feel-good indie formula whose "upbeat" ending is in recognising your own sadness. Oh, to see that on screen more. Stand by every ecstatic word of my earlier adoration.

  • Il Grido

    Il Grido 1957

    ★★★ Watched 16 Oct, 2015

    Terribly moody, and often effectively so when the post-war ruin creeps into the frame (literally and otherwise), but Antonioni has a good deal more time for this guy than I ever will; for every wounded little glance that suggests some real feeling, there's an action to evidence it all just the moanings of a bit of a dick. Part of the point, part of the problem. That fog, though.

  • Delmer Builds a Machine

    Delmer Builds a Machine 2010

    ★★½ Watched 17 Oct, 2015

    Oh, do grow up.

  • Fantastic Planet

    Fantastic Planet 1973

    ★★★★ Watched 17 Oct, 2015

    "And the fnurp-shaped hiddloes help the twenyu tagos to make the yuddly-yilp..."

    Giggled so much at the world-building wackiness here I nearly messed myself. A visual delight whose hardly-hidden contemporary relevance benefits from a superb score and a very '70s outlook: one of those wonderfully weird animations that makes superb sense of the world by making absolute nonsense of another.

  • Following Diana (Sendiri Diana Sendiri)

    Following Diana (Sendiri Diana Sendiri) 2015

    ★★½ Watched 17 Oct, 2015

    Too short to make much of the emotional foundations it lays; too long to excuse the mere scratches it makes at the surface of this story. With a stronger hand and feature length, this might have made something. As is, it's nothing more than a calling card for a perfectly good eye yet to find something to focus on.

  • Sazen Tange and the Pot Worth a Million Ryo

    Sazen Tange and the Pot Worth a Million Ryo 1935

    ★★★½ Watched 17 Oct, 2015

    Marvellously mad nonsense with tongue planted so firmly in cheek the skin starts to strain. Good guffaws all round at ronin's expense, to Ronan's delight; get the feeling if this'd been made circa '60 it might have the samurai satire rep it really deserves.

  • Pure

    Pure 2009

    ★★★ Watched 18 Oct, 2015

    Enjoyably twisted coming-of-agency effort whose vivid lead work from Alicia Vikander and cynical edge just about keep down the many many many qualms invariably invoked by an inches-from-hysteria approach and laughable use of classical as a motif. It's only Vikander's eyes that really communicate anything of the music's elation; Langseth's too busy erecting basic binaries to ever make much use aurally (a mid-point montage to the tune of some indie dirge is as stupidly off-tempo as the young naif asking…

  • White God

    White God 2014

    ★★ Watched 01 Oct, 2015

    No sleight on Margin Call, but the fact I finished that film blubbing has always been less indicative of Chandor's ability to bring profound pathos to the table as my absurd inability to handle anything remotely upsetting where dogs are concerned. Well, almost anything. Dogs are battered and bruised in White God, kicked to the curb and in the sides, physically and emotionally abused to a point of deplorable depravity, and I spent the whole thing hooting with laughter. This is Homeward Bound for Adults, the kind who can't spell Cinema without breaking out the upper case.