The villain of It Follows are just people, walking slowly.
And yet it is so frightening, that every scene you're looking past the shoulders of the characters every couple of seconds just to make sure this villain(s) isn't approaching.
It's such an amazing piece of filmmaking because it's so simple and yet so convincing.
The undercurrents of sexuality and the metaphors of passing a curse on with the act of sexual intercourse leave you constantly thinking about what the film…
I find it strange that this movie is so popular. I see 'bros' quoting it and they always have this next to Goodfellas and The Sopranos and Entourage in their collection of movies. I think a lot of people like it for the wrong reasons. They like the violence and the guns and DENIRO. But for me this is the quintessential art house film. It's ambiguous in it's meaning, it has no plot, it's main character has a lot of…
Jackie Brown, Reservoir Dogs, Inglourious Basterds, Kill Bill, Pulp Fiction. Quentin Tarantino's filmography reads like a symphony of revenge, blood, sam jackson and laughs. His latest entry, also a two word title, is Django Unchained. And it may be his best movie yet.
Revenge has really taken a hold of QT's writing as of late. He seems to really get inspiration from these characters that are hell bent on hell sending. If you thought the protagonist in Kill Bill was…