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  • The Strange Color of Your Body's Tears 2013

    ★★★★ Watched 02 Mar, 2015

    Certainly in the spirit of giallo but with the soul of Kaka. No simple narrative flow, not even a regular narrative structure, this visual and aural treat is not the simplest of watches. Always beautiful with continuous references to stained glass, art nouveau, eyes, knives and bared and bleeding flesh, the music and effects are also alluring, evocative and disturbing. A man returns from a business trip to find he cannot find his wife ( Edwige, nudge nudge aficionados! )…

  • Night Killer 1990

    ★★★½ Watched 28 Feb, 2015

    This obscure Italian horror (my copy has Portuguese subtitles embedded!) has an appalling start with a group of late eighties dancers jerking about to just as appalling music, whilst the slasher style violence and nudity commences. It recovers, however, despite the low budget and average acting and whilst it becomes rather confusing, we never loose interest and in the end the film wins out. Much is mundane and predictable but the central performance is very good and there are impressive…

Popular reviews

  • Strip Nude for Your Killer 1975

    ★★★★ Watched 27 Feb, 2013 1

    I didn’t think much of this when I first saw it and don’t think much of it now. It’s terrible really because the girls are great and it looks good most of the time with plenty of sexy kills. The title, salacious though it is, is pretty accurate, but the predictable tale plods along and in the end produces a killer we have not only not seen but did not know existed! Distortion on the soundtrack doesn’t help this one.…

  • The Slave 1969

    ★★★★½ Watched 21 May, 2013 1

    Another astonishing European film from the late 60s, translated as, Check to the Queen, on my copy and a prime example of what Tim Lucas calls, Continental Op. In his fascinating article in Video Watchdog No.168, he postulates the theory of a film genre growing out of the mid 60s, 'Op Art' movement and emanating, primarily from Continental Europe. His argument is persuasive and conveniently groups together all those colourful and weird and wonderful films we immediately recognise as of…