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  • Muppets Most Wanted 2014

    ★★½ Watched 30 Mar, 2014

    They look like the Muppets. They sound like the Muppets. But these aren't my Muppets.

    This is how I'm inclined to feel about the way Disney has used Jim Henson's creations, most critically from 2002 onwards. Disney's well-meaning attempts to re-launch the Muppets into the mainstream have been successful on the whole. But I still can't shake the feeling that the Muppets are presently held captive, only to be trotted out for events, appearances, and performances. I know what you're…

  • The American Friend 1977

    ★★★★ Watched 07 Apr, 2014 2

    This is my first Wim Wenders film, which I realize is somewhat ridiculous. I’m in love with this. It’s a Ripley adaptation really in name only. The story is presented in a deceptively straight-forward way only to gradually reveal itself as existing on a different and slightly parallel plane from A to B, between traditional narrative and something hovering just above it, reality and concreteness just barely out of reach. There’s an eventual prioritization of atmosphere and an unspoken mystique…

  • Nymph()maniac: Vol. II 2013

    ★★★ Watched 07 Apr, 2014

    This review reportedly contains spoilers. I can handle the truth.

  • Old Acquaintance 1943

    ★★★½ Watched 07 Apr, 2014

    Exactly the kind of ‘women’s picture’ I instantly flock to. Though it, of course, suggests that women can’t have both love and a career, its central female-driven study of lifelong friendships somewhat eclipses its more dated cautionary elements. It asks why oh why would someone, in this case Bette Davis, stay friends with someone, in this case Miriam Hopkins, so ceaselessly toxic? Davis’s Kit deserves to be treated so much better. Her best friend happens to be insufferable, dismissive, competitive,…

  • Air Force 1943

    ★★ Watched 06 Apr, 2014

    Surely one of the more objectively successful combat WWII-era films with its progressively concise team-as-singular-entity function. It’s also a perfect example of what the WWII combat film is meant to do in theory; turn the vague and often withheld details of the war into a specific entertainment-based narrative for the civilian audience. It gives a sense of context, something to grasp onto, however inaccurate, in the face of uncertainty. The B-17 is depicted as a sacred weapon and carrier of…

  • Hangmen Also Die! 1943

    ★★★ Watched 06 Apr, 2014

    I already have more appreciation for Hangmen Also Die! since watching it, especially in comparison to my largely indifferent gut in media res reaction. The lead actors are unable to make a connection with the audience, there are some moderately significant pacing problems and an unappealing stiltedness to its visual flow. Of Fritz Lang’s WWII quartet, the only other one I’ve seen is Man Hunt, which I felt similarly cold towards. Said quartet has been pretty uniformly overlooked in Lang’s…

  • Little Women 1949

    ★★★ Added

    I’m picky with my Little Women. The 1994 Gilliam Armstrong film is a precious and sacred entity to me, to the point where even the source material itself doesn’t tickle my fancy. But surprisingly, I liked this! Most praiseworthy is its use of Technicolor and all technical contributions to the looks; cinematography, costume, and art direction. So a lot of the mise-en-scène touchstones. It’s one of the most strikingly photographed films I’ve ever seen. There’s an illustrative quality to it,…

  • Fox and His Friends 1975

    ★★★½ Added

    This review reportedly contains spoilers. I can handle the truth.

  • Veronica Mars 2014

    ★★★★ Added

    Like a full season crammed into about two and a half episodes. This sounds like an insult, so let’s switch ‘crammed’ for ‘distilled’, because I pretty much loved this. After some clunky recapping, we’re right back in Veronica’s head and all is right with the world. It clicks along with just the right amount of ups and downs. Veronica’s just-when-I-thought-I-was-out (OK nine years is not ‘just’) arc is used as a foundation with which to build stakes and revisit and…

  • Five Graves to Cairo 1943

    ★★★½ Added

    Billy Wilder’s underappreciated second feature film is easy to get undeservedly lost among WWII-era pictures. Adapted from a play originally set during WWI, the isolated action is moved to a hotel in North Africa where espionage, undermining, and deception all run amok by the core cast. Despite its eventual committed seriousness, quite a bit of Five Graves to Cairo is light on its feet, until it isn’t, treating its subject with a winning mix of popcorn fare and brass tacks…

  • Ernest & Celestine 2012

    ★★★★ Added

    Sweet-natured beyond reproach, fully enlivening two distinct worlds (that of bears and mice) which are inextricably and antagonistically defined by the other. The lumbering wannabe thespian Ernest and the sprightly artistic Celestine enter a mutually beneficial dynamic which turns into inseparable friendship. From the creators of A Town Called Panic, the former’s chaos is recalled in spurts (the dual Police chase is a favorite) and calming downtime gives E&C room to blossom with us as witness. The animation has gorgeously…

  • Nymph()maniac: Vol. I 2013

    ★★★½ Added

    It’s difficult to have any conclusive thoughts when I’ve only seen half the final product (though I pretty much know most of what happens in Volume 2), but I’ll jot down some thoughts. Von Trier embeds twinkles of playful humor into the deliberately unsexy provocation this time around, and it largely works to his advantage. It’s easy and natural to focus on the cobwebs of by turns messy and provoking gender politics to be found. I still say that von…