Reviewed Apr 29, 2012
Jonathan Lees’s review:
Fulci's most beautiful film is also his most horrific. What other film can compel you to continue on through another hour AFTER acid melts a little girl's face off?
Ripping open a Pandora's box of horrors, with a non-linear approach that defies all your expectations of what could possibly happen next, Fulci achieved something in cinema that may be the closest thing possible to pure madness.