Lesser Tati is still Tati.
It's not the grand finale any Tati fan would have liked for the man's career, but Parade still manages to please and intrigue. Produced for TV, it shows one evening's entertainment at a circus. Subversive as always, Tati ensures the audience and the backstage crew are just as much a part of the show as the performers.
Traditional acts, such as illusionists and tumblers use bizarre variations to create a counter-culture freshness to age-old distractions.…
The phrase "based on a true story" has been drained of all meaning lately, but at least in 1976 it still had a bit of power, especially when the true story inspired at least three movies in its native Japan.
In 1936 a young lady named Sada Abe accidentally killed her lover while engaging in some kinky breathplay. She then proceeded to castrate the body and carry the dead man's privates around with her for several days, until the police…
One of the best discoveries I've made in the last year is how much I really, really enjoy the early Hitchcock movies. A string of six thrillers, made from 1934-1938, on a low budget and meant to be "second features" for American movies, are fine-tuned little entertainment machines, engrossing and compelling.
The Lady Vanishes is Hitchcock's penultimate British movie before making the move to Hollywood. In a fictitious European country, a young Englishwoman, Iris (Margaret Lockwood) is befriended by an…
This review may contain spoilers. I can handle the truth.
It's been said that the best samurai movies are anti-samurai movies; I'm not sure of the truthfulness of that contention, but it is certainly true of the samurai films of Masaki Kobayashi, who five years before had helmed Hara-kiri, one of the best anti-samurai films of all time.
Toshiro Mifune is Isaburo Sasahara, a proficient swordsman who married into a good family and is not allowed by his wife to forget it for a minute. He holds a good rank…
It had been three years since Ingmar Bergman's desolate, ambiguous The Silence, and his only feature film had been 1964's All These Women, a colossal flop. The French New Wave was sweeping Europe, and it was whispered that Bergman was washed up, a has-been whose most exciting work was behind him.
So he made Persona, which acts as a massive punch in the face to those allegations.
Opening with a visual overture than can only be described as a poem…
Elio Petri's movie version of Robert Sheckley's satiric science fiction story "Seventh Victim" is predictably stylish and, if anything, even more biting than its source.
In the then-distant 21st century, war has been eliminated by the Big Hunt, a global game of assassination where each participant goes one ten hunts, randomly assigned either the role of Hunter or Victim. The Hunter is given the Victim's identity and complete information; the Victim is told only that someone is hunting them. Survive…
Director Elio Petri directed several stylish features through the 60s, looking for his voice, but it wasn't until this movie, a Kafka-esque black comedy rife with political scorn that he found it, and made what is considered to be his masterpiece.
Gian Volonte is the head of Rome's Homicide Division, and on the day of his rising to the head of the Political Crime division, he visits his mistress, with whom he has a twisted, masochistic relationship: she is aroused…
Mention 8 1/2 and the immediate reaction is "it's one of the best movies about filmmaking, ever!" I'm not too sure about that, but it is a remarkable movie, no doubts about that.
Frederico Fellini's study of film director Guido (Marcello Mastroianni) switches rapidly from the pressures of trying to wrestle a production crew and actresses and their agents and their publicists with remarkable , hallucinatory fantasies as Guido tries to escape the mess of his life. A womanizer of…
I have a strong contrarian streak in me. Unless it's in a genre I love, I tend to resist going to movies that are extremely popular. And in the period of 1973-74, The Sting was very popular, indeed.
In the waning years of the Great Depression, Robert Redford plays an up-and-coming grifter who hits it big when he and his confederates accidentally target a mobster carrying the week's take from a gambling outfit. Unfortunately, the leader of that mob (played…
Trigger Warnings: Nudity, Urination, Torture.
In other words, it's a Jodorowsky movie.
Deemed a "magical autobiography", Jodorowsky muses on his childhood in Tocopilla, a Chilean port and mining town. The son of Ukranian immigrants, his alienation is acute, and not aided a bit by his father, a self-loathing Jew whose idol and role model is Stalin.
In fact, Jodorowsky leaves his own story for a great swath of the movie to give this man a learning voyage, a renewal and…