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  • The Cremator 1969

    ★★★★★ Watched 18 Jun, 2013

    The Cremator is a tense and haunting tale that, from the first shot, ran chills up my spine. Seldom do any acts typical of the horror genre occur in this film, but it manages to be unnerving through its script and Rudolf Hrušínský's terrifying performance as an unfortunately obedient protagonist. Even before any sorts of horrors show up, there is an anxiety that envelops the film. This terrifically foreboding atmosphere is due, in part, to the striking expressionistic camerawork and…

  • This Is the End 2013

    ★★★ Watched 15 Jun, 2013

    An extremely critical look at the "LA personality" and celebrity in general. This is the End is a pop-cultured fueled comedy that works a lot more than similiar products like the Scary Movie franchise. Not only in that it appears to have a bigger budget (the special effects were, on the whole, great), but the majority of the hilarious celebrity cameos make sense. That being said, the film is still pretty shallow and pulls some very lazy "dick humor". Still, This is the End is a well crafted treat for pop-culture nuts.

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  • Escape from L.A. 1996

    ★★★ Watched 10 Jun, 2013 1

    Despite the fact that Carpenter puts the famous Snake Plissken through a surfing scene, a basketball scene, and a ridiculous hanglider assault scene (although all these scenes deserve the title of ridiculous), Escape from L.A. managed to be an extremely crazy fun action movie. It appealed to my inner child in that all of the aforementioned scenes take place and I didn't groan or complain, but I cheered. Snake remains the stoic constant in this cheese-filled Hollywood criticism. Kurt Russell never misses a beat and Snake Plissken remains the same cold blooded anti-hero, even when he's shooting hoops.

  • Total Recall 2012

    ★★★ Watched 08 Aug, 2012 9

    If I never saw the other Total Recall, I might have really REALLY enjoyed this, but I did see the 1990 version so I knew this wouldn't be as good. I didn't want to compare it to it, but all the not-so-subtle references to the superior classic just kept on bringing me back to the Verhoeven's adaptation. In fact, I found that most of the time I was excited because I was waiting for the next reference to the other…