All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
A Very Long Engagement
Never let go
In 1919, Mathilde was 19 years old. Two years earlier, her fiancé Manech left for the front at the Somme. Like millions of others he was "killed on the field of battle." It's written in black and white on the official notice. But Mathilde refuses to believe it. If Manech had died, she would know. She hangs on to her intuition as tightly as she would onto the last thread of hope linking her to her lover. A former sergeant tells her in vain that Manech died in the no man's land of a trench named Bingo Crepescule, in the company of four other men condemned to die for self-inflicted wounds. Her path ahead is full of obstacles but Mathilde is not frightened. Anything is possible to someone who is willing to challenge fate...
Aside from Alien Resurrection, penned by Joss Whedon, the other three Juneut films I’d seen all had writing input from Jeunet himself. From my reading, it usually was the original story that sprung from Juneut’s ‘original’ mind. For me, what makes a Jeunet film is that combination of absurdist story married with his trademark dream-like surreal photography. Alien Resurrection had neither, and I found that quite dissapointing. This is why I went into A Very Long Engagement with a bit of trepidation.
Adapted from a romantic novel set in World War I France, A Very Long Engagement tells the tale of our protagonist, Mathilda, and her journey of hope to find her true love and finance, Manech. Mathilda has received…
Director Jean-Pierre Jeunet Amélie has reunited with the star of that wonderful film Audrey Tautou for this drama, set during some of World War 1's darkest days and it's aftermath. It's a French film, but there are several faces worldwide audiences are sure to recognize. Especially watching it now.
A Very Long Engagement is the story of one young woman's relentless search for her fiancé Manech (Gaspard Ulliel), who disappeared from the trenches of the Somme during WW1 after being court martialed with 4 other men for self mutilation. Soldiers used this as a tactic to get sent home, but when caught were sentenced to death.
Much like he did with Amélie, Jeunet relies heavily on Audrey Tautou's performance. This…
A Very Long Engagement is a story that takes place during and after 'World War 1' it starts out with with four men being marched through high water in the trenches during combat, the men sentenced to death for "self mutilation" some by accident. their punishment is for them to go to war a part called "no mans land" as it unfolds the story is one of two people's love. "Manech and Mathilde" mainly Mathilde's [Audrey Tautou] fight to see exactly what happened in battle to her fiance Manech [Gaspard Ulliel]. This an amazing love story, with stunning cinematography. with a performance by Audrey Tautou that i will not soon forget, you tend to hang emotionally on to her every feeling, when she smiled i smiled. gut wrenchingly painful at times, held together by great performances, and beautiful scenery. i absolutely loved this film!
"Manech loves Mathilde, Mathilde loves Manech!"
A Very Long Engagement is epic, is Amelie love story set in David FIncher's Zodiac, or like I read before Amelie goes to war. Is hard to point out the film in a specific category, Jean-Pierre Jeunet brought the complete box of toys for this epic adventure. A Very Long Engagement is an amazing piece of cinema, an inspiring love story, is what James Cameron wanted Titanic to achieve but fail miserably at it.
Audrey Tautou is amazing, she brought sweetness and character to Mathilde, the performance at moments was heartbreaking, you laugh when she laughs and cry when she cries, amazing performance in every…
Jeunet’s follow-up to the incomparable Amélie is a transcendent romance, a complex mystery (with no shortage of whimsy) and a chilling evocation of the horror and futility of war, as Mathilde (Audrey Tautou) searches for her fiancé, one of five soldiers sentenced to death for desertion at Bingo Crépuscule three years earlier. It’s an extraordinarily successful melding of apparently incompatible moods and genres, full of vividly-drawn supporting characters (Marion Cotillard’s vengeful prostitute, Jodie Foster’s selfless wife) and featuring one of the only good trump-related gags in all of cinema (“Doggie fart, gladdens the heart”). It’s also beautifully shot, scored and acted – a treat for the eyes, ears and soul.
A Very Long Engagement is the 2004 film from the Amelie crew, including director Jean-Pierre Jeunet and actress Audrey Tautou. It concerns a young fiance's search for answers after word gets back her lover has been lost at the front. It elegantly captures the ugliness of World War One's trench warfare, yet is curiously uninvolving after the mystery is solved.
As the movie opens, we see four men being marched along a trench, ankle deep in water as the rain pours down. We are sequentially introduced to each of the condemned men, as they were sentenced to death for "self mutilation", some on purpose and some by accident. This death penalty was invoked to keep others from trying to get…
Alternatively titled: A Very Long and Boring Movie
Top notch Jeunet picture that. Engrossing WWI story which certainly needs your close attention as there are a lot of names and details to keep track of. The cinematography is fucking gorgeous and the same goes for the outstanding Badalamenti score. And of course Audrey Tautou is very, very, very fucking nice to look at. She's drop dead gorgeous. if you are a fucking idiot who doesn't watch movies because they have subtitles, then, well, you are a fucking idiot and this movie isn't for you. Everybody else should certainly enjoy this picture.
I really enjoyed this epic film, and I liked how the message in the story seemed to be "make love, not war." World War I was such a terrible time, and it was so easy for people to lose touch with their loved ones. It gives me hope for mankind when I see a story where love triumphs over violence. It gives me hope to see a woman struggle so hard for her true love. This film had some very powerful performances! If only more people could learn to love like the main characters in this story! I see a better future where love defeats war!
I'm not sure. I couldn't watch it at once so it's hard to tell. I was confused by the plot but that's just me trying to understand everyone's name, places and French politics during the war. What I love the most about his films is his specific visual language. The story itself is dramatic and quite tragic with many emotional turns. I just appreciated how he well-balanced the emotional overtone of the film throughout. And of course, it's beautifully shot. Maybe I'll see it again. Next year.
Nota = 7,5
Em “Eterno Amor”, o diretor Jean-Pierre Jeunet e a atriz Audrey Tautou repetem a parceria de sucesso de “O Fabuloso Destino de Amélie Poulain”, mas, dessa vez, sem o mesmo brilho. Aqui, acompanhamos a jornada de Mathilde (Tautou) que se recusa a crer na morte de seu grande amor Manech (Gaspard Uliel). Através da narração fragmentada dos eventos que envolveram cinco soldados franceses que foram desertados após praticar automutilação durante a 1ª Guerra Mundial, ela vai juntando as pistas e enchendo-se de esperança de que um dia irá reencontrá-lo, mesmo quando as informações não conspiram a seu favor.
As similariedades com “O Fantástico Destino de Amélie Poulain” não se resumem apenas na presença de Jeunet e Tautou, afinal…
It's been over a decade since I watched 'Amèlie', my only Jaunet thus far. I can no longer speak to just exactly how good it was, but it's no doubt I adored it. I do look forward to revisit it in order to figure out just how great I find it, but 'A Very Long Engagement' never managed to reach me in the same way.
It's ambitious, and Jaunet's style of cinematography is certainly beautiful to look at. Sadly, there isn't really all that much substance beyond its beauty. Not to say there isn't an interesting story hidden within, but as far as I can tell Jaunet's unique style didn't do it any favors as…
The problem with me reviewing films is I often second guess my opinions thinking 'well, isn't this a movie a somewhat educated middle class white thirty year old would think was powerful or moving, or something something about the cinematography though I barely know what that means?' I don't trust it when I like a movie. But terrible movies aimed at stupid and terrible people, those I feel smug in recognizing that they are terrible. Ha! I can tell this movie is shit! (And sometimes, I even take a derisive pleasure in liking a movie because it is pure garbage.) Apparently, X-ers have added 'they laugh at movies that are not funny just because they were made prior to 1985'…
Every film that has ever been nominated for an Academy Award in any category. Enjoy!
Sometimes I get stuck in a rut when it comes to watching films. I either just watch anything that comes…