A Woman Under the Influence A Woman Under the Influence
1974 Directed by John Cassavetes
Synopsis
Peter Falk is a blue collar man trying to deal with his wife's mental instability. He fights to keep a semblance of normality in the face of her bizarre behavior, but when her actions affect their children, he has her committed
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I have always heard of the great work of John Cassavetes – the fact that he is, arguably, the one of most influential and important figures in the history of American Independent Cinema (‘The Father’, some have said). I knew I needed to see his films, but I never really took the time to seek out his work. That is until my then-girlfriend, now-wife, purchased the John Cassavetes: Five Films boxed set from the Criterion Collection (one in a long list of reasons I wholeheartedly love my wife). Not only did she buy the box set off of eBay, but she got the Chinese version (a knockoff more than likely). Hell, the DVD for Opening Night is spelled Opening Hight.…
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A devastating masterwork of one woman's downward spiral and a dry, humanist deconstruction of acceptable social politics. It is a film about family, commitment, desperation, redemption and the struggles of the working class. It is a film that sucked me right in with jaw-loosening, goosebumps-inducing acting. Gena Rowlands transforms herself. She becomes the distraught Mabel, an unimaginable character. It is so unconventional and uncompromising what she does in the first half, slowly losing her sense of "normal" public and private behavior. Her performance is nothing short of astonishing. Is she becoming mentally ill, or has she always been this way? Is she really mentally sick at all? The conclusion of her mental state lays entirely on the viewer. This is…
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Humane.
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I think I may have made a mistake viewing this movie before most of the other Cassavetes directorial efforts. This is a movie that should make most currently working directors green with envy, a film that should make them rethink their careers, and what they truly want to accomplish with film. This intimate, wholly real, incredibly moving and involving film is miles above most of the works I've seen from anyone else so far.
Rowlands again commands complete attention in this film; as Mabel, the wife of a hard working city employee, and mother of three young children, she is a woman that has been struggling under the various familial and societal demands being forced upon her for what we… -
Gena Rowlands would have made a magnificent Sylvia Plath.
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this was the prequel to silver linings playbook, right?
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I have always heard of the great work of John Cassavetes – the fact that he is, arguably, the one of most influential and important figures in the history of American Independent Cinema (‘The Father’, some have said). I knew I needed to see his films, but I never really took the time to seek out his work. That is until my then-girlfriend, now-wife, purchased the John Cassavetes: Five Films boxed set from the Criterion Collection (one in a long list of reasons I wholeheartedly love my wife). Not only did she buy the box set off of eBay, but she got the Chinese version (a knockoff more than likely). Hell, the DVD for Opening Night is spelled Opening Hight.…
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Fuckin' wow, man.
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perfect and completely accurate
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this woman lives in YOUR neighborhood
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this was the prequel to silver linings playbook, right?
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Humane.
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Only my second Cassavetes after Shadows, which I saw for the first time last year, and by which I was absolutely blown away. Much I found to respect about Woman, Rowlands' performance chief among them, but ultimately I just found this one too purposeful to become fully immersed in it. I don't know what's wrong with me either.
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SO FUCKING STRESSFUL
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Lots and lots of yelling - almost two and a half hours of it, in fact. A lot of people confuse "loud" with "showing a lot of range", but in this case Rowlands does do a good job in her role.