Recently, I've become aware that certain films are able to transcend the medium by being completely self-assured in their atmospheres…
When nature turns evil, true terror awaits.
A grieving couple retreats to their cabin 'Eden' in the woods, hoping to repair their broken hearts and troubled marriage. But nature takes its course and things go from bad to worse.
So.....I guess von Trier took the whole 'torture porn' thing too literally.
I can take the pretentiousness and can forgive the self-indulgent ramblings and thickly laid on self-importance.
I can even stand the yucky bits.
What I can't stand is the shallow, cold and completely unengaging treatment of its potentially intriguing subject matter.
“Nature is Satan's church.”
-She (Charlotte Gainsbourg)
Over on the Internet Movie Database, someone once described Lars Von Trier as, and I quote, ‘an arty wanker’.
Now, although that is perhaps the most unsophisticated and rudimentary way of expressing it, they did have a point. It isn’t hard to see why Trier could be considered pretentious, especially with his most controversial outing yet, Antichrist.
To say it is unforgettable is a gross understatement. Rather, for better or worse, it sears itself into your subconscious, tapping its way into your most deep seated fears. It is a film that will astonish and infuriate in equal measure, a film that cannot be simply watched, but felt. The exact emotions felt will differ…
Those were probably the most common sounds/phrases coming out of my mouth while watching Antichrist. After a brilliant and hypnotizing opening, Lars von Trier takes your hand and guides you through a misty realm of wo- "HOLY FUCK WHAT IS THIS SHIT."
I must say. Antichrist is unlike anything I've ever seen. Its like Evil Dead as written and directed by Terrence Malick. Its cold and calculated and is light on the shocks until they sneak up and strike. Antrichrist is labeled as a horror film but its hardly conventional horror fare. Instead its a quiet film that resembles an awkward neurosurgical operation rather than a horror film you're used to seeing.…
The perfect film to see with your girlfriend's right-wing, conservative parents.
Part of A Film A Day
I feel as if
I feel violated.
My eyes need bleach.
are the appropriate expressions to describe my immediate reactions to Antichrist.
Lars Von Trier's provocative 2009 film Antichrist could be deemed a cinematic Frankenstein (and the Director a kind of Tarantino for the art-house crowd) with it's blatant nods to the Director's influences in Tarkovsky, Dreyer and Bergman as well as the post film credits which call out a department of researchers on; misogyny, mythology and evil, anxiety, horror films, music, theology and therapy. But in looking for the beauty in the beast amongst this witches brew of ideas, themes and symbolism, as well as some of the most gruesome self-mutilation imaginable, surfaces an existential horror masterpiece that has absorbed my thoughts and entirely this week.
After my first viewing a few years ago I felt physically ill and…
One of the few films to legit scare me. It's not even scary so much as it's "someone really wanted to other people to see this"
I cannot stop thinking about this film. Lars von Trier's "Antichrist" contains some of the most disturbing scenes I've ever seen in film history. Two in particular. Sure, these moments have stuck with me in the worst way possible, but it's the haunting opening, the ambiguous ending, the incredible performances, and the overall tone that also plague my mind. This is an ambitious psychological mind-bender, and a film that I look forward to watching again despite its dark subject matter. I look forward to delving deeper into the interesting filmography of von Trier.
Well I gave it a second shot 3 years after the first viewing, and I have to say that I do indeed like it better, but still not all that much. I love the provocateur that Lars von Trier is, but the content in this feature just really does not interest me. I understand most of what is being portrayed and what happens, it just doesn't resonate with me. However, what does resonate is the films imagery and performances. The images in the film are horrific in every sense of the word. The are truly terrifying and gorgeous simultaneously. The actors are very convincing as well. They really sell this insane and risky product of a film. Lars, I love you, but sometimes you just kill me.
Der Streifen will mir jetzt nach einem Tag immer noch nicht aus dem Kopf. Die paar Schockszenen waren zwar übelst graphisch widerlich, jedoch ist es die Grundstimmung, die einem in Mark und Bein fährt und nicht mehr hinaus will. Ein Film, der das Prädikat Horrorfilm redlich verdient. Wertung bleibt vorerst mal aus, muss das Erfahrene erst verdauen.
Antichrist is one of those horror films one finds ever so often that is unafraid to take serious risks - risks that can result in hatred (the accusations of the film being misogynistic) and derision (the talking fox). But the film is memorable. The film restores the terrifying potency of the woods that most of us escaped long ago. It uses the primal and the psychological to create mindscapes of dread that worry under our skin like a piece of bark. It is not scary, but it is eerie, and haunting, and those are qualities that I far prefer.
given the title, director and subject matter, it's fair to say no one is expecting a jaunty comedy here, but it's striking how any notion of happiness or even a lighter, relieving set of emotions is instantly crushed. gainsbourg tells her husband the whimsical story of the acorn tree, only for him to crush it. "that story belongs in a children's book. acorns don't cry." it is harsh, unsympathetic, emblematic of their entire relationship and endemic throughout the film. scornful, hateful self loathing filtered through a battered psyche, represented physically through the dense, foreboding forest. the homeplace of "satans church" according to gainsbourg. if satans church is nature, residing in the forest which has been called Eden by those visiting…
- Only God Forgives
- Fear and Loathing in Las Vegas
- Spring Breakers
- A Field in England
- A Page of Madness
- Un Chien Andalou
- L'âge d'or
- Meshes of the Afternoon
A big collection of films that might be considered as strange, mindfucking, surreal and weird. Sorted by year. Suggestions are…
- Grand Illusion
- Seven Samurai
- The Lady Vanishes
- The 400 Blows
The entire Criterion collection organized by spine number.
I don't know why I did this.
Number I've Seen: 147/733