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You can skip movies 10 times but never go back.
Betrayed by an informant, Philippe Gerbier (Lino Ventura) finds himself trapped in a torturous Nazi prison camp. Though Gerbier escapes to rejoin the Resistance in occupied Marseilles, France, and exacts his revenge on the informant, he must continue a quiet, seemingly endless battle against the Nazis in an atmosphere of tension, paranoia and distrust.
"Unhappy memories! Yet I welcome you, for you are my long lost youth.”
It's hard to feel I have anything definitive to say about so monumental a movie on first viewing. The easiest thing to point out about it is the tragedy of its historical circumstances: it was one of Melville's most personal films, as he was himself a fighter in the French Resistance during the Nazi occupation in World War II, but he didn't live to see his film receive the appreciation it deserved. It was panned by the cahiers du cinema and never made it to the U.S. until 2006, at which point Melville had passed and his film had been critically re-evaluated.
The reason for its initial…
Melville conveys what it is like to live in an occupied country with a single scene.
His main character Philippe Gerbier, a renowned French Resistance organizer, is in London for a series of meetings with the British army. While he is taking a stroll in the evening the bombs start falling and the sirens scream. He quickly finds shelter in a doorway, not sure what else to do, and for the first time in the film we see that he is afraid. He tries the door behind him and finds it unlocked. He opens it, walks in, and is astounded by what he sees.
The room is filled with British army men and women, dancing, drinking, talking, having a good…
It’s been a few days since I’ve watched Melville’s Army of Shadows, and I’ve been haunted. It steals into my thoughts both waking and asleep. I keep being enveloped by a fugue of uncertainty, loneliness, and fear.
Army of Shadows defines heroism. Heroism because you know you can’t win. Heroism because you know you can’t even survive. Heroism because you don’t really have comrades to bolster your bravery and share your fear. You are alone. When you are in the trenches, a bullet can catch you at any moment, but yet you are side by side with your brothers in arms. Here the fear is the hand on your shoulder from behind. Instead of instant death, or a wound you…
An ostensibly bleak almost nihilistic air invades the space around the French Resistance as depicted by Melville. He was a member of the covert movement himself so perhaps better positioned than anyone to tell its story. Any notion of romance or satisfaction gained from their activities is not on show here. Melville tells it as an almost futile battle, like scaling a wall that just keeps on growing taller.
Life for these people seemed to exist for passing the baton when the moment was right, just before the current holder took a fall. Everyone involved knew they had limited time to make their mark. Their capture and death was an inevitability. They could only move in the shadows for so…
Melville got almost everything right here. The actors, the colour, theme, pacing and cinematography. What struck me the most is the seemless link between colour and theme. The cover is blue, as is much of the film, but most striking is a world where nothing is black or white accompanied by a grey tone. If bleak has a colour it's that mix of cold blue and grey.
It's one of these movies that you must see for yourself (and Zap won't stop shouting about it either ), and whatever words I scribble won't do it justice. That, and I've just finished watching it and a better review must wait until a rewatch. Not for the short of breath, though, as…
This review may contain spoilers. I can handle the truth.
right from the shocking opening image of nazi's marching past the Arc de Triomphe, it's clear Army of Shadows is operating on a level few other war films ever have -- this is world war II as a gangster tragedy, where even resistance fighters standing up & dying for one of history's most noble causes are corrupted & perverted by nazism the same way the world was. coming off a series of increasingly well-made crime movies, again melville finds more nuance in glances & gestures than in words, but here it takes on a new meaning as paranoia & awareness are made out to be keys to survival in most of the spaces these characters operate in. and survival seems to be the key…
Melville has a genius for showing people dedicated to their work going about their jobs. Here, those jobs are about as dirty and high stakes as it can get, and the horror of occupied France hangs over everything.
Mit sehr ruhigen und klar strukturierten Bildern wird beinahe ohne Musik das Wirken der französischen Résistance im Zweiten Weltkrieg portraitiert. Ich empfand die Darstellung des bis zur Selbstaufopferung bereiten Widerstandes gegen Besatzer und Kollaborateure gerade durch die ruhige Inszenierung und der unterkühlt depressiven Atmosphäre sehr spannend.
Zu Beginn fesselten mich Hintergründe der wortkargen, fast gefühllos agierenden Charaktere im Widerstand, deren Einstellungen sowie Handeln spätestens bei Filmende in voller Härte verstanden werden kann. Der Kampf gegen die Nazis erscheint mit der Lauflänge immer auswegloser, was sowohl durch die schiere Unterlegenheit der Résistance, als auch durch entsättigte Farbgestaltung und Wiederholung von Kameraeinstellungen sowie Schauplätzen erreicht wird.
Trotz der vielen Rückschläge, werden immer neue Pläne geschmiedet und wenige andere von Erfolg gekrönt, wodurch ich kontinuierlich bei jeder Aktion gebannt war und dem Erfolg entgegengefiebert habe. Das ist sehr effektiv und im heutigen Kino undenkbar geworden.
Für Geduldige ist Armee im Schatten ein sehr starker Kriegsfilm der anderen Art.
Superior camera movement and placement, colors as bleak as they are gorgeous, and images that sustain power. Army of Shadows is quite literal, with its central characters always lit with shadows engulfing them. A deeply unromantic view of a Resistance movement in France during WW2, the film feels very much like an endless game of chutes and ladders, but with every narrow escape, an equally devastating loss. Simone Signoret stands out the most to me. Gorgeous soundtrack. A
After seeing this film 3 or 4 times, I can't help but think it's the greatest ever made. That's tempting, but it's better to avoid superlatives, when there are still so many fine films remaining unseen. Still, ARMY OF SHADOWS has profound, eternal qualities that stick in the mind long afterward. It's a war film without combat or uniforms (not for the main characters anyway), about a war fought behind the scenes, in shadow. And like any great war film, it foregrounds basic, human emotions and needs. The characters in this story are fighting for the life of their country, against a ruthless, occupying force. At every turn, they risk certain, often immediate death. Intrigue (always believable, never contrived) and…
Apparently the sole objective of the Resistance was to free or kill captured agents.
Watched this for my French film class, gave great insight into the underground rebellion in France that we don't hear about in the history textbooks
Jean-Pierre Melville builds tension here in an astonishing fashion. How he structures some scenes are along the lines of:
-Set up an inevitable action, encounter, or event that will occur.
-Cover every preceding second in utter tranquility.
-Let the inevitable event occur, and with it will come great, cathartic contrast.
And it works. Melville's suspense weapons are stillness and silence, and they are continuously held up to the audience's throat, daring them to take a single blink or draw a single breath.
Being a member of it himself, back in the day, Melville proved just how pitch-perfect he can show the intensity and suspense the Resistance had to live under, during the Second World War.
I dare you to find a better work of its ilk.
It may well have been intentional, or even the point of the film, but something about the pointlessness of the French Resistance (as depicted in the movie, of course) bugged me. The cell that we follow never really DOES anything, or even tries to. They spend the whole movie avoiding/escaping from the Nazis or getting rid of traitors. Never once do they try to (much less succeed), like, I don't know, bomb a bridge, steal plans for troop movements, assassinate an officer, whatever. I obviously don't mean to suggest struggle, even pointless struggle, against the Nazis isn't laudable, but dramatically it would be nice to have more...active...characters. I also had some trouble following what was going on (like, why did…
High-rated movies with very few views. Suggestions are welcome.