No, it might not be strictly necessary for Mickey and Judy to do quite so many impressions of deceased theatrical greats. No, I don't know why he's doing a weak take-off of Carmen Miranda. Yes, the plot about sending inner-city orphans to the country is unbelievably corny. And no, perhaps everybody shouldn't be in blackface. But this was 1941. And America. So, yes, this decent putting-on-a-show musical leans on plotting that's almost self-parodical, and features a climax that is simply baffling to modern audiences - while it's worth adding that the blackface finale is in the theatrical tradition of minstrel shows, which were hardly out of the ordinary in 1941, and it's naively celebratory rather than mean-spirited, the image of…

No, it might not be strictly necessary for Mickey and Judy to do quite so many impressions of deceased theatrical greats. No, I don't know why he's doing a weak take-off of Carmen Miranda. Yes, the plot about sending inner-city orphans to the country is unbelievably corny. And no, perhaps everybody shouldn't be in blackface. But this was 1941. And America. So, yes, this decent putting-on-a-show musical leans on plotting that's almost self-parodical, and features a climax that is simply baffling to modern audiences - while it's worth adding that the blackface finale is in the theatrical tradition of minstrel shows, which were hardly out of the ordinary in 1941, and it's naively celebratory rather than mean-spirited, the image of…