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A young farmer assembles a band of diverse mercenaries to defend his peaceful planet from an evil tyrant.
"Battle Beyond the Stars," in all its B-movie, space fantasy glory is one better villain away from being a passable film. New World's space-based update of "The Seven Samurai" is ambitious, but its budgetary limitations and character issues prevent it from being the grander space spectacle it might have been.
Following a young farmer who builds a team of rag tag mercenaries to face an evil despot named Sador, the film is derivative but obvious about its influences. The story is a token hero quest made interesting by the cadre of characters met along the way. The characters are not necessarily original, but they are compelling. Sador, played to hammy extremes by John Saxon, is the one weak link that…
Not as "cheap" looking as I remembered from seeing it as a kid, but just as dull. The effects, it turns out, are the only real attraction here as John Sayles uninspired Seven Samurai variation doesn't really do much to link together the seemingly endless, unexciting scenes of ships/people/aliens firing lasers at each other. Sybil Danning and a fully-emboobened (I made that word up) space ship sex up the movie well beyond anything you would get in a non-Corman produced domestic Star Wars riff, but there's nothing sexual about how stiff the male lead is, just barely holding his own against George Peppard doing a weird cowboy shtick and Robert Vaughn who seems to be playing Roger Corman. This movie…
Soporific Star Wars knock-off, complete with a Korngold-biting score and a plot which filters Flash Gordon space opera through a familiar genre narrative (lifted, in this case, from Seven Samurai / The Magnificent Seven). Notably absent: enthusiasm.
George Lucas’ name has become a byword for crass over-commercialization, but the fact of the matter is that the original Star Wars is a movie informed by overwhelming affection—for the heroes, for nifty special effects work, and for a certain kind of predictable, the-bad-guys-wear-black storytelling.
Some notable names in the production of this B-grade sci-fi film: Produced by Roger Corman, Script by John Sayles, music by James Horner, special effects by James Cameron. Onscreen, we're not so lucky... Richard Thomas gives a weak lead performance, John Saxon's worse as the bad guy, and when it comes right down to it, everyone else is pretty bad too... it all feels like a collection of first takes by a bunch of kids making a film in their back yard. Storywise, it's a remake of The Seven Samurai, by way of The Magnificent Seven (with Robert Vaughn making a return appearance), but it is so inferior to either film that it's only good for laughs and maybe for…
Pedestrian space opera adaptation of The Seven Samurai / Magnificent 7 that has it's charming aspects, and isn't bad to have on in the background for amusement, but it pretty much lost me early on in terms of engaging with it narratively. I experienced déjà vu repeatedly throughout the film, but I'm not sure if I'd seen it, or seen bits of recycled elsewhere. Punches a bit above it's weight in the FX dept. courtesy of James Cameron. Rating slightly inflated because I'm partial to the genre, and it looks nice on Blu Ray.
A childhood favourite as Jon Boy Walton recruits a rag tag bunch of freedom fighters to take on John Saxon and his evil side parting.
Of the films that were quickly knocked up to cash in on Star Wars this is one of the best - A great score and some fine model work probably make it more memorable than it really deserves. Sybil Manning sticks in the mind too.
Stick it on a triple bill with Krull and Flash Gordon and that's pretty much my childhood viewing right there.
It's safe to say this is not Robert Vaughn's finest hour.
As far as terrible movies go, this one was a good time.
After the phenomenal success of Star Wars it was to be expected that Roger Corman would exploit a promising trend and turn to space opera. And his New World studio had invested in the technology to create cheap adequate special effects...well, they seemed adequate at the time: not marvellous, maybe not that good, but adequate. Now they seem dreadful or charming, depending on your whim. In Battle Beyond the Stars the sets down on the planet look a bit like 1960s Star Trek...which gives them a certain charm. (And yes, the Jim Cameron credited as art director is that James Cameron.) The story? The evil Sador (John Saxon) is threatening a peaceful planet: they must submit or be destroyed. Then,…
A peaceful planet is threatened by an evil bad space dude known for taking over planets, enslaving entire cultures, and that sort of sh*t. So one of the peaceful planet dweller revs up an old spaceship to find a mercenary to defeat the baddie, as their religion forbids them from doing so themselves.
- Apparently DVDs of this film are hard to come by. But this vendor that I keep seeing at conventions - and apparently, keep buying from - gave me a sweet deal on this bad boy. And despite the B-grade quality, I'm super stoked with my purchase.
- Speaking of B-grade, what in this film IS of high quality? Probably Robert Vaughn doing his best Richard Burton…
It kind of pains me to give this movie such a low rating. You might be thinking 'but wait, that's not exactly too low, is it, like it's not a "Bad" rating, right?' I was quite hopeful for Battle Beyond the Stars, however, from some of the scuttlebutt that I'd heard over the years, its cult status and how Roger Corman wanted to make a Magnificent Seven in space (or Seven Samurai if you want to be more cineastey about it) and, naturally, following on the coattails of Star Wars (and Alien to a smaller extent, which itself was made thanks to Star Wars), with a cast that included John Saxon and George Pappard, and art direction by none other…
This felt like a movie someone made using a handful of random action figures found at a garage sale to write about. On one hand the movie's premise is amazing: A planet threatened by a galactic warlord hires a mishmash, ragtag group of mercenaries to protect them... Seven Samurai/Magnificent Seven style! ... But then the movie is really dull... There's very little great character moments, which the film begs for. The film deserves to be much better than it is.
Battle Beyond the Stars Has some rather good credits to its name,Produced by Roger Corman,Screenplay and story by John Sayles. , Music by James Horner ,director of photography and special photographic effects - Jim Cameron and a rather starry B-list of character actors ,not only this but a proven well worn story based on good old Seven Samurai aka The Magnificent Seven . The special effects are on the whole very good to perfunctory,They reminded me allot of the kind of effects you get in the TV shows like Buck Rogers and BattleStar Galactica,which in it self is not a bad thing,but compared to its major bigger budgeted counter parts which were at the cinema at the time (and I…
This review may contain spoilers. I can handle the truth.
What's unusual about this Roger Corman attempt to cash in on sci-fi after Star Wars, is that it mixes the exploitation pic with the family blockbuster, a little like Flash Gordon in the same year. Unusually for a film aimed partly at children, a huge proportion of the cast actually die, I remember that being pretty shocking and sad as a 7 year old. It holds up pretty well, mainly because the characters (written by John Sayles) are good.
"I would recharge his capacitators, stimulate his solonoid; tingle, dingle, dangle, prangle his transistors!"
Yes, Sybil, we're sure you would. Battle Beyond the Stars is not very good, but it is a delightful B-movie night find with both Robert Vaughn and George Peppard. Both seem to be having some fun with this blatant ripoff of every sci-fi movie that was in existence back then. It being an 80s B-film Sybil Danning had to be there as well. The story is rather slapped together, though, and seems to serve more as a way of sticking the 'impressive' sets and model work together, with little to no character development.
Overall, a fun diversion, but nothing highbrow.
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