Step One: Go to www.random.org.
Step Two: Pick a Number.
Step Three: GET WEIRD!
Before the Devil Knows You're Dead
No one was supposed to get hurt.
When two brothers organize the robbery of their parents' jewelry store, the job goes horribly wrong, triggering a series of events that send them and their family hurtling towards a shattering climax.
Whenever people make lists with favourite or best directors, Sidney Lumet hardly ever pops up. That should change. Look at his filmography. He is one of the best directors that ever worked in the industry.
This film is modern noir at its finest. It is bleak, rather disturbing and dark as hell. The story, which unravels in an asynchronous chronology, is multilayered and keeps you guessing due to its fragmented narrative. Only a very talented director can add the much needed coherence a story like this needs.
What Lumet understands very well is to give his actors the right amount of space to inhabit their characters. There is not one weak performance here. The main cast is superb, moved along…
Dear god, what a dismal tale. Before the Devil Knows You're Dead is an exercise in taking an instance of 'it can't get any worse, can it?' and making it much, much worse in the very next scene. I certainly don't mean in the quality of the film, which is superb, but in the depths of misfortune one family can sink to. This is tragedy of such magnitude that The Bard himself would be proud, compounded by the fact that all the misfortune is due to greed and ineptitude. Sidney Lumet's swan song deserves a place in the pantheon of 'bleakest films ever,' which makes this familial train wreck all the more morbidly fascinating.
Not a single role here is…
After losing one of the best actors of our generation today, Philip Seymour Hoffman, I wanted to check more of his films. He left behind an amazing body of work and I've only seen maybe half of it. I started with Sidney Lumet's dark and brilliant noir Before the Devil Knows You're Dead.
The script here is so damn good. Keeping you invested in characters that are very unlikable. The cast is terrific, with Hoffman and Ethan Hawke both giving great performances. Albert Finney was probably the standout to me however. Not only is this yet another great performance from Hoffman, but it's one of 2007's most underrated films and a great film for Lumet to have ended his career with.
Sidney Lumet's Before the Devil Knows You’re Dead tells the story of three people from the same family, but on a Saturday morning on the outskirts of New York, everything seems normal in the life of the Hanson family. The father, Charles passed the driving test and his wife Nanette is going to the a family jewelery. As the eldest son, Andy is worried about a scheduled inspection of the finances for the following Monday and the younger brother, Hank, as usual, is worried about his money problems. However, at 7:58 a.m. Saturday morning, the lives of the members of this family will change because both Andy and Hank decide to rob their family's business.
If we look closely, Before…
Even though I saw this years ago, I was still completely surprised by everything that happened during this recent re-watch. All I remember from the last time I saw it was that I liked it. This time, I fell head over heels in love. Before the Devil Knows You're Dead is essentially a family drama masquerading as a crime drama. Andy and Hank are brothers in very different stages in their lives. When Andy asks Hank to rob a jewelry store, everything goes wrong and the rest of the film is concerned with how their lives fall apart and how fucked up their family is.
This is definitely Phillip Seymour Hoffman's best performance, and that's a big deal. He always…
It's quite astounding to realise Sidney Lumet filmed Before the Devil Knows Your Dead when he was over eighty years old, after five decades as a critically acclaimed director responsible for many genuine Hollywood classics, because though it's often quite masterfully put together it's also filled with the energy & skill of a man five decades his junior - and frankly many directors in their thirties don't make films this good. Sadly it was also Lumet's last film before his death a few years later, but what an epilogue to a triumphant career; this is by turns a carefully lensed, cleverly written, well edited and superbly acted drama ostensibly about a heist gone wrong but primarily about a deeply dysfunctional American…
Don't get me wrong, it's a really well made movie, which is why I went back to rewatch it. But I think I was in the wrong mood for it, the pace was too slow and I just didn' feel like piecing it all together from the flashbacks and different perspectives in the very uneven storyline.
This is a cold and calculated familial drama, drawn out along dire boundaries and told with tense grace in the most distressing ways possible. What Sidney did for his last film was scale back the scope of his characters and their trials and instead streamlined it into a very specific story told with such complex understanding of what he is conveying. What begins as a simple heist film blows up exponentially to envelop a multitude of buried family history and personal problems that arrests the senses for its conservatively short running time. It gets a lot of dimensions across, and considering Lumet's layering of his narrative the film unfolds elegantly even as it digs into more and more despicable ideas. Simply put, it's tense, its arresting, and it contains wall to wall career making performances from the likes of Finney, Hawke and the late great Hopkins.
Broadway stars in a film. Thoroughly enjoyed each performance, especially the bond between Hawk and Hoffman. It's great to see an actor who can provide such passion in their character.
Sidney Lumet is a director whose career has been built upon taking solid screenplays and turning them into great movies. Dog Day Afternoon, 12 Angry Men, Network, Serpico. He's efficient in taking an interesting concept and injecting it with tension almost to the point where every emotion feels 10 times more intense at the end than it did at the beginning. 'Before The Devil Knows You're Dead' fits this mould very well.
What holds this film together is it's structure, the decision to jump between multiple characters perspectives in order to show our subjects interweaving paths was almost a necessity in order to stop things from going stale. Because this movie all revolves around one central event which in turn…
I had never seen this film before, and saw it for the first time yesterday. I had the opportunity to see it in theaters, and to be honest, it was the best theatrical experience I've had all year.
To hear audible gasps, and an "oh no" right towards the end from an audience member is a testament to the brilliant performances from all of the main actors, and to Sidney Lumet, who is in my opinion the best director who has ever lived. This film isn't afraid to show you things, and by the end, you'll be asking yourself who the most despicable character was.
35mm @ MoMI
Kind of makes you wish sometimes you could choose your family.
I believe I said this before in a previous review but I will say it again in that there are people in the world who are in need of money but there are those who find a way to pull through and still make survive. Then there are those who will cross certain lines to have a buck.
"Before the Devil Knows You're Dead" explores people crossing that line and the repercussions when the plan goes wrong. Despite the title and what you think when you hear the premise of the film you would be surprised that there are a few well place light moments and the film is…
It's like Fargo directed by the great Sidney Lumet. Great cast, great plot and Marisa Tomei at her peak.
Interesting crime drama film. It was pretty refreshing.
I really hate watching any story where the characters (especially the main character) makes poor (often emotionally charged) decisions that lead to their downfall.
They should rename this movie "Things That Go Wrong When You're a Dumb Fuck". I really like when the protagonist is cunning and calculating, so it was kind of dissapointing that the father ended up being a minor character given his shrewd actions at the end of the film.
On a side note I think the interesting style of this movie comes from the fact that this came from an older director who had been around in the movie production scene since the 1950s.
Step One: Go to www.random.org.
Movies that have such a powerful/memorable/weird/insane/awesome/surprising last scene (or shot) that made you say "THAT ENDING!!!!!" or variations
Top 250-ish is pretty definitive. Essentially the top/most memorable 20-25% of all the feature length films I've seen in my…