Bellflower
2011 Directed by Evan Glodell
Synopsis
A love story with apocalyptic stakes.
Two friends spend all their free time building flame-throwers and weapons of mass destruction in hopes that a global apocalypse will occur and clear the runway for their imaginary gang "Mother Medusa".
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This review reportedly contains spoilers. I can handle the truth.
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Bellflower is a film that I find extremely difficult to rate because, while watching it, I went from loving it to hating it and then back to loving it and so forth. I waited a few hours before writing this review so that I could reflect a little bit on what I had seen and try and come up with a satisfactory review. Bellflower is, to put it simply, the most hipster movie I have ever seen. It is incredibly pretentious at times, many of the scenes are filmed with a dirty lens, the entire movie looks slightly yellow, like you're looking through cheap, yellow sunglasses and the music is all done by bands that you've probably never heard of.…
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Bellflower has a very distinctive look, think Instagram retro vibe, thanks to a unique camera set-up. This does not necessarily detract from the rest of the film but does highlight where else things are going awry on screen. Shot on a very low budget, you can tell where the money went and where it did not. The acting is pretty wooden throughout, characters lacking emotion or connection with each other, add to this some underwritten, unappealing, vacuous personality on display and you have nothing to really invest in.
On paper the plot seems intriguing (Mad Max obsessed friends are challenged by the intervention of one getting a girlfriend) and when I first caught a glimpse of the trailer I was…
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This review reportedly contains spoilers. I can handle the truth.
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Ugh. That is the general feeling I had after watching Bellflower.
There are a few very brief glimpses of concepts and shots that could have been used to put together a compelling story, mostly involving some admittedly impressive pyrotechnics and shots of the Medusa car.
Those things don't matter though as everything is an unorganized mess. There are "chapters" so as to pretend like there is some sort of narrative in place, but really all Bellflower is about is despicable people doing terrible things to each other.
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Banal indie "realism" meets film school surrealism and more angst than a 15 year old mall goth; Bellflower really does not work. None of the characters feel real, as a result I don't care. Evan Glodell is a particularly bad actor. He seems like he's holding down the giggles every time he tries to be at ease with the girl, but it comes off as extremely insincere, like the character of Woodrow is putting up an act. This is a problem when he is the driving force of the story. I won't speak much on the plot twists in the second half of the film. They just kind of wasted my time so I won't waste yours writing about them.…
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I really dig this film but I'm not sure I can explain it. Bellflower starts as a pretty standard mumblecore with Mad Max obsessed fucktards as the protagonists rather than NYC hipsters, filled with wonderful moments for fans of that style of filmmaking and the obligatory awkward scenes where you have non-actors delivering dodgy dialogue and you wish for something a tiny bit more polished. THEN the film seems to devolve in to some kind of train of thought horror film, only the person whose thoughts they are was in a serious motor accident and is brain damaged. Don't think slasher film when I say horror, this is much more interesting and imaginative than that. There's so much potential on display here, it's quite something to witness but man do I wish I could have followed the second part of this film a bit closer so I knew exactly what the hell was going on.
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Mumblecore has always struck me as a quite condescending term for a film genre, added to the fact that it just sounds like a new wave of college rock. It’s a niche area of the industry that works well on the festival market and Bellflower has been one its darlings since appearing at Sundance earlier this year, collecting plaudits for its lo-fi yet stylistic approach. In all honesty it’s a Marmite film that will divide opinion; either the gritty approach pulls you into their world or you sit there frustrated at these slackers goofing around.
Director Evan Glodell also takes the reigns as writer and the main character of the piece, playing Woodrow, alongside his best friend Aiden (Tyler Dawson).…
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Enjoyed this a hell of a lot more than the first half hour had me expecting.. Strangely cathartic.
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This review reportedly contains spoilers. I can handle the truth.
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Gritty aesthetics and a descent into madness, filmed with unique filters and an assured directorial style.
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A perplexing watch. Very stylish and unique looking but almost self-consciously so at times. The characters are pretty grating and unlikable but the movie is interesting enough in the beginning to excuse that. But as the plot meanders and by the end when everything goes off the rails, I couldn't really bring myself to care. Despite my problems, I will absolutely keep an eye on Evan Glodell as this was an auspicious filmmaking debut.
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So much to like or love here, but then it needlessly goes off the rails and then doesn't even have the integrity to do that with conviction or honesty. I did have MASSIVE expectations going in so take this with a shaker of salt. I thought the acting was fine and enjoyed the look. S&*t gets raw, so yeah...
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Bellflower has a very distinctive look, think Instagram retro vibe, thanks to a unique camera set-up. This does not necessarily detract from the rest of the film but does highlight where else things are going awry on screen. Shot on a very low budget, you can tell where the money went and where it did not. The acting is pretty wooden throughout, characters lacking emotion or connection with each other, add to this some underwritten, unappealing, vacuous personality on display and you have nothing to really invest in.
On paper the plot seems intriguing (Mad Max obsessed friends are challenged by the intervention of one getting a girlfriend) and when I first caught a glimpse of the trailer I was…
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The first half is some of the greatest mumblecore I have had the pleasure of seeing, while the second half is some of the most weirdly disturbing thing I have ever seen. I say weirdly, because it shouldn't be disturbing because unlike the other most disturbing movies I have ever seen, Dogtooth and I Saw the Devil (Honorable mention to Oldboy), it doesn't have overwhelming violence or incestual sex scenes. It just reeks of destruction and pain. It's a fascinating movie, but it does not wait for you to catch up.
Lord Humongous doesn't ask how was it for you, and neither does this movie.