The greatest films of all time as voted on by the Criterion subreddit using a ranked top 10 methodology from…
12 years in the making.
The film tells a story of a divorced couple trying to raise their young son. The story follows the boy for twelve years, from first grade at age 6 through 12th grade at age 17-18, and examines his relationship with his parents as he grows.
I don’t say this lightly but Boyhood is one of the best films I’ve ever seen. Yet it is not a film filled with great revelatory moments or dazzling technical brilliance. It is distinctly ordinary in almost every department, but this is ultimately what makes it such a special experience that will resonate with any audience whether closer in age to the film’s chief protagonist or the adults struggling with parenthood: It is a film about life.
However, it is not simply a film about a life but rather about every life that orbits Mason, an average Texan boy from the age of six to eighteen. It is a true coming-of-age drama whether focused on the growing pains of a…
What's It About?: Growing up.
Who's In it?: Patricia Arquette, Ethan Hawke, Ellar Coltrane, and Lorelei Linklater.
The Good: The kids. The cast. The characters. The direction. The idea. The writing. The music. The 35mm. The laughs. The pathos. The holy-shit-that's-my-life moments. Everything.
The Bad: It's a 3-hour film, but I wish it went on forever.
What Did I Learn?: I learned to feel again. I was inspired again. This seals it—Richard Linklater and Ethan Hawke are now my favorite director-actor duo. Thank you for making this wonderful film. (Also, I never imagined I'd love anything with freaking Soulja Boy in it, but damn,…
After finishing Boyhood and slowly gathering my thoughts on it I did what I usually do, fly over to Letterboxd to jot those thoughts down before they escape me. What I wasn't prepared for was what happened when I saw that poster. It was a slap in the face, a jarring reminder that I had just spent twelve years with someone.
I think it's easy to not look beyond this film's ambitious conception and even write it off as a non-eventful gimmick. There is no real plot, there are no grand character arcs, no dramatic tension. It lacks a narrative flow and has more scope than focus, it ambles on throughout its running time, meandering along the trivial and occasionally…
It is not surprising that so many people identify closely with Boyhood. It hits all the hallmarks of growing up. There is the promise made years ago that the parent forgot but the child did not. There is the incessant fighting between siblings that is forgotten two minutes later, as well as the faking of who is to blame for the fight when the shouts of "MOM!" have been acknowledged. There is the change in address, school and friends, for which parents are always blamed and children's protests are always ignored. There is the period where children discover that they can exert some control by dressing how they like or coming in late, anything that can be taken as a…
Richard Linklater's bold, brave, daring, experimental, and unconventional filmmaking that tells the story of Mason, and his journey from a boy to a man. FUCK YOU, COLDPLAY! Rock collections are boss. The way Mason watches TV. Oops moment. Tit point. The awesomeness of people actually writing real letters with ink pens. I think I would rather listen to Nickelback on infinite repeat than listen to one Sheryl Crow song. Game Boy pimpness. The fun zero responsibility no child support paying Daddy. Aaliyah without Timbaland, Jet Li, or R. Kelly. Gutter balls. If I had to pay money into a swear jar for every obscenity in my reviews, I would be one broke motherfucker. Ethan Hawke's political ranting. Professor Horny. Mason,…
1. This is a film that EVERYONE born in early/mid 90's NEEDS to see.
2. This is a film that defines a generation.
3. This movie is like a journey back through time.
4. Boyhood(and Under the Skin for that matter), proves that there is a lot of originality left in filmmaking.
5. I don't think any other film besides Inherent Vice will top this for movie of the year.
6. I could have continued watching this for another six hours without getting bored.
7. Never has any film I've seen felt more real.
8. This is Richard Linkater's magnum opus.
Richard Linklater has made a version of all of the movies I could ever hope to make, and more. He’s made the joyous backstage theatre drama (Me & Orson Welles), the best romance in recent movie history (the Before Sunrise, Before Sunset and Before Midnight trilogy), the story of the last day of school at an Austin high school (Dazed and Confused) and a dark comedy that explores the peculiarities of East Texas and its local flavor (Bernie).
With Boyhood, his twelve-years-in-the-making portrait of Mason (Ellar Coltrane) from age six to eighteen, Linklater has made his best movie, a masterful epic that brings to mind Terrence Malick’s The Tree of Life (2011), both in its ambition and in its Texas setting.…
While it may seem gimmicky, Boyhood is one of the most modest and subtle films of recent years.
Yo. Feels af.
A beautifully honest slice of life
Regal Riverfront 2 - Santa Cruz, CA
This review may contain spoilers. I can handle the truth.
Little while ago I mentioned ‘Locke’ has a very ambitious piece of film making, but 'Boyhood’ has triumphed 'Locke’ in terms of ambitious. 'Boyhood’ directed by Richard Linklater may very well be the first real contender for Best Picture when Oscars comes around. The movie starring Patrcia Arquette, Ethan Hawke and the two highlight of this movie Ellar Coltrane and Lorelei Linklater (Richard’s daughter). The movie was filmed for about 45 days but it was over the span of 12 years as we watch a boy (Mason Evans Jr.) grows up in front of our eyes along with his family.
Ellar Coltrane who plays Mason Jr. who at the beginning of the movie is only seven years old…
"You don't want the bumpers, life doesn't give you bumpers."
I talked so much shit about this movie before I watched it. I have said constantly "If this was recorded with a normal schedule nobody would've gave a shit." And I still think that, but the fact that this was recorded over 12 really works for it. It also hurts it at the same time.
The time capsule feel of the almost 3 hour film is one that I will never feel again. Seeing Arquette, Hawke, Coltrane, and Linklater grow over time is quite amazing. However the time capsule hurts when random characters are never seen again, and the only reason is that the actor moved away.
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