Breaking And Entering
2006 Directed by Anthony Minghella
Synopsis
Set in a blighted, inner-city neighbourhood of London, Breaking and Entering examines an affair which unfolds between a successful British landscape architect and Amira, a Bosnian woman – the mother of a troubled teen son – who was widowed by the war in Bosnia and Herzegovina.
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Anthony Minghella was a great director and storyteller especially with The Talented Mr. Ripley and The English Patient but he missed a beat when he made this lacklustre effort. Featuring a strong cast of Jude Law, Robin Wright-Penn and Juliette Binoche this should have been another string to Minghella's bow.
Unfortunately missing the impact of his previous works this was a little all over the place narratively. A box office flop, I'll only remember this for Vera Farmiga's tittie show as an eastern European prostitute.
Law is sappy,Wright Penn overacts as always and only Binoche has any semblance of quality,although her accent is particularly dodgy. Inner city London will no doubt have loved it's depiction as a cess-pit of crime and prostitution populated by immigrants from eastern Europe,no doubt the tourist industry have thanked the Weinsteins. Disappointing.
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“Breaking and Entering” ist kein schlechter Film, aber leider auch kein Film, der einem lange in Erinnerung bleibt. Zwar spielt Jude Law (Alfie, Liebe auf den ersten Schrei) seine Rolle souverän und auch Rafi Favron liefert mit seiner Rolle als krimineller Jugendlicher eine gute Leistung ab, doch sind gut schauspielerische Leistungen nur ein Puzzleteil um einen erfolgreichen und gelungen Film zu erschaffen.
Doch will dabei ein weiteres Teil nicht so ganz passen: die Story. Regisseur und Drehbuchautor Anthony Minghella (Unterwegs nach Cold Mountain, Der englische Patient) verpasst es bei seinem Film leider eine in sich stimmige Story zu erschaffen, bei der die verschiedenen Handlungsstränge und Charaktere ineinandergreifen. So ist die Figur des Will Francis zwar ganz gut ausgereift, die weiteren…
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Breaking and Entering is definitely my favourite Minghella film. It's a quiet little slice of life film that weaves two people from two very different worlds together. It got zero love at the box office and I'm not sure what the critics thought about it but it's definitely worth a watch. If for no other reason, this is the last film Minghella did before passing away. It's his last breath of life in the flim industry.
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Anthony Minghella's Breaking and Entering is 1 of those films that makes you question yourself. The director uses quite some emotional topics that can get underneath the skin. Forgiveness plays a huge role in the story which conveys an emotion that we all can relate to. Breaking and Entering seems like the type of film that might get even better with repeated viewings. Recommended
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Anthony Minghella was a great director and storyteller especially with The Talented Mr. Ripley and The English Patient but he missed a beat when he made this lacklustre effort. Featuring a strong cast of Jude Law, Robin Wright-Penn and Juliette Binoche this should have been another string to Minghella's bow.
Unfortunately missing the impact of his previous works this was a little all over the place narratively. A box office flop, I'll only remember this for Vera Farmiga's tittie show as an eastern European prostitute.
Law is sappy,Wright Penn overacts as always and only Binoche has any semblance of quality,although her accent is particularly dodgy. Inner city London will no doubt have loved it's depiction as a cess-pit of crime and prostitution populated by immigrants from eastern Europe,no doubt the tourist industry have thanked the Weinsteins. Disappointing. -
Anthony Minghella has a crack at writing a script rather than adapting one, with mixed results. In a nutshell, the story concerns an oft-robbed yuppie who tracks a young burglar home and ends up shagging his mum, causing all sorts of familial angst on both sides. Minghella rams home his titular message at every opportunity, even having the lead character transparently witter on about how much he loves metaphors. A solid drama, but nothing to rave about.
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The ensemble cast all do a terrific job (including a small role by Vera Farmiga that delights) in the great Anthony Minghella's final film.
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God this is dreary. Nice showing of Kings Cross though, foxes and all.
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A slightly mishandled and confused drama.
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As per usual with Minghella, this is a film that goes through plenty of different layers. The title itself as a bounty of different meanings to it. Taken literally, it refers to the several break-ins that occur throughout the beginning of the film that spiral everything that is to follow. However if you look deeper, you can find several different metaphorical meanings to the title. It could be referring to the lives that we see. They are already broken, and we enter these lives to see how they play out and progress. It could also be referring to the relationship between Will and Amira. He breaks in to her life and as a result, she enters his and we see…