Synopsis
Nothing spreads like fear
As an epidemic of a lethal airborne virus - that kills within days - rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.
2011 Directed by Steven Soderbergh
As an epidemic of a lethal airborne virus - that kills within days - rapidly grows, the worldwide medical community races to find a cure and control the panic that spreads faster than the virus itself.
Marion Cotillard Matt Damon Laurence Fishburne Jude Law Kate Winslet Jennifer Ehle Gwyneth Paltrow Bryan Cranston Elliott Gould Chin Han John Hawkes Anna Jacoby-Heron Sanaa Lathan Demetri Martin Armin Rohde Enrico Colantoni Larry Clarke Monique Gabriela Curnen Daria Strokous Rick Uecker Jamie Newell Griffin Kane Rebecca Spence Yoshiaki Kobayashi Teri McEvoy Sue Redman Teri Campbell Stef Tovar Mary Jo Faraci Show All…
Gregory Jacobs Florian Nussbaumer Yann Mari Faget Trey Batchelor Ahmed Hatimi Jody Spilkoman Wai Kei Cheng Samar Pollitt Lemon Liu Yi-Man Nikki Lau Siu-Shu Lanbo Cheuk Cheuk Pan Lee
Nina Henninger Carmen Cuba Emma Fletcher Claire Simon Madalena Chan Becca McCracken Katrina Wandel George
Cindy Carr David Tennenbaum David Soukup Rachid Quiat David W. Krummel Jami Primmer Jason Lam David Brennan
Stephan Dupuis Kate Biscoe Suzi Ostos Fannie Chan Sarah Mays Mimi Palazon Andrea Pino Aimee Lippert Maria O'Reilly Daria V. Wright Alma Izquierdo
Tartunta, 传染病, 全境擴散, 컨테이젼, Contagion: Pericol nevăzut, Epidemia: Pericol nevăzut, 世紀戰疫, コンテイジョン, コンテイジョン:2011, Contagio, Contágio, Salgın, Nákaza, Заражение, Contagion - Epidemia Strachu, Зараза, Fertőzés, התפשטות, Contagi, Заразяване, คอนเทเจี้ยน สัมผัสล้างโลก, Kužna nevarnost, Sự Truyền Nhiễm, Infekcija, Užkratas, Zaraza, ინფიცირება, شیوع
Never expected Matt Damon's daughter to pick U2 for her prom slow dance song. What a twist.
weirdly i think this is the soderbergh i’ve watched the most? it’s like competence porn. and yes i did watch this because of coronavirus but so is everyone.
The closest thing to ‘life imitating art imitating life’ we are likely to ever see.
I guess it's not surprising that this would feel more brutal and terrifying than ever, but it's still a triumph of editing and in-camera film techniques. The woozy focal lengths that communicate feverish brains combined with those insert shots of hands on public transport poles or faces smeared with cold sweat are so paranoia-inducing. The hard cutting of the film only makes it all so much worse; the smash cut from Winslet weakly trying to hand her coat to another dying patient to her corpse sealed in plastic and being placed in a mass grave is among the most singularly unpleasant, profoundly unnerving moments in cinema history. Soderbergh's cold precision as a filmmaker, and Martinez's metronomic score, epitomizes the steady progress of the human response, but at every turn it's emphasized how impossible it is for humanity to get ahead of a disease. At the moment it certainly feels like the best horror film of the last decade.