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Richard spots a man dumping a body, and decides to expose the man he thinks is the culprit with his friend Alex Cutter.
CUTTER'S WAY opens on the American Dream in the form of a melting pot parade, the procession playing out in slow motion with Jack Nitzche's otherworldly zither and glass harmonica lullaby underlining the word "dream." Later when the three main characters are watching a similar procession, Cutter makes some characteristically offensive, cynical remarks about floats featuring Native Americans and Mexicans. "Look at our glorious past...happy padres, happy Indians. Wiped out in less than 200 years by disease and forced labor. You can still get one to clean your kitchen... they died with Christ's blessing. Happy corpses, each and every one." Maybe Cutter, disfigured physically and mentally in America's most recent imperialist adventure, is getting to the root of it all:…
I expected a standard Hollywood action picture, so for the first 20 minutes or so I was thrown for a loop. I wasn't too fond of any of the characters, especially Cutter, and I was getting impatient to get to the story. But then something happened. None of the relationships in the film were clearly demarcated. None of the dialogue was typical. I knew it was based on a book, but until that moment I had no idea that this was more of a literary picture, a play of sorts, than a Hollywood action film. I loved the film from that moment on.
I liked Jeff Bridges' Richard Bones, the quiet philanderer who was in love with Mo (or at…
Cutter's Way is one of the few films ever made that made me angry.
To be more precise, it didn't actually make me angry itself. It's more the fact that it continues to be almost completely ignored for the many things it is over 35 years now since its release. There's a style and method to almost everything surrounding this film that I find fascinating. From its 'do not even mention its name' treatment of the post-Vietnam War backdrop it's set against to its off-centre performances and characters through to its strange almost feather-light plot.
Films like this intrigue me no end, especially when they come from…
I didn’t dislike Cutter’s Way, I hated it .. loathed it.
Why? Because I saw what could possibly be a brilliant book ( which I haven’t read ), with brilliantly complex characters and relationships, handled on the screen in such an inept way.
Was it the performances? Generally no. John Heard was great as the titular Cutter, Jeff Bridges was fine as Jeff Bridges, and Lisa Eichhorn had her moments. Ann Dusenberry as Valerie Duran was 1980’s hollow. I was convinced that she saw Nancy Allen in Dressed to Kill and thought, wow, that’s acting! Wow, that’s a look!
It was how the screenplay handled these complex characters, or rather totally failed to handle them, that put me over the…
“I watched the war on TV like everybody else. Thought the same damn things. You know what you thought when you saw a picture of a young woman with a baby lying face down in a ditch, two gooks. You had three reactions, Rich, same as everybody else. The first one was real easy: ‘I hate the United States of America’. Yeah. You see the same damn thing the next day and you move up a notch. ‘There is no God’. But you know what you finally say, what everybody finally says, no matter what? ‘I’m hungry’” Alex Cutter.
Joel Coen and Ethan Coen are wonderful filmmakers who have respect from all film fans for the numerous great works. However,…
A Letterboxd discovery.
I actually think I'd preferred a straight character driven drama, because that's where the action really is to be found. And while Heard is great most of the time as the crippled, alcoholic veteran, what caught my eye was Lisa Eichhorn, the real crime in this film is how she didn't become a star afterwards. Her tortured Mo is way more interesting than the fact that the rich rule the world.
As for the main plot; a sinister, cynical outlook is always my cup of tea, and the main story of a big wig getting away with murder, and how the two friends from the other side of town get drawn to the possibility of aiding justice…
"It's never their ass that's on the line. It's always somebody else's."
"Don't ever orgy with a pet monkey. The little fuckers bite."
This is a strange case of me ranking something higher upon reflection than I felt was warranted whilst--Shakespeare!--watching. Not sure the cult is wholly deserved here, but long on mood, which counts for plenty.
The film has and odd, unique, European tone that upturns and heightens it's fairly straightforward suspense plot. The film's success is based on a series of remarkable performances: lovable Jeff Bridges as the completely unlikeable Bone, a raving John Heard as Cutter, plus and understated Lisa Eichborn as Mo.
"I don't drink. You know, the routine grind drives me to drink. Tragedy, I take straight."
An unevenly structured, somewhat lethargic thriller, with moments of intriguing drama peppered throughout. Worth it for two great performances from Jeff Bridges and John Heard, the latter of whom steals the entire movie. If you only know John Heard as Kevin's Dad from Home Alone, you definitely need to see him in this. That dude's got range.
I may have elevated my expectations with this film a bit too much. But fuck, what a journey.
I see that others gave this a better rating than I . Before anyone question me about it. I was not in love with this movie, but sometime I will re watch and maybe a better grade. It was good, Bridges is good. 3/5 now
When Richard Bone inadvertently witnesses someone dumping the battered body of a teenage girl in a Santa Barbara alleyway, his life enters a tailspin of paranoia and tragedy. He is picked up the next day as a suspect in the crime and begins to suspect that the man he saw in the alley was none other than JJ Cord, a wealthy oil exec famous in town. Bone would let the case go - if not for his friend Alex Cutter, a crippled, alcoholic Vietnam vet conspiracy theorist who latches on and refuses to give up until he can get the crime pinned on Cord. Cutter is a man who has understandably turned against the United States and the façade of…
It could be I've seen so many "blackmail gone wrong" movies they're just not fun anymore. Or it could be a darn slow pace. either way, I didn't like CUTTER'S WAY.
At the beginning of this movie has kind of slow tempo but the end escalate into very action ending! Alert: topless young Jeff is damn sexy! I also had the chance to talk to Mr. Passer himself about it and heard funny stories how Jeff Bridges was casted! The story - bunch of young men decide to take jistice into their own heands in very funny and ironic way.
Movies that are slightly off.