Movies that are slightly off.
Dancer in the Dark
You don't need eyes to see.
Selma, a Czech immigrant on the verge of blindness, struggles to make ends meet for herself and her son, who has inherited the same genetic disorder and will suffer the same fate without an expensive operation. When life gets too difficult, Selma learns to cope through her love of musicals, escaping life's troubles - even if just for a moment - by dreaming up little numbers to the rhythmic beats of her surroundings.
And thus, the chorus repeats.
Again, Lars von Trier uses an homage/satire of conventional Hollywood genres to close another thematic trilogy - film noir with Europa, and musicals here in Dancer in the Dark. Using a genre setting allows for a more inviting film, a chance to simplify the focus - the striking visual sensibilities of Europa and audial banquet of Dancer in the Dark. Although, even though the genre may be familiar, von Trier is able to spin them just a bit off-center, without having to waste time setting up the conceit or the conceptual adjustment period to more radically unique films like The Element of Crime and The Idiots. Both here and in Europa, he presents something known,…
This is by far the saddest movie I have ever seen. I could not stop crying for the entire last hour of the film. Dancer in the Dark is such a horrible film, and I hate Lars for making a movie so fucking manipulative. I would call this film overly emotional and that it exists solely to get a response from the audience, however it feels authentic. I enjoyed that Lars was taking me on this emotional journey, and although I don't agree with Lars' pessimistic ideology, I still appreciate how depressing this film is.
What I really like about this film is that it is really hard to watch. Not just in its subject matter, Lars makes the film…
I get it. I finally know what the hell Lars is doing.
Okay. So firstly, this so-called conclusion to the "Golden Heart Trilogy" is basically the standard by which all polarizing films should be measured. It's just that divisive. I felt my star rating dropping from five to zero and back again, more times than I could count. Of course by this point the star rating is unnecessary and silly, and it's obvious that we have a winner. Lars von Trier insisted that a film should be like "a stone in your shoe", and he is a man of his word. Any film that finds its way past your mind's proverbial shoe and pokes directly into your unprotected subconscious deserves…
Here’s something new: a contemporary musical that I liked! Not so surprising perhaps, since I’m quite fan of Björk’s oeuvre and boy does she nail her role here, damn. I’ve said it once and I will say it again: Lars von Tier is one of those rare directors who succeeds to make films I utterly hate, but also films that I absolutely adore, the latter referring mainly to Dogville. In much of the same way as that film, Dancer in the Dark also revolves around a plot that completely drains the viewer. Selma Jezkova - the woman portrayed by Björk - suffers such tremendous injustice that it is emotionally impossible for someone to be left cold by it, especially with…
Dancer In The Dark is a difficult film to watch. We witness the story of a Czech mother struggling to get by in America, clinging onto her job and hoping to provide a future for her son. Life is hard for young Selma as we see her saving each cent she can find for a much more noble cause, sacrificing herself in the process. A bleeding heart story for sure fully exploited by Lars Von Trier and his motion sick camera.
There are two problems that are hard to overcome in the first third of the film. One being the sharp editing that keep us within the scene but jumps a couple of seconds ahead…
this is the worst movie ive ever seen
Peter Stormare playing the good guy was something unexpected.
I cried a lot. Bjork should just not ever be sad ever.
All the stars go to Bjork, who was brilliant. Would have been a phenomenal movie if Lars Von Trier, my nemesis, hadn't shat all over it.
pēc ievada piecām minūtēm smadzenes izšķaidītas
Selma:"Silly Selma, you're the one to blame"
I first saw this film when I was 13 years old and was so distraught after seeing it, I told everybody I hated it because I didn't know how to express the grief I was feeling. I finally brought myself to watch it once more and I'm left with disgust and rage, yet again. With each scene, I found myself in a tug-o-war between hate and admiration towards von Trier.
Oh, Lars. Who wronged you?
oh my god
oh my god
oh my god
All the films from all the editions, including those subsequently removed, presently totalling 1177. An easy way of seeing how…