Early Spring
1956 ‘Sôshun’ Directed by Yasujirō Ozu
Synopsis
A young salary man and his wife struggle within the confines of their passionless relationship while he has an extramarital affair.
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This review reportedly contains spoilers. I can handle the truth.
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It's interesting to watch a film where the arcs are all character emotion rather than contrived plot devices. Ozu is masterly at making reality cinematic.
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I detect the universality & subtle profundity here, and the camerawork & editing is top notch, but the narrative's revelations pass in such a slight fashion that I'm certain I'll forget EARLY SPRING by tomorrow.
Reckon I'll try Ozu again in a couple decades; maybe then his sensibility will appeal to me.
And perhaps by then I'll be able to sing along with the cast's moving Japanese rendition of "Auld Lang Syne." -
Once again Ozu slowly builds to a complex and emotionally satisfying conclusion, using a simple style that highlights relationships in families, the workplace, among friends, and between objects out in the world. The two leads are a bit more opaque than we find in many Ozu films, but that works amid their quietly contentious relationship. The final few scenes play out remarkably well. What a beautiful film.
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So far this has my favorite men-coming-home-drunk-horrifying-their-wives scenes from any Ozu film. I have many more to watch though.
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This review reportedly contains spoilers. I can handle the truth.
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Soshun