One of the most interesting things about films/art is the shared experience. I am always interested in what appeals to…
It's a heck of a place to find yourself
Drew Baylor is fired after causing his shoe company to lose hundreds of millions of dollars. To make matters worse, he's also dumped by his girlfriend. On the verge of ending it all, Drew gets a new lease on life when he returns to his family's small Kentucky hometown after his father dies. Along the way, he meets a flight attendant with whom he falls in love.
Berken's 30 Countries Challenge,film #2-USA
There are film-makers that know how to use music in their films and then there is Cameron Crowe. I'm a little biased as for me Crowe can do no wrong. He may well be a director/screenwriter/producer but his obvious love is music. Maybe being married to a former rocker herself in the shape of Nancy Wilson helped him in his brilliant song choices for movies that have touched so many,who knows? Now divorced,his next move will tell us just how much.
Elizabethtown has been a polarising film for many. Adam Cook a writer I respect enormously doesn't have much time for this film and makes a good argument as to it's faults. I fully understand…
I'll always love this film. Derided by many, it still resonates with me as I too lost my father just like Orlando's character and it was only after his death I realized how much time we wasted and the excuses we gave for not spending enough time together. I'm not claiming to be anything like Orlando Bloom and movies don't normally reflect my own life or state of mind, but this one was like looking in a mirror. Crowe may know how to add sentimentality by the bucket-load and sometimes he overdoes it, but with this story of that shard of light in the darkness of grief, this makes me cry like a lost child every time.
FILM#64-DECEMBER CHALLENGE 2
I cannot better my previous review of "Elizabethtown", it said everything I felt about it and still do.
Holidays can be a hard time for me. Apart from my wife and her mum and dad I have no real family as such. I lost my father when I was in my teens and my mother closed herself off from showing affection to my brother and I. It's a relationship that simply cannot be mended, just like my heart she broke in the process. My wife never gets involved but shares my pain. I see movies like these as an escape. The optimism, the hope, the wonderful music that stirs my emotions every time, the tears that flow almost constantly throughout this, it all makes me wish for a family that cared, even worried about me just a little. The self pity is over. This movie just makes me feel better and a good cry never hurt anyone.
I'm one of four humans that love this film and have been constantly attacked for it. The other three are in the witness protection program for safety purposes.
I liked this, but I didn't love it. I did, however, relate to it, but not to the characters; I related to the dialogue. By that I mean I related to the characters' discussions, but not to them or their situations. There are a number of brilliant quotes which is what kept drawing me in, but whilst it certainly has its moments, it wasn't anything particularly impressive overall. I'm really starting to enjoy Kirsten Dunst's roles though, and Susan Sarandon was a nice addition to the cast, too.
στο τοπ 5 αγαπημενων ταινιων μου
I always love when a movie becomes a perfect analogy for itself through its dialogue. That for example the opening lines of this movie.
"As somebody once said: There's a difference between a failure and a fiasco. A failure is simply the non-presence of success. Any fool can accomplish failure. But a fee-ass-scoe, a fiasco is a disaster of mythic proportions. A fiasco is a folk tale told to others that makes other people feel more alive because. It. Didn't. Happen. To. Them."
Sounds a little bit like Elizabethtown, the Cameron Crowe fiasco in which Crowe becomes his own worst nightmare. I don't hate Crowe, but Elizabethtown feels like what would happen if a Cameron Crowe movie decided to eat itself whole.
Δεν μπορούσα να παρακολουθήσω και πολλά, καθώς εστίαζα συνεχώς και ανεπαίσθητα στο ότι ο Orlando έχει πιο σαρκώδη χείλη από την Kirsten.
στο τοπ 5 αγαπημενων ταινιων μου
[pass] (70min) Cameron Crowe unleashed; corny and false.
Somethings in this movie work really well: I always dig me some Paul Schneider. Bruce McGill is always a treat. There's some good cinematography here. A handful of scenes work.
But far too much doesn't work. The two leads are poorly written. Writer-director Cameron Crowe never picks a tone so each scene feels like a totally different movie. And dear God man the songs. There's not a moment of silence to be found in this movie.
Not the total disaster t is made out to be but still not very good. A big disappointment.
I wasn't sure about this, however the more it went through, and the more I watched, the more it played out to be fantastic.
I would watch tis again in a heart beat now, it speaks volumes
- The Elephant Man
- The Man from Nowhere
- Project Nim
- The Red Shoes
- FRED: The Movie
- My Sister's Keeper
- Extremely Loud & Incredibly Close
Who cares about your favourite 100 films when your most hated 100 is far more interesting and illuminating. If I…
- Juno and the Paycock
- The Ladykillers
- Wee Willie Winkie
Even the best directors have their off days.
What films am I missing?