Too much shit is going on for me to care for anything but for the end-dance-sequence.

Woody Allen is funny, though. But come on, he's always funny.

Woody Allen goes a bit musical in this lightweight comedy where people start singing mid-sentence and no-one bats an eye. Narratively its a little all over the place with too many plot threads and not much resolution to many of them but its Allen having fun with the standout sequences being set-pieces, not something you can say of Allen often, highlighted by a wonderful dance number by Allen and Goldie Hawn towards the end.

The ensemble cast all do well though some can certainly sing better than others, and personally I could have done with more of Edward Norton's likeable but wet young lawyer, and while it's fair to say it's never really as insightful or compelling as the man's best, this is a film which knows what it is and embraces it.

How strange a thing, to see Woody Allen make a musical. And yet how unsurprising, all the same. This is the man, after all, who excelled equally in all avenues of comedy before slipping with some success into drama, who took a detour through film noir and several through thriller territory, who adapts with equal success to seemingly every format he attempts. He makes a tragicomic wonder of Everyone Says I Love You, which is somehow all the more appealing for its failings. It's imperfect, often directly problematic, but it's also unassumingly earnest and refreshingly ambitious. I enjoyed it very much, and what has progressed to become its most iconic scene absolutely deserves that honour. That scene, perhaps more than anything else in the entirety of Allen's oeuvre, is movie magic, pure and simple.

Um filme simples, delicioso de assistir, e com o selo Woody Allen de qualidade.

Every year I end up watching this film at Christmas - and only ever at Christmas. It's the only time that a film as sloppy, sentimental and, well, not-very-good as this is forgivable, and every year I love it as much as the last. How many other films end with a Groucho Marx song and dance number in French? None, that's how many.

I could barely deal with the fact that this is a musical. Thank goodness it still has the typical Woody Allen flair around it. The Grandpa song was the only thing that was just too much to handle.
Apart from that it was an enjoyable movie, but definately not his best.

By the way, what was up with all the heads that were falling off the screen?

Unusual, self-aware musical comedy has fun musical numbers (especially the ones set in a hospital and a jewelry store), but the barest thread of a plot (as well as a few disposable subplots). In the end, it’s not much more than a pleasant diversion. The concept – a musical populated by “real” people who can’t really sing and dance – is charming, but director Woody Allen could have done a lot more with it. Edward Norton has goofy allure, Alan Alda does the best job singing, and Julia Roberts the worst.

A charming musical comedy that feels fresh and original because the musical numbers have an unpolished on-the-fly feel that is not typical of the genre.

On my quest to watch every film written and directed by Woody Allen I've come across a common theme. His films that aren't up to snuff share a common flaw...they lack identity. In Everybody Says I Love You it was the family dynamic that hooked me not the dragging two character tangent in Paris. So while the sporadic plot is in many ways a flaw I does keep the film fresh. It's like when you first move to middle school and had a different teacher each period. So if you hated one teacher it was only an hour or so you had to deal with them unlike middle school where you were stuck. This film was like that...the parts I didn't like didn't last long enough to sully the whole thing for me.

A romantic and sweet film. Woody Allen's attempt at a musical did not go wasted, as Everyone Says I Love You is a passionate and whimsical affair.

How strange a thing, to see Woody Allen make a musical. And yet how unsurprising, all the same. This is the man, after all, who excelled equally in all avenues of comedy before slipping with some success into drama, who took a detour through film noir and several through thriller territory, who adapts with equal success to seemingly every format he attempts. He makes a tragicomic wonder of Everyone Says I Love You, which is somehow all the more appealing for its failings. It's imperfect, often directly problematic, but it's also unassumingly earnest and refreshingly ambitious. I enjoyed it very much, and what has progressed to become its most iconic scene absolutely deserves that honour. That scene, perhaps more than anything else in the entirety of Allen's oeuvre, is movie magic, pure and simple.

This little treasure is a collection of show tunes nicely nestled into the usual Woody Allen narrative about rich folks, love and shrinks. Instead of coming to any big conclusions, Allen scraps succinct conjunction between reality and philosophy and truly connects with the inner pulse of his tone.

Please, someone burn all the tapes of this movie, tnks.