500 movies whose poster art has been influenced by the colour yellow. Its taken a few months a lot of…
Everything Must Go
Lost is a good place to find yourself
When an alcoholic relapses, causing him to lose his wife and his job, he holds a yard sale on his front lawn in an attempt to start over. A new neighbor might be the key to his return to form.
This is one of those films that is just made to make you smile.
It just about delivers.
Based on a short story, Everything Must Go, for large parts doesn't really go anywhere. It strays intermittently into a few rather aimless sub-plots, and is just a tad to meandering. Just when you think it has been stretched just a bit too far it ends, and you are left with the rather satisfying feeling that you could quite happily spend much more time with these characters.
This is mainly down to Will Ferrell. Who is never going to be an amazing actor, but he has one of those faces. A face that fits a film like this. We can see what he is feeling from the expression on his face. Not too many expressions mind, but enough.
Everything Must Go is a very indie movie. And certainly one of the better ones.
I had been looking forward to this one for quite a while. I'm a fan of the cast and I am generally a sucker for a quirky indie dramedy, but Everything Must Go just falls flat on its face.
I think the cast was let down by some poor writing; the only one who was able to bring anything to the flaccid dialogue was Laura Dern. The brief scenes with Ferrell and Dern were great, but there was nowhere near enough of her and we had to spend the rest of our time languishing in a boring, beige world with middling, milquetoast characters.
I give it a small amount of credit for not going exactly where I thought it would at the end, but aside from that I was just happy I did not end up being bludgeoned to death by blandness because it sure felt like it was going to end that way for most of the 97 minutes.
Another "serious role" for Will Ferrell comes up trumps in this little movie which I really enjoyed. Whilst the high concept of Stranger than Fiction was fun, this is the other end of the spectrum, a bloke is made redundant on the same day he's kicked out of his own home, his company car is taken off him and his credit cards are blocked. Hopelessly a slave to beer, he's got nothing else to do but live on the lawn of his own home for a few days and figure out what his options are.
Will drinks beer, strikes up a fun friendship with a local kid who relentlessly rides his bike, and tries to figure out just…
Many comedians have managed to effortlessly transition into more dramatic roles by finding the pathos behind the smiles. Nearly all of the big Hollywood comics have at some point successfully dabbled in more serious and demanding projects, all except one: Will Ferrell. Despite the cloying, Stranger than Fiction, he has firmly stuck to broader comedic films, the more absurd his man-child persona is the more critically and commercially successful the films seem to be. Everything Must Go is his first real foray into dramatic-comedy territory and sadly the experiment isn’t wholly successful.
Some of the problems are down to the casting as Ferrell never truly convinces as an ordinary man in crisis but most are down to the lacklustre script…
Will Ferrell gives what is possibly the finest performance of his career, which is a wonderful thing to behold so long as you can get past the movies annoying Indie sensibilities. Elsewhere there are some lovely subtle performances from Laura Dern, Michael Peña and Rebecca Hall, whilst newcomer Christopher Wallace evades the "annoying kid" cliche by adding an "old beyond his years" weight to his performance.
Bittersweet, melancholic but not without a layer of warmth, Everything Must Go isn't exactly an essential watch but you could certainly do a lot worse.
Faint praise? Maybe... but that fucking indie guitar soundtrack will haunt me until sometime next week.
Given that it absolutely reeks of indie sensibility, this one may be entirely unpalatable to those opposed to that breed of brooding soul-searching with a shade of darkness and a tendency toward quirky, even zany, premises. If you can get past that, though, you'll find a nice little drama that, although filled with characters whose similarity in life difficulties is oh-so-convenient, nicely captures a moment of total breakdown. I often feel like the only person in the world who doesn't like Ferrell, so take note when I tell you he's damn good here, giving the performance he seemed to strive for in the underwhelming Stranger Than Fiction. Really strong support comes from the young Wallace, who steals the show at regular intervals. It's very familiar and formulaic, but is that such an awful thing once it's carried with convincing emotion? I think not.
Had a lot of good moments, but a very unsatisfying ending. This is probably the only Will Ferrell movie I ever liked, but he is way better at comedy. Does that make sense?
It would have been nice to see Will Ferrell drink way more than he already does and accidentally drown the little fat kid in his wife's fish pond.
Read my NPR review.
Still like this. An off beat comedy and nice idea. As a big fan of Ferrell I enjoyed this but makes me wish for him doing his usual silly stuff as opposed to this more serious role. Still very good though.
I am not a big Will Ferrell fan. I was surprised how much I enjoyed this movie.
How you categorize this movie? Is it a comedy, a drama, to bland for my taste. You expect Will Ferrel to show a fun movie, but this one pretty much sucks. The whole plot could have been shown in 20 minutes, I don't know how they stretched it for 90+ minutes. It does leave a good message, I'll give you that, but for example, Talladega Nights also gave you a good message with tons of dumb and crazy jokes, this one, meh.
unremarkable..interesting to see Ferrell in more of a drama though.
Sometimes a movie can lead you down a road of false pretense. A protagonist needs to be three dimensional. That means both the good and the bad. The audience is suppose to question, suppose to prod, and think. There are times though, when that protagonist perhaps stretches too far. It then becomes up to the audience, about how far they are willing to go with them. Nick Hasley in Everything Must Go is one of those characters.
I feel like this is a film that really can push you. Nick Hasley is a person who is struggling. Much of this film is back story, and it’s not good. At times it becomes hard to figure out a side, because the…
It takes an extraordinarily mediocre film not to be lifted by the euphoria of The Band's 'I Shall Be Released'.
Es agridulce, sensible, está llena de drama pero no necesita ponerse solemne para ello. Will Ferrell ofrece una interpretación tan conmovedora que la película -que parte de una anécdota antes que de una trama- se sostiene casi por entero sobre él.
De ésas que te tocan la fibra sin que te des cuenta. Preciosa, una de las grandes desconocidas de los últimos años.
- Magnificent Bodyguards
- 12 Angry Men
- Little Miss Sunshine
- The Help
- Pure Shit
- Violent Shit
- There Will Be Blood
- Meet the Browns
- Gone In Sixty Seconds
Yes, I am very immature. And bored.
If you're immature like me, leave a suggestion.
- American Heart
- A Woman Under the Influence
- 4:44 Last Day on Earth
- Animal Factory
- Being John Malkovich
The term 'independent movie' doesn't mean anything at this point really, and is certainly not a particular genre. Most of…