Watchlist of movies that only you and your best friends might appreciate.
Suggestion: Use www.random.org/ to draw which ones to…
Scientists create a resonator to stimulate the pineal gland (sixth sense), and open up a door to a parallel (and hostile) universe. Based on a story by H. P. Lovecraft.
I caught this on cable last night and as soon as I finished it I got up, grabbed my keys and went out to go buy the Blu Ray/DVD from Scream Factory because I immediately needed to watch it again with the commentary track.
I loved Re-Animator so obviously I knew I'd really like this one too but I didn't expect to like it this much.
We get a completely different Jeffrey Combs in this movie. This time he's the victim. He's handsome. He's vulnerable. He wears a sweater.
Barbara Crampton plays a psychologist. According to the commentary track they thought she was too young to be this hot shot psychologist so they decided, "eh...give her big glasses." Genius.
As a huge fan of the "Re-Animator" franchise and Jeffrey Combs in general you wouldn't believe how many times this movie was recommended to me. Naturally I had to wait for the right mindset to give this a spin and what can I say, it was a huge success.
Crazy visuals, fantastic make up effects, creeps with tentacles, great performances, sexual undertones and a lot of love for Lovecraft make this one great experience for fans of old school 80s bodyhorror. I had the added benefit of watching this at night which gave it another dimension I wasn't expecting: It creeped me the fuck out. I'm generally nobody who's easy to scare but this had some parts that made me feel mighty uncomfortable. Well done for a movie that's almost 30 years old.
If you're into old school horror movies with dutch angles, atonal music, neon lighting and slimy practical effects, you simply can't go wrong with "From Beyond".
As a followup to Re-Animator, it lacks that movie's subtextual/Sirkian magic, but as an exercise in disproving the old adage that "what you can't see will always be more unsettling than what you can," it's marvelous. Ultra-vivid, borderline impossible colors with special effects that somehow manage to one-up those in John Carpenter's The Thing.
Titular line report: Son of a bitch.
Wow! What a sci-fi/horror treat. A fucking extravaganza of gore and excellent special effects, with a stellar trio fronting the insanity. From Beyond has been on my radar for so long but I took fucking ages to get round to watching it. Stupid me! It fucking rules.
I enjoyed From Beyond quite a bit. I've seen it a couple of times over the years but last night was genuinely shocked at some of the more gory moments. In one of the Blu-Ray's many sweet featurettes, Stewie 'gooey' Gordon explains the classification board figuratively castrated his movie and after, thankfully, finding the offending film snippets 30 years later, his movie literally has its big hairy balls back with this stunning Directors Cut edition. Amen to that brother!
Barbara Crampton looks fantastic, Jeffrey Combs looks like hammered shit and Ted Sorel, well, he just looks like The Thing's ugly sister. It's no classic to be sure, but for a fun, inventive, 80's prosthetic mad creature feature, From Beyond is…
The strangest, drippiest, ooziest slice of horror this side of David Cronenberg, Stuart Gordon's "From Beyond" adapts H.P. Lovecraft into a delightfully deranged and slightly perverse piece of work. The small-scale film offers fun, gore, interesting statements on its subject, and jaw-snapping, monstrous mayhem. It is a memorably gooey and effective genre outing.
Beginning with an ill-fated experiment into another dimension, "From Beyond" centers around the scientists trying to recreate the experiment in order to solve a murder. A mix of Lovecraftian inter-dimensionality, madness, and bondage form the narrative soup, serving as a foundation for sly humor and potent, if rubbery, horror.
The production is limited in scale, but it is swift and energetic. Gordon creates a colorful canvas, with…
I've seen this movie twice, both times at late night marathon screenings - and as such I've never stayed conscious for the whole thing. I'm confused, therefore, as to why the lead actress ends up in fetish gear halfway through. Though of course, that's the least of the film's bizarrities.
Some great effects and a brilliant soundtrack. Visually it was nice too, especially when there was a pink tinge to things, very easy on the eye.
Whilst the slasher craze was in full boom, Gordon and Yuzna refused to follow suit and created batshit crazy films like this and Re-Animator, thank the Lord they did.
Ken Foree proves once again he is a bad muthafucka.
Some great visuals, but it's not really my thing.
Things go arse up when a very carnal man with an insatiable appetite for fanny harnesses a scientist's technology (designed to communicate with parallel dimensions) in order to penetrate the mind.
Very slimy and very cheeky, this belter knows precisely how ridiculous a man running about in his pants is.
From Beyond is absolutely insane. Combs is excellent in essentially the direct antithesis of his role in Re-Animator, the practical effects hold up disgustingly well (mostly), and in general this thing has an enjoyable unsettling atmosphere about it. I suppose if I wanted to find something philosophical in here, it would be that sometimes, in order to try and fulfill those parts of ourselves that we find lacking, we tread into dark territory and depending on who we are, it can consume us. The important thing, though, is whether or not we want it to consume us. One can use this unfortunate quality to hurt others, since we might find that we still don't quite have all that we want.…
Non-stop, practical effect driven thrill ride into insanity. This movie is a certified banger. Better than Re-Animator.
After watching the brilliant Society a few days ago, I've started a revival of classic body-horror that I'd somehow missed, carrying on with Stuart Gordon's gloriously macabre Lovecraftian nightmare From Beyond.
It wastes no time in getting to the good stuff: opening with the Re-Animator himself Jeffrey Coombs taking a peek into the Resonator, a machine that allows whoever is within range to see beyond ordinary perceptible reality. The pre-title sequence throws us directly into what's going on and sets up the device and its abilities in a brisk, stimulating few minutes, ending with a decapitation. This set-up is absolutely perfect in capturing your imagination and attention, and gladly, the rest of the film never breaks from this direction.
HP Lovecraft body horror from the director of Re-Animator? Sign me up.
recommend shit to me, please! esp. little known sleazy stuff
a list that is trying to contain every horror film made that is not lost and is found on the…