Gozu
2003 ‘Gokudô kyôfu dai-gekijô: Gozu’ Directed by Takashi Miike
Synopsis
Minami mistakenly kills a gangster associate of his named Brother. Almost as soon as the murder takes place, the body of the deceased man is gone, prompting Minami to conduct a search. While looking, he finds a mysterious isolated hotel where he decides to take a rest. Not only are the front desk clerks a bit strange, but even the ambiance feels unusual. Minami soon realizes he may have gotten more than he bargained for.
Cast
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GOZU opens with one of my favorite scenes ever and then continues down a nightmarish road that only Takashi Miike could pave. Where does this road lead? I could tell you, but I'd have to lick your ear for a little while. That's just how this movie rolls.
This film, to me, feels like a Japanese version of 'Alice in Wonderland' that was written, directed, and edited by currently institutionalized minotaurs. Here's the plot: Takashi Miike goes insane and jerks off all over the screen for two hours. And it's completely horrifying and hypnotic and beautiful and wut. The best kind of wut.
P.S. Don't watch this unless you want to see an elderly Japanese woman lactate profusely. I personally love that kind of stuff, but hey, it's not for everyone.
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Always on the verge of too overtly revealing its Lynchian-exercise hand, but continually finding new thematic diversions/non-sequitirs.
Particular highlight: The seemingly real "landmarks" of a small Japanese town, in particular its frequently used junkyard.
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The sick sense of humor in Gozu always first revolted me and then made me laugh. Ah, Takashi Miike. The first 1/3 of this film I found to be perfect. The bizarre humor and Minami's passive reactions to the events around him really made it feel like I was watching a nightmare of some sort.
Ozaki, the insane yakuza, had some great moments, but sadly didn't get enough, in my opinion ("that's a yakuza attack dog!"). Still, the main character was the better choice to focus on, because the viewer could relate to him a little bit more. He was likable enough, and he does still run into his fair share of weird characters throughout the film (ok, maybe every…
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There are barely words to properly describe this unique cinematic experience. People have mentioned David Lynch and there are echoes of Lost Highway but there is so much more and to describe it as a black comedy simply does the anarchic/surrealist/manic humour no justice at all. Beautifully shot, this is a pleasure to watch from beginning to end with much to ponder along the creepy way. Not particularly violent but there are most unsettling moments and a finale that even Miike is unlikely to ever top. Amazing and great fun.
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Takashi Miike is one of the most eclectic and prolific film-makers in the world (usually managing at at least two films a year), and when it comes to extreme cinema there's nobody better. Gozu is not his best by a long way, but it leaves it own indelible mark like only a Takashi Miike film can. Trying to summarise or describe the plot would be an exercise in futility; lets just say it's weird, so weird that even David Lynch would find it inaccessible. Mixing the yakuza genre with some nightmarish horror elements, Miike is liberal with his lashings of blood (and other bodily fluids), sexual depravity (a man sticks a ladle up his bottom for sexual satisfaction), violence (the…
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This review reportedly contains spoilers. I can handle the truth.
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The most disturbing movie you'll ever see
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Always on the verge of too overtly revealing its Lynchian-exercise hand, but continually finding new thematic diversions/non-sequitirs.
Particular highlight: The seemingly real "landmarks" of a small Japanese town, in particular its frequently used junkyard.
-
Takashi Miike is one of the most eclectic and prolific film-makers in the world (usually managing at at least two films a year), and when it comes to extreme cinema there's nobody better. Gozu is not his best by a long way, but it leaves it own indelible mark like only a Takashi Miike film can. Trying to summarise or describe the plot would be an exercise in futility; lets just say it's weird, so weird that even David Lynch would find it inaccessible. Mixing the yakuza genre with some nightmarish horror elements, Miike is liberal with his lashings of blood (and other bodily fluids), sexual depravity (a man sticks a ladle up his bottom for sexual satisfaction), violence (the…
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GOZU opens with one of my favorite scenes ever and then continues down a nightmarish road that only Takashi Miike could pave. Where does this road lead? I could tell you, but I'd have to lick your ear for a little while. That's just how this movie rolls.
This film, to me, feels like a Japanese version of 'Alice in Wonderland' that was written, directed, and edited by currently institutionalized minotaurs. Here's the plot: Takashi Miike goes insane and jerks off all over the screen for two hours. And it's completely horrifying and hypnotic and beautiful and wut. The best kind of wut.
P.S. Don't watch this unless you want to see an elderly Japanese woman lactate profusely. I personally love that kind of stuff, but hey, it's not for everyone.
-
The sick sense of humor in Gozu always first revolted me and then made me laugh. Ah, Takashi Miike. The first 1/3 of this film I found to be perfect. The bizarre humor and Minami's passive reactions to the events around him really made it feel like I was watching a nightmare of some sort.
Ozaki, the insane yakuza, had some great moments, but sadly didn't get enough, in my opinion ("that's a yakuza attack dog!"). Still, the main character was the better choice to focus on, because the viewer could relate to him a little bit more. He was likable enough, and he does still run into his fair share of weird characters throughout the film (ok, maybe every…
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Gozu is a strange and surreal japanese movie about a guy from the Yakuza who accidentally kills his "Brother" and starts a chain of creepy events on a strange town.
The mood is great and the story as well. Even if it's a bit confusing, if you like this kind of films you'll love this one.
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Takeshi Miike es un fascinante cineasta aun cuando ha dirigido peliculas que he detestado. Su genialidad radica en que siempre va mas alla de lo que una audiencia espera y no teme irse por lo surreal y grotesco. "Gozu" es surrealismo puro desde su inicio hasta su maquiavelico y repulsivo final. No vale la pena traer un analisis sobre su significado ya que la cinta, tal como las obras de David Lynch, funge mas como una pesadilla recurrente por lo que la logica no aplica en ningun sentido.
"Gozu" es una fascinante propuesta pero no es para todos, tal como Miike no es director para todos. Para cinefilos arriesgados es una cinta con secuencias inolvidables y perturbantes. -
Possibly the weirdest film I have ever seen, rivalling even David Lynch's efforts at weird.
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This film is the singular reason I avoid Nagoya at all costs.