Combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results…
Grosse Pointe Blank
Even a hit man deserves a second shot.
Martin Blank is a freelance hitman who starts to develop a conscience, which causes him to muff a couple of routine assignments. On the advice of his secretary and his psychiatrist, he attends his 10th year High School reunion in Grosse Pointe, Michigan.
John Cusack's heyday was definitely back in the eighties and nineties. He had wit, caustic and sarcastic that always made for excellent viewing, but lately the killer roles that endeared him to millions have dried up. Gone are the days of Lloyd Dobler, Walter Gib Gibson, and The Grifters' Roy Dillon. Those were all characters we loved and rooted for, but Martin Blank for me is the one unmissable role in Cusack's sometimes patchy filmography.
As a contract killer working through his issues with a psychiatrist who doesn't want to treat him, Cusack's Martin Blank is a complex character. After a botched assignment leaves him forced into a job near his former home town, he decides to face up to…
Unlike his classmates, who became respected professionals, Martin Blank (Cusack) found a lucrative career as a professional killer, but things are not what they were and Martin faces an uncertain future. Now he is back to his homeland, Grosse Pointe, to the party of former high school classmates, and to complete one last "job" and try to win back the love of the girl who he took to the prom (Minnie Driver). Grosse Pointe Blank is a deadly black comedy filled with action and laughter.
Grosse Pointe Blank has repeatedly been compared to Quentin Tarantino's Pulp Fiction, and even though they are both crime comedies, I don't feel the comparison has been justified. Obviously, the film's style is similar to…
At some point in the not-too-distant future, I’m probably going to get an invite to my high school reunion. I’m already dreading it. The only things that will have changed about me will be the colour of my hair and my eyesight. I’ll still be the bitter misanthrope I was in 2009. I’ll still be socially inept, I’ll still have a burning hatred for the majority of my classmates and I’ll still be able to drink every last one of them under the table. That or I’ll be dead, in which case I won’t have to attend the sodding thing in the first place. Either way, I won’t be able to tell them that I’ve spent the last ten…
I've had some movie star crushes over the years, but Minnie Driver in Grosse Point Blank is right up among the biggest of them. That hair, that smile, those lips as she speaks into that microphone, God she was sexy in this. Cusack does his usual, black suit, sunglasses, and coolness personified. With whip-smart dialogue, this is darkly comic, violent, and romantic, all in one brilliantly sound-tracked slice of greatness. Dan Aykroyd, Jeremy Piven, Alan Arkin, and Hank Azaria also buy into George Armitage's quest for laughs amid contract-killers and High School Reunions.
John Cusack improbably pulls off the affable moral bankruptcy/dilemma of his character in this quintessentially 1990s Pulp Fiction-"cool"-derivative romcom, and that improbably makes me like this much more than I think it deserves. It sets up a string of fun ideas that it never quite follows through on, including its central premise--yes, the hitman attends the high school reunion, but the enormous amount of hijinx available to that premise are only barely addressed. And the ending feels wholly unearned.
And yet, Cusack's central performance is so delightful, even when he's just talking to himself, that it's vey watchable. Driver manages a few fine moments with the few solid moments she's given (taking Marty to task on air being the highlight).…
Officially the 4th best movie ever made.
Well, sadly not officially.
If ever a film has blossomed from the Internet revolution it' Grosse Point Blank. Released in 1997 to almost zero fanfare, it went largely unnoticed for nearly a decade. Rightly though, I now believe it to have a pretty large following of diehard fans.
Simple because it is brilliant.
Everything, about Grosse Point Blank is brilliant.
It is one of the true delights of 90's American cinema. Essentially a romantic comedy, and essentially a one joke comedy at that, it is unrivalled in its slickness, frequently clever, and very funny.
With a soundtrack by Joe Strummer also, there is so much going for this movie.
I cannot recommend it enough.
It's only flaw is its awkward title..
If John Hughes used a Kevin Smith script to direct a movie about the Brat Pack's 10-year high school reunion under the stipulation that Bender had become a hitman, it would probably look something like this. With loveable characters, a phenomenal soundtrack and the kind of youthful vigour which made Hughes' films famous, Grosse Point Blank manages to marry romance, dark comedy and action in a way few other films can ever hope to emulate. Cussack is at once endearing, charming and believably threatening in a career high. See this movie.
Eine kurzweilige Komödie, die mir besonders Dank des tollen Soundtracks sehr gut gefallen hat. Ein bekannter Ohrwurm jagte den Nächsten. Die Dialoge sind pointiert und das Timing sitzt.
Aus heutiger Sicht betrachtet, mag ich besonders das Unperfekte. John Cusack bewegt sich einfach nicht mit der Eleganz eines James Bond oder eines Profikillers, wie wir ihn aus Hitman erwarten. Sehr charmant. Er schießt sich unbeholfen durch den Film und als Protagonist durchs Leben.
"You're a handsome fella, what's your name?"
i was coming off a cusack high...and this showed me rock bottom...that's the only reason why it's here
(Original review outdated, re-evaluation required at later date)
Feels like an 80s movie but I have seen this countless times and still love it!
Great humour, original story and cusack is at his best
Has a spastic spark that makes the film verge on being great, but the recycled jokes and limp ending reveal that this is a director and his cast doing their best to riff on a script that's conceptually rich but frustratingly uneven.
Both Cusacks are a gift. Jeremy Piven is terrifying. 80's and 90's music/technology/fashion are bizarrely comforting to see again.
I love this movie, always have, always will. It's damned near perfect, Cusack at his best and surrounded by so many friends it feels like a reunion from the start. Oh boy the soundtrack is phenomenal too.
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