Half Nelson
2006 Directed by Ryan Fleck
Synopsis
Secrets don't let go.
Despite his dedication to the junior-high students who fill his classroom, idealistic teacher Dan Dunne leads a secret life of addiction that the majority of his students will never know. But things change when a troubled student Drey makes a startling discovery of his secret life, causing a tenuous bond between the two that could either end disastrously or provide a catalyst of hope.
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Ryan Gosling gives a layered performance in a role that hints at the potential he showed fully in Drive. Doing so much with so little, Gosling lays bare the empty life of a drug addict struggling to get by. Shareeka Epps matches him brilliantly as the guarded young girl who won't take no for an answer. Unwittingly discovering Gosling's character Dan Dunne's secret, she ends up being the one holding him up, rather than the other way around. Their chemistry is perfect, and it drives a film about loss, struggle and finding oneself.
The film is slow paced, but intense. The plot is simple, meandering, but never going too far off tangent. With a generous use of close ups and the haunting Broken Social Scene soundtrack, Half Nelson delivers with a stark intimacy and emotion that you wouldn't expect from a film of its stature.
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Provoking and heartfelt, this is how a human drama coated in realism should turn out. Ryan Fleck and Anna Boden's story of a troubled teacher bonding with a troubled youth is very familiar material, but it is dealt with in a potent and relevant fashion. Unlike similar films such as Dangerous Minds (1995) that relies on artificial drama and stereotypes, this film doesn't sacrifice authenticity in order to appeal to audiences.
This is when Ryan Gosling proved showed just how great of an actor he is, and he still has yet to disappoint. He has a tough role as a teacher who finds purpose in teaching kids at a lower-class school, but outside of class is a drug-addicted wreck. He…
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What differentiates this film from others with almost exactly the same premise and/or plot? The direction of Ryan Fleck would be my first choice, he doesn't aim for tears, there's no attempt to play your heartstrings like he's a common McG or whoever, he just lets the action unfold naturally and gets good performances from his cast. Shareeka Epps definitely comes a close second, casting a talented young actor in your precocious/damaged kid role is vitally important to this type of film and in Epps they scored high, her naturalistic performance was a perfect match for the semi-documentary feel Fleck was aiming for here, hopefully she will find more work without having to play to black stereotypes in white Hollywood…
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You get very strong performances from Anthony Mackie, Shareeka Epps and especially Ryan Gosling who gives one of his very best performances. Like Gosling's performance, this film is powerful, subtle, and very solid.
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'Half Nelson' is one of those movies that slightly upset me. Having been raised in a community of pretty much middle class families in a prosperous little town, people such as those portrayed in the film isn't one of those things that naturally stay in my mind all the time. Movies like 'Half Nelson' remind me of these places, these groups of people so tightly knit together - children with no future, adults with no present. My initial response to it is, "I don't like it!", but obviously there is so much more to the movie than that.
Given the circumstances of their lives, the relationship between Dan and Drey is even more complex than it would have been otherwise,…
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An alright film with a great lead performance by Ryan Gosling. I was a bit tired at the time, so that might've had something to do with this leaving me a bit cold.
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This review reportedly contains spoilers. I can handle the truth.
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Fantastically acted and very well scripted; I cynically thought I had the plot pegged from the back-of-box blurb but it surprised me; like Henry - Portrait of a Serial Killer (in a way) it presents the protagonists without judgement. Clever name too.
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I didn't really give this movie a fair chance. At first glance it would seem like a movie I would love, talkie movie with great acting and deep characters, yet I just couldn't get into it. Shouldn't have watched it in my computer monitor.
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I am not sure I totally got this movie and it definitely grew on me while I watched it. On the surface it is about an unconventional friendship between a teacher and one of his students. Various underlying issues such as race, drugs, addiction, family and relationships are dealt with in the course of the movie.
It is paced rather slowly, the acting performances are top-notch and it has its own unique visual style with lots of camera shake, close up shots and large apertures. Needs some time to sink in and will probably keep you thinking about it for a while.
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As much as I really wanted to love this film, it ended up falling flat for me due to the slow pace. I couldn't keep myself engaged in the story, and my mind kept wandering...
I love everything they were trying to say in this film, I just didn't like the way they presented it. -
oh my fucking god this movie :{
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I think its safe to say I have a bit of a man-crush on Ryan Gosling and once again in this he has displayed his incredible acting talent proving he is one of the finest actors of his generation. The film is moody, its dark and feels very real thanks to an intelligent use of cinematography, editing and music (or lack thereof) but ultimately the thing which makes this film so great is Gosling's performance. He carries the film on his shoulders right through to the end, the supporting cast are good such as Anthony Mackie, but its Gosling whom we are controlled by. Overall, although a well crafted film with a great narrative, this is a performance driven piece from one of the greatest actors of this generation and for fans of Gosling is not to be missed.
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What differentiates this film from others with almost exactly the same premise and/or plot? The direction of Ryan Fleck would be my first choice, he doesn't aim for tears, there's no attempt to play your heartstrings like he's a common McG or whoever, he just lets the action unfold naturally and gets good performances from his cast. Shareeka Epps definitely comes a close second, casting a talented young actor in your precocious/damaged kid role is vitally important to this type of film and in Epps they scored high, her naturalistic performance was a perfect match for the semi-documentary feel Fleck was aiming for here, hopefully she will find more work without having to play to black stereotypes in white Hollywood…
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Már a megnézése előtt gondoltam, hogy nem lesz a kedvenc filmjeim között. Nem vártam tőle sokat.
Voltak elég unalmas részek, de az alakítások jók voltak. Egyszer nézős.