Casually lumping these into one massive heap as if it was a complete genre of its own (which it kinda…
Go Get Yourself Loved
Captures a generational moment - young people on the cusp of truly growing up, tiring of their reflexive cynicism, each in their own ways struggling to connect and define what it means to love and be loved. Six New Yorkers juggle love, friendship, and the keenly challenging specter of adulthood. Sam Wexler is a struggling writer who's having a particularly bad day. When a young boy gets separated from his family on the subway, Sam makes the questionable decision to bring the child back to his apartment and thus begins a rewarding, yet complicated, friendship. Sam's life revolves around his friends-Annie, whose self-image keeps her from commitment; Charlie and Mary Catherine, a couple whose possible move to Los Angeles tests their relationship; and Mississippi, a cabaret singer who catches Sam's eye.
Is HappyThankYouMorePlease a great movie? A perfect movie? A five star movie? By all accounts, no. By the sum of its parts it's messy, uneven, maybe a bit contrived and cloying.
But I love it dearly. I frequently find myself thinking about it. I revisit it more than I do most movies. And I think the reason is that, for all its rough edges, HappyThankYouMorePlease is a purely sweet, uncynical film. It's a movie that unashamedly wears its heart on its sleeve and tells you to believe in love, and a chance for happiness. And it does so in a sincere and kind way, unlike most of the manufactured romantic comedies of the early 21st century (e.g. Katherine Heigl films).…
Josh Radnor's HappyThankYouMorePlease is another one of those films that does the several interconnected stories thing. There's no shortage of those in the world, some are good, some are okay, and some are awful. This one fits snuggly into the okay range. It's perfectly likable, but doesn't really do anything that stands out and elevates it to a really good film. I'm glad I saw it, but if I hadn't it wouldn't be a big deal.
Ron's recommendation: It's worth seeing once.
Josh Radnor's directorial debut Happythankyoumoreplease is not as good as his second venture Liberal Arts but it's still a highly entertaining feel good film.
Radnor directs, writes, and stars in a small and a plot less film (in sorts).
Radnor plays a writer who is on the subway hurrying to an interview when he meets a kid name Rashean (Michael Algieri) who has been separated from what's thought to be his family. Radnor as Sam Wexler assumes responsibility automatically after a few attempts to separate from Rashean.
Overall I personally love both of Josh Radnor's films and I can only hope he grows and continues to make feel good film like his first two.
Happythankyoumoreplease... What kind of name is that?
Josh Radnor's debut flick is certainly not as good as the follow up "Liberal Arts", but it's a pretty good movie nonetheless. It is consisted of several stories about love or what it means to be loved. I really like the quirkiness and awkwardness of the story with Josh Radnor and the kid. It's really sweet. The other stories were okay, but the characters weren't as funny or interesting as the main story. I can't wait to see what next Josh Radnor has in store. I really like his style and quirkiness. He's sorta like the poor man's Wes Anderson.
One can easily catch on the style of Josh Radnor by seeing his work. He’s quirky, he’s character-oriented, he’s comedic and heartfelt. Happythankyoumoreplease is exactly that. This indie dramedy project doesn’t fail in charming its audience – whether that be through its appealing soundtrack, a few thought-provoking lines, or the promise that is Josh Radnor.
If you’re looking for something grand and mind-blowing to watch, I wouldn’t exactly recommend this movie. But if you’re open to something good and interesting (endearing too perhaps), put this on your list.
Josh Radnor's written and directorial debut from 2010, I watched his 2nd film Liberal Arts last year from 2012 and I thought that film was generally well made. Happythankyoumoreplease is quite simple with a likeable story, however there isn't a great deal that stands out in the film, it's okay. Josh Radnor has laid down some pretty good foundations in both films and has the potential to made some great films in the future in my opinion. I'll look forward to seeing what he does next.
This was my second time watching this film since it's release, and I was still so dissapointed. For starters, this film is far too melodramatic, with dialogue and characters so cheesy it gave me gas. This is Josh Radnor's directorial debut, and I admire his direction, however to me he felt like a wannabe Zach Braff in every aspect. It's not horrible, and it's watchable, but because of my constant frustration with character choices, writing, and directorial choices (I'm looking at you jarring end song) I don't recommend seeking out this film unless you're feeling extra sad or need something sappy to go with your ice cream.
Menuda tabarra Radnor. MENUDA TABARRA.
Bad writing and mediocre story. The paradigmatic independent feelgood movies dealing with white people's problems.
This film was a good directorial debut for Josh Radnor and although Liberal Arts may be a better film, I still enjoyed this film.
The plot revolves around an established author of short stories struggling to transition into full length novels. He encounter's a forgotten child on the subway and his life is flipped. Although we never see the story develop fully, they were some really nice moments throughout the film. The cast was good and all the technical aspects were good too. Worth a watch!
I mainly watched this cause I wanted to watch Zoe Kazan and I also wanted something chill, happy and simple. It definitely fulfilled those needs. That being said though, it's the type of movie that you'll only need/want to watch once. It's kinda funny with a few heartwarming qualities. Certain concepts were really sweet that I wish they could have expanded on. At moments I wished the actors were different because I honestly cared more about the more side plots than the main guy. I cared about the kid who barely talked more than him. I feel like if there was more dialogue between his relationships with the random bar girl and the kid, it would have been slightly more…
Nadie va maquillado, solo Kate Mara.
In Josh Radnor's directorial debut, "HappyThankYouMorePlease" is a subtle drama about a writer taking in a young, African American boy left on the subway. The film never quite digs as deep as we hope, floundering with three love stories, when it should stick to one, yet it delivers Radnor in a new role, hopefully opening up roles outside of "How I Met Your Mother", even if the persona of Ted Moseby is engrained in his image. Kate Mara is stunning, as the high point of the film, begging the question of why her career hasn't entirely taken off yet. Zoe Kazan also delivers an endearing performance. Radnor's writing and directing may not have reached its peak with this film, but it screams independent film in the best of ways, hitting its mark without slapping us with romanticism.
A Josh Radnor se le ve un tipo simpatiquísimo y adorable, pero vaya cosa aséptica y aburrida le salió aquí.
"It's a party.....you can have 10 cookies."
"Who says Santa's pants have to be red?!"
This film really had some good parts, but the slow pace made it drag for me.
I have this weird fetish for movies about writers. I love all of them, good or bad.
Please help me…