All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
A Los Angeles crime saga
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.
"Three hours was the wrong running time for this movie," began my negative "review" 18 years ago, just a few months after I launched my site. "It should have run either 90 minutes, or seven hours." That I somehow failed to appreciate the rampant awesomeness on display here boggles the mind; for all his idiocy, though, younger me did have a point, if not yet an available countermodel. Today, Heat looks like a hugely condensed season of first-rate television, with the sprawling narrative and multi-character arcs we now associate with that medium. (See also: Contagion.) Bump it up to 10 or 12 hours on HBO and the material that currently feels thin—Kilmer and Judd's rocky marriage, Portman's depression, Fichtner's…
This remains the quintessential Michael Mann film, an epic summation of his preoccupations and interests. It is a cataclysmic stand-off between worthy adversaries, the driven cop and the master thief, and a riveting portrait of men operating at a rarefied level of proficiency. The unflagging pursuit of career criminal Neil McCauley (Robert DeNiro) and his hard-boiled crew by LAPD detective Vincent Hanna (Al Pacino) as they plot to take down one last score provided the basis for the crime saga of the nineties, a super-charged set-up as potent as it was elemental. The relative simplicity of the plot allows Mann to explore the psyche of these men that seem to simultaneously thrive within and stand apart from the maelstrom their…
”What am I doing? I'm talking to an empty telephone…Cause there is a dead man on the other end of this fuckin' line.”
I heard that quote when I watched Cashback the other night. “I love that fookin film! You should see it on my plasma! Boom boom ratta tatta blam blam!” a character exclaimed. And this gave me the craziest idea… I went out and picked up Heat on Blu-Ray today and decided to watch it for the first time since owning a Blu-Ray player. I had previously only seen it on VHS and DVD…
I poured myself a drink, opened up the window to feel the nice spring air, cranked up my tv, and let the sounds of…
Heat opens with De Niro's McCauley descending from above wearing an EMT uniform, one of many costumes/false identities he'll don throughout the course of the movie as he quietly blends in with the masses of baseball and barbecue loving "normals.*" At other times he's framed at high vantage points, hovering over the city and recalling in my mind the famous poster art for Feuillade's FANTOMAS. This is the great American crime movie of my lifetime. The roles of cop and robber are expanded to mythic proportions, the movements are operatic (hovering at times somewhere between soap opera and pulp fiction), the action scenes are grounded and thrilling... I think it's pretty much perfect.
As in classic mythology, when gods clash…
Film #57 of Project 90
”Don't let yourself get attached to anything you are not willing to walk out on in 30 seconds flat if you feel the heat around the corner.”
Michael Mann is at his most exciting form here, with Heat he once again tells the story of lonely men who can’t live a regular life, men who are doomed to live a painful life where it is impossible to achieve peace and delight, his heroes aren’t made to enjoy life, they should fight for their salvation till the end and that salvation often costs them dearly. What makes Heat so unique is that here we have two men who are supposed to fight each other and beat…
Arguably Michael Mann's best film. An all action crime thriller with some of the best shoot-out's in recent cinema history,this bristles with an edgy script and stylised violence the Michael Mann way.
Robert De Niro is the career criminal and expert professional thief who leads a crack team of bank and armoured car robbers. On his trail is obsessive cop Pacino who appreciates the skill and tenacity of De Niro's crew. A grudging admiration develops as the criminals and the LAPD attempt to outsmart each other as a cat and mouse game of deception develops.
Tom Sizemore, a brilliant Val Kilmer and Danny Trejo round out De Niro's team. From the opening robbery to the almost operatic bank heist this…
Best heist movie ever made.
We can thank Mr. Mann for GTAV and The Dark Knight as well.
If I had been of appropriate age to see this in theatres, I would pulled me a fucking Pee-Wee Herman.
I was disappointed by this film. What did I miss here?
So much better on rewatch. doubt I'll watch it all that much though, since its like three fucking hours
I appreciate it a bit more..
Would Homer live and write today, this would be his greatest Greek tragedy.
The second Mann film in a row, this time Heat.
Its a film I have wanted to watch for a while and I now understand how it is considered an iconic film. To have Pacino and De Niro sharing screen time is very exciting and both live up to this with their outstanding performances. De Niro especially is fantastic in his role.
The stories of the two main character seem to play out in parallel all the way up to the climactic scene. One man gets everything his way and everything he wants, the other watches everything he has slip away. In the middle is this building relationship between cop and criminal that is incredibly compelling.
A gripping drama that really did live up to its promise. I cant wait to see this again soon it might be a favourite of the future.
This review reportedly contains spoilers. I can handle the truth.
-1 for that idiotic, coward fucking ending. Pissed me off. Everything was going so well, too - they'd already shown him compromise his life, why insist on making a moralistic and frankly unrealistic ending that's completely uncalled for?
Combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results…