Hemingway & Gellhorn
2012 Directed by Philip Kaufman
Synopsis
We were good in war. And when there was no war, we made our own.
Writer Ernest Hemingway (Clive Owen) begins a romance with fellow scribe Martha Gellhorn (Nicole Kidman).
Cast
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Philip Kaufman gives this sprawling chronicle of a love affair the same treatment he gave Henry & June and The Unbearable Lightness Of Being. Which means it's long and the leads spend a lot of time fucking. It's also a good, serious movie, don't get me wrong. Nicole Kidman and Clive Owen are both excellent, bringing their respective characters to life with erotically-charged energy. And they are joined by an interesting cast (including Lars Ulrich [!] -- who is actually quite good as a Dutch documentarian). Kaufman packs the movie with the stylistic flourishes and attention to detail you would expect. And it remains compelling all the way through. Still... There is an odd flatness to the whole thing and, even…
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"I do not consider myself a footnote in someone else's life." - Gellhorn
I can't tell if the filmmakers were aware that they were making her into just that, but that's certainly how it turned out. The only reason we watch, the only reason anyone made a movie with Gellhorn in it is because of her connection with Hemingway.
Being a fan of Hemingway and films about writers in general, I really wanted to like this one. The director spends so much effort trying to pull us in with silly little tricks (shifting filters, trying to insert our characters into historical footage, etc) that it's hard to get very invested in the story. It's a real tragedy because the story…
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My second Phil Kaufman film in 6 hours really was anti-climactic seeing as the plot was right up my alley-Hemingway played by Clive Owen, Kidman's high n' tights, and portrayals of Robert Capa and Orson Welles-as Judge Reinhold would say, 'No Dice.' Gotta tell ya...this thing is overbloated at 155min and the idea to shoot in SF doubling for about 50 other locations doesn't work at all. The constant green screening to put the characters into old stock footage really sucks too-and who the fuck is gonna buy Lars Ulrich as a newsreel director/cameraman? Hold on...Hemingway was a drunk? I never knew that one! They actually have the balls to re-inact Capa's famous spanish soldier being killed and then he somehow vanishes from the film all together. Sloppy.
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"‘Hemingway & Gellhorn’ ziet er stijlvol uit (de Nederlander Rogier Stoffers is verantwoordelijk voor de cinematografie) en Owen en Kidman vormen een mooi koppel. De grootste ster van deze miniserie is echter de stad San Francisco, die stand-in was voor alle (!) locaties waar het heetgebakerde schrijversduo gedurende hun huwelijk neerstreek."
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Movie has a lot of great actors, who all do a great job. Unfortunately the relationship between Hemingway and Gellhorn didn't work for me. Which is a problem as the movie entirely replies on it. Individually they are very interesting though.
Also the movie tries to merge original footage with movie footage which do not always flood over as well.
If you're into Hemingway or Gellhorn it probably merits a viewing...
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Nav tā, ka man nepatiktu Hemingveja daiļrade. Viņa stāstiņi ir ļoti labi. Romāni gan man liekas par garu un par vienmuļu, bet kopumā ir ok. Taču šis gabals kaitina. Gan bezgalīgā hronometrāža, gan Klaivs Ovens kā Hemingvejs gan Kidmena kā Gilenhorna, gan tie pseidovēsturiskie "dokumentālie" kadri visos lēto fotoaplikāciju retro toņos, gan uzspēlētais filmas ritms un noskaņa.
Liekas, ka Hemingvejs vislaik rijis kaut kādas patriotiskās uzmundrinošās tabletes, baltā mētelī skraidījis pa ierakumiem un vakaros aizlējis aci un runājis patosainu sviestu. Pa starpām satusējis ar kara repotieri Gilenhornu kura šo iedvesmoja sarakstīt "Kam skanēs zvans" un kura esot vienīgā kura pieparsījusi šķiršanos no pompozā rakstnieka.
Neņemos spriest cik tur vēstures, patiesības un tādā garā, bet visa kā šajā filmā ir daudz par daudz.
Jā un te pie lomas ticis arī Metallica bungu vīrs Lars Ulriks.
Nē, tas nenozīmē, ka skaņu celiņā ir Metallica.
Pretenciozs kino. -
Not good
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Holy uneven tone. Owen is miscast (or poorly directed?), Kidman fares better. Only ok.
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Chato e cansativo.
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My second Phil Kaufman film in 6 hours really was anti-climactic seeing as the plot was right up my alley-Hemingway played by Clive Owen, Kidman's high n' tights, and portrayals of Robert Capa and Orson Welles-as Judge Reinhold would say, 'No Dice.' Gotta tell ya...this thing is overbloated at 155min and the idea to shoot in SF doubling for about 50 other locations doesn't work at all. The constant green screening to put the characters into old stock footage really sucks too-and who the fuck is gonna buy Lars Ulrich as a newsreel director/cameraman? Hold on...Hemingway was a drunk? I never knew that one! They actually have the balls to re-inact Capa's famous spanish soldier being killed and then he somehow vanishes from the film all together. Sloppy.
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poor nicole
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First movie of the year.. just my luck it landed on a 2 1/2 hour movie I had no interest in watching I was so close to re-rolling it but I promised I wouldn't cheat!
This was a long boring uninteresting drag, hopefully i'll have better luck or this month will be tortue.