All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
His Girl Friday
She learned about men from him!
Hildy Johnson has divorced Walter Burns and visits his office to tell him that she is engaged to another man and that they are going to get married the day after. Walter Burns can't let that happen and frames the other man, Bruce Baldwin, for a lot of stuff getting him into trouble all the time, while he tries to steer Hildy back into her old job as his employee (editor of his newspaper).
Howard Hawks' "His Girl Friday" is a whirlwind of dialogue, memorable characters, and crackling comic energy. Hilarious and exhausting, the film is a robust and quick-witted piece of entertainment that has not only stood the test of time but has proved itself as one of Hollywood's greatest-ever comedies.
The plot involves a well-shaken potion of divorce, marriage, reporters, and convicts. In the middle of it all, Rosalind Russell's Hildy Johnson and Cary Grant's Walter Burns navigate the narrative as the now-separated couple can not escape one another's magnetism. The story skewers the newspaper business, crime films, and relationships while reveling in its characters and their personalities.
As the two lead personalities, Russell and Grant are excellent. Russell offers a strong…
His Girl Friday combines all of my favorite movie things like it was made just for me:
• Ex-lover drama
• Strong female character
• Biting satire
• Witty dialogue
• Lovable and multi-dimensional minor characters
• Emotional honesty
Absolute perfection. His Girl Friday has charm and happiness coming out of its eyeballs and I want to watch it every day for the rest of my life. Unfortunately that isn't possible because my watchlist has almost 300 films on it. A girl can dream...
Thanks for recommending this to me on my classics recommendations list Antonomasia, JW Hendricks, Lise, and Noetic Hatter!
It doesn't get much better than this. The snappy dialogue is funny, smart and quick. And I mean quick. It makes The Social Network look taciturn.
Cary Grant is at his best as news editor Walter Burns who wants his ex-wife and former journalist back. Rosalind Russell is pure perfection as Hildy Johnson who wants nothing to do with her ex or the newspaper business. She wants to go live in Albany and have children with her new fiance. Walter will stop at nothing to prevent Hildy from leaving. He will be cunning, sly and play dirty if it is required.
The film also serves as a critique of the newspaper industry, showing newspaper men misquoting and outright inventing stories…
I HAVE FOUND MY HAPPY SPACE!!!!!!!!!!!!!!!!!
*exhales and twirls and somersaults off into the sunset*
Walter, you're wonderful, in a loathsome sort of way.
Howard Hawks' adaptation of the Broadway play The Front Page is best described as a piece of dialogue heaven, thanks in no small part to screenwriter Charles Lederer. It was their first collaboration together and it turned out to not only be their best, but the best film adapted from the play. No small task considering that it wasn't the first, and it would go on to be adapted in two more TV movies, a series and a feature film directed by Billy Wilder no less.
I will say this: I am pretty sure that Rosalind Russell's Hildy Johnson is why I love Lois Lane. Lois was invented before this portrayal, but every version of Lois after it wants to be Hildy Johnson chasing a source down the street -- and taking him down with a flying tackle to the legs. (Well, apart from the airheaded 50's "Superman's Girlfriend" Lois who kept dreaming about marrying Superman -- but even then we got Phyllis Coates and Noel Neill.)
Also, any film that portrays newspapermen as conniving, backstabbing, lying cheats and still sends you off wanting to be one of them has got to be doing something right.
Magic. Pure magic.
Walter Burns: Sorta wish you hadn't done that, Hildy.
Hildy Johnson: Done what?
Walter Burns: Divorced me. Makes a fella lose all faith in himself. Gives him a... almost gives him a feeling he wasn't wanted.
Hildy Johnson: Oh, now look, junior... that's what divorces are FOR! -
Belakangan lagi terjerumus dan senang nonton screwball comedy, genre khas yang populer di Amerika selama Masa Depresi tahun 1930-1940, namun film-filmnya dianggap klasik hingga kini. Garis besar genre ini berkisah soal "battle of the sexes" alias "perang" antara tokoh utama perempuan dan tokoh utama laki-laki. Kecuali mengangkat soal konflik antar kelas sosial, screwball comedy juga beraroma satir, dengan "senjata" skrip yang padat dan dialog cergas nan witty. Ini juga menjadi daya…
Fun film with great dialogue and interplay.
Most of what Robert Altman has done with overlapping dialogue was done first by Howard Hawks in this 1940 comedy, without the benefit of Dolby stereo. (The film, in fact, often circulates in extremely poor public-domain prints that smother the glories of Hawks's sound track.) It isn't a matter of speed but of placement—the dialogue almost seems to have levels in space. Hawks's great insight—taking the Hecht-MacArthur Front Page and making the Hildy Johnson character a woman—has been justly celebrated; it deepens the comedy in remarkable ways. Cary Grant's performance is truly virtuoso—stunning technique applied to the most challenging material. With Rosalind Russell and Ralph Bellamy, a genius in his way too.
I was having a fight with Maxim over Facebook Messenger during the majority of this film, so it loses a half star for that.
The Brattle Theatre, Cambridge, Massachusetts
Saw it in theatres
75 years old now. Great picture if you like the fast talkers, and I do. Cary Grant in the younger days.
I was hoping that Hildy's tearful breakdown at the end was just her "playing" Walter. Then I remembered that this was made in 1940- not a chance.
I wish I could talk that fast.