Every film that has ever been nominated for an Academy Award in any category. Enjoy!
Hustle & Flow
The music will inspire them. The dream will unite them. This summer get crunk.
With help from his friends, a Memphis pimp in a mid-life crisis attempts to become a successful hip-hop emcee.
Terrence Howard says mayne a lot, doesn't he?
This review reportedly contains spoilers. I can handle the truth.
I am on the fence here. There's a lot going on in this film that I liked, including the sprawling, sweaty look at the recording/artistic process of recording the songs that dominates the film. The film's central conflict for over half its running time is simply getting a song recorded. There's no guarantee of success implied (at first). There are hints along the way that this will open a better way for the characters involved, but the film isn't a Cinderella story.
What I wanted, though, was for Nola (great name) and Shug to kick Djay's ass out, record their own songs, and, I dunno, become successful on their own. Instead, their implied rise out of prostitution comes on his…
"Hard out here for a pimp", indeed.
Craig Brewer directs Terrence Howard in a film about the hardships of becoming an artist and the sacrifices that are made to get to that spot. DJay knows this better than anyone else. The decisions that are made in order for him to be the next big music icon both affect him and everyone around him.
But those sacrifices do not go in vain, as DJay creates music (with help from his friends and hoes) that emerges from his heart and soul, creating some very memorable music (especially the Oscar nominated "It's Hard Out Here for a Pimp") that he hopes is recognized, particularly from a rapper who he idolizes on television.
This Sundance darling was critically acclaimed upon release, and I’m glad people saw it for what it really was – a man’s honest attempt to escape the monotony of his life. With a stellar performance from Terrence Howard, a brilliant script from writer/director Craig Brewer and an Oscar-winning song from Three Six Mafia, I would highly recommend it to anyone who felt like they wanted their money back after watching the following movies - Step Up, Stomp the Yard, You Got Served, Notorious, A.T.L., Get Rich or Die Trying & Before I Self-Destruct (among a whole host of others)
I think this is the first time I've watched it since I saw it in the theatre back in 2005, and I think I enjoyed it even more this time.
I've yet to see director Craig Brewer's FOOTLOOSE remake, but if it's even remotely like this powerful, gritty "New South" semi-masterpiece and the similarly great, deeply undervalued BLACK SNAKE MOAN, it's gotta be better than it sounds.
Terrence Howard is mesmerizing as Djay, a low-rent pimp with a pitifully small stable of three "tricks," one of which is...um...on maternity leave. Itching to move on to greener pastures, he begins to nurture a long dormant dream to pursue a career in music, with the help of an old school friend (Anthony…
Love the 1970s vibe to this film. The premise, the music, the characters, the settings, they all contribute to a film that scream exploitation movie but still manages to tell a compelling story that feels modern too. Surprising how this tale of a pimp (and his prostitutes) who decides to give rap music a try can tap into such universal desires of finding our purpose in life. Everybody has a right to dream...
THESE BITCHES POP IT FOR SOME PAPER, POP THAT ASSSS FOR SOME CASHFLOW
The Whoop That Trick scene has got to be one of the best musical moments in the history of cinema. DJ Qualls brings it, making everyone agree he's, "not bad for a light skinned," which ironically works as Craig Brewer's calling card.
A staggeringly dark, brutal, and beautiful film. Terrence Howard does a carrier best performance as DJ, a middle aged pimp in Memphis who dreams of becoming a rapper and leave his hard past behind him. The other actors in the movie also give amazingly realistic performances.
somewhat enjoyable, but very corny
Hip-hop movies and its ilk live and die by their music creation/selection, understandably, while characters are secondary and story is excess. It's a curious sub-genre whereby a brilliant original track enables a film to transcend, in some ways, its own material. It isn't difficult to see why: the typical sharply angled graph from a fledgling artist to moderately successful one and perhaps a dip in the plotted line towards the end prior to an inevitable slope reversal is both banal, expected, and, in my eyes, totally fine - with some restrictions. As such, Hustle and Flow's predictability is a non-thought; indeed, it succeeds by this mindset.
Winning the Oscar for Best Original Song in 2006, for the incredibly catchy dirty…
- The Racket
- 7th Heaven
- Sunrise: A Song of Two Humans
- Chang: A Drama of the Wilderness
- Mr. Woodcock
- Deep Rising
- Bangkok Dangerous
- All the Boys Love Mandy Lane
A list with film titles that could easily have been titles of porn movies.
Got any more?
- The Hunger
- Fright Night
- Near Dark
- The Lost Boys
If you owned your very own movie theater and got to program the films it exhibited as you desired, what…