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Ray and Ken, two hit men, are in Bruges, Belgium, waiting for their next mission. While they are there they have time to think and discuss their previous assignment. When the mission is revealed to Ken, it is not what he expected.
What a conversation between Harry and Ken would sound like if they were talking about some lame person who doesn't like this movie:
Harry: So he's having a really nice time watching In Bruges?
Ken: Well, I'm having a really nice time watching In Bruges. I'm not sure it's really his cup of tea.
Harry: (Stunned silence) What?
Ken: You know... I'm not sure it's really his thing.
Harry: What do you mean it's not really his thing? What's that supposed to mean? It's not really his thing... What the fuck is that supposed to mean?
Ken: Nothing, Harry.
Harry: But it's a masterpiece, isn't it? How can a masterpiece not be somebody's fucking thing? The brilliant fucking dialogue, the perfect fucking casting, the wonderful fucking blend of the most hilarious dark humor with spine-tingling drama and character development... how can that not be somebody's fucking thing? How can that be?
The only film where you will witness Madeye Moody and Voldemort sit in a bar and call each other cunts.
Pure fucking brilliance. Everything fucking works. Fucking humour, fucking emotions, fucking Ralph fucking Fiennes is the fucking best fucking ever.
"You're an inanimate fuckin' object!"
I cannot get over that line. It's so fucking good.
Martin McDonagh’s debut feature is a profane black comedy about those two perennial Catholic obsessions - guilt and sin. Two foul-mouthed Irish hitmen are sent to Bruges following a botched job and ordered to wait there until they receive further instructions. The film’s chief success comes in this brilliantly realised central pairing that is a perfect marriage between script and performance.
Colin Farrell plays the grief stricken, Ray - a cocksure and frequently inappropriate Jack the lad who made a grave mistake during his one and only hit. Ray, like practically every other character that finds themselves stuck in Bruges, isn’t particularly nice yet his natural Irish charm and sense of morality (albeit a warped one) make him an interesting,…
The Belgian tour operator who must've bribed Martin McDonagh when he was conceptualising this film is probably benefiting greatly from it now. This bizarre gangster road trip put Bruges on the map with its simple story of three hitmen in a pickle. Following a messy slip-up, criminals Ray and Ken find themselves in Belgium awaiting orders from their boss Harry. We soon learn that when Harry says wait that's exactly what everyone does and it gives Colin Farrell plenty of time to show us how effectively he can throw his toys out of the pram.
Had Tarantino or Guy Ritchie got their paws on this script it would've been either irritating or offensive. It begins with the aftermath of a…
2 things will happen after you watch this movie:
1: You will want to go to Bruges and see the swans and the medieval shit
2: Your urge to call people "fookin coonts" will dramatically rise.
If you haven't seen this dark comedy criminal masterpiece yet, I would advise you to close this review and try to get on that as soon as possible. I watched an unhealthy amount of movies today, but quotes from this one keep floating through my brain. I saw this movie a couple years ago and though it was alright. I think it's one of those movies that will keep getting better and better every time I watch it. Hey, not every film clicks with…
A dark, dark, dark comedy. The writing is so sharp and tight. It's quite funny, but I felt such darkness when it was all through. I think the writing and performances were stronger than the cinematography overall.
20 Words or Less Recommendation/Review: Dark humor is hit or miss. This curved towards with a few solid hit moments. Just okay I guess.
Incredible story, brilliant hilarious characters, amazing dialogue, and mature themes. This film is the perfect dark comedy that handles life's most troubling questions. One of my most favorites. McDonagh will be a legend, he certainly is to me.
"An Uzi? I'm not from South Central Los fucking Angeles. I didn't come here to shoot twenty black ten year olds in a drive-by. I want a normal gun for a normal person."
"Harry! It's an inanimate fucking object!"
"YOU"RE AN INANIMATE FUCKING OBJECT!"
(personal short anecdote)
Premise was a good one. I think most of the character's were well written, dialogue and unspoken thoughts were clear. Wish Ray were just a bit more charming when asking the Belgian girl on a date, as he put up a ton of red flags in derogatory behavior with no room for her to find believable appeal.
Could have listened to the film instead of watching it. A bit to much expository dialogue that left me hoping for some more pantomime or visual relief. If Brudges were such a 'fairytale' like city I wish the cinematographer would have taken advantage of this instead of using blurred medium shots for much of the whole film. The last bit where they integrated the film shoot in Bruges was a great idea, but felt a little under-dramatic.
Very good film. Amazing dialogue and the incredible casting. Colin Farrell still proves why he an top quality actor, especially in comedy due to his delivery. Very memorable lines to quote and hilarious situations, like being chased by a fat man. Good but not quite 7 psychopaths
It's a movie that makes me laugh (and pretend I have something in my eye) harder every time I see it. "You're an inanimate fucking object!" It smartly plays with themes of suicide, the ramifications of violence, and the interesting love between friends.
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