Every film that has ever been nominated for an Academy Award in any category. Enjoy!
In the Bedroom
A young man. An older woman. Her ex-husband. Things are about to explode...
Summertime on the coast of Maine, "In the Bedroom" centers on the inner dynamics of a family in transition. Matt Fowler is a doctor practicing in his native Maine and is married to New York born Ruth Fowler, a music teacher. He is involved in a love affair with a local single mother. As the beauty of Maine's brief and fleeting summer comes to an end, these characters find themselves in the midst of unimaginable tragedy.
Powerful and elegiac, ranking up there with "The Sweet Hereafter" and "The Ice Storm", "In the Bedroom" is a drama of a family marred by a horrific tragedy. Sissy Spacek, Tom Wilkenson and Marisa Tomei are equally devastating as a trio of loved ones who lost aspiring architect Nick Stahl.
My favorite scene: Wilkenson and Spacek are verbally duking it out with one another (Wilkenson whispers, “You’re bitter, Ruth,” reverberating quite loudly), only to be interrupted by a little girl selling chocolates. It is a priceless scene in a wrenching film.
This is one of my all time favorite films. An acting display of the first order. With Tom Wilkinson and Sissy Spacek giving heartbreaking performances. Tom Cruise's cousin William Mapother is perfectly cast as the entitled spoiled scumbag murderer. Todd Field directed this ice cold revenge tale with a great eye for detail on small community America and the psychological need for retribution. He also directed the great Little Children and it's a shame he hasn't made another film in almost a decade. Why?!
Good but should have been great. The whole film is practically split into three parts. A romantic drama starts us off, before an examination of grief and then we dive into thriller territory. The middle portion, consisting of Tom Wilkinson and Sissy Spacek having to deal with a major tragedy in their lives is where the film delivers on its potential. To see them cope with their loss in vastly different ways, before crescendo-ing into a war of words is brilliant. Unfortunately the other two or three major characters involved in the incident aren’t developed well enough in the opening act, in fact one of them is practically shoved aside and barely heard from again surprisingly. After the excellent middle…
In the Bedroom can be divided into three distinct acts: a light romantic beginning that introduces our characters and the quaint Mid-Coast town in Maine. The middle act serves as the central character study and the marriage between Matt (Tom Wilkinson) and Ruth (Sissy Spacek) Fowler are put to the test. Lastly, the final act switches to a suspenseful thriller as decisions are made when the matter appears out of their hands. Each act gets better and better, but unfortunately the entire film feels unbalanced and unable to commit to one genre and to be frank, the entire film looks rather bland. The acting is superb, particularly that of Wilkinson and Spacek, and it is a great story with an adequate lobster metaphor, but it suffers from a lack of balance and direction that makes the film seem incomplete.
A slight disappointment.
It has a cast ensemble I always enjoy, explores the nature of parental grief very well, and has an interesting lobster metaphor. There is a shocking (although predictable) scene at the heart of the film, and some lovely and telling montage scenes late in the film.
However for me this was a little uninspired. For such a low budget, the film is a success and great example of Sundance cinema. But it barely managed to leave an impression. Solid throughout, but one of the weaker Best Picture nominations of the 2000s. Also, the third act felt very false to me. I just didn't buy it, and thought it took the film down a road I couldn't quite believe. There are some truthful moments in this film, negated by some clumsy foreshadow and unrealistic plot developments.
La frase que más se repite en "In the bedroom" es: "No lo sé". Como si se tratara de un código que debemos desencriptar.
Vaya que me gustó esta película. Es una de mis preferidas de los últimos 20 años. De hecho, es una obra maestra. Llevaba más de una década sin volverla a revisar.
Todd Field ha hecho solo 2 cintas y ambas son dramas magistrales. Es injusto que no sea más conocido. También es injusto que me haya dejado esperando por su tercer largometraje (confío en que vendrá en algún momento).
Field con solo dos películas ya suma tres nominaciones al Óscar. Dos como escritor. La otra genialidad que hizo fue "Little Children". Y, por si fuese poco,…
Un relato de André Dubus sirvió de base a este incómodo drama, de sobria puesta en escena y más que notable trabajo actoral, que parte de lo cotidiano para desembocar en lo tremendo.
La película pierde hacia el final la autenticidad que había sido su mejor baza inicial; pero para entonces el espectador está dispuesto a transigir. Hasta lo más atroz que se ve en pantalla es de una sobriedad encomiable.
A New England couple's college-aged son dates an older woman who has two small children and an unwelcome ex-husband.
Slow-paced and subtle crime drama that keeps its focus more on the elderly couple's grief than on the actual murder of their son.
In the Bedroom is and is about many things. It's a brilliant portrait of regret and grief that never misses a beat. However, at its core, it's ultimately an actor's showcase. While this can be somewhat of a fault (there are many "ACTING!" moments throughout), it doesn't really matter when the performances being given are so damn good. Sissy Spacek and Tom Wilkinson have never been better and they deserved every bit of acclaim they received.
It's a film that stays with you forever after it's over. Cinematic tales of grief rarely get this maddening, authentic, or upsetting. It's an incredible film that should have won Best Picture at the Oscars and deserves to be remembered by more people. Simply marvelous.
A quiet yet complex look at a number of situations and people. When you think it's about one thing, it becomes about something else and all for the better.
This review reportedly contains spoilers. I can handle the truth.
In the Bedroom is a film about big emotions, big moments, and big decisions yet it plays everything with such subtlety that it's never manipulative or over the top. All the actors do a magnificent job here with Tom Wilkinson being the stand out for me. I've mainly seen him play larger than life characters or villains so it was refreshing to see him so restrained.
That restraint plays directly into why the film works so well. The cinematography helps to keep the audience at a distance so we can judge these people's actions for ourselves. The sound design is wonderful often allowing silence to dominate a scene rather than have the score swell up to a crescendo. Instead the score has a cool and mysterious feeling that gives the film an eerily serene vibe that is in stark contrast to the tragic events. It's this duality in ideologies that really makes the film so compelling.
A sorrow and human depiction of a realistic suburban/community family drama similar to "Ordinary People"
This depressing, but ultimately somewhat emotionally rewarding, yet stone story was very intimate feeling and well directed & written by Todd Field.
This was one of the most interesting watches I've had recently.
The film started out pretty uninteresting and conventional, but then turned into a slow-burning almost thriller type of film.
The dull first act or so, weird editing, and boring storytelling near the beginning were kinda flawed to me, but once I got more into this film it gripped me more and left me cold and upset.
By the end of it I had the same feeling as I did after Field's other film…
This crept and genuinely surprised me in a fashion I haven't felt in a long while. What starts out as a fairly humble small town overview akin to other nominees like The Cider House Rules explodes into dark corridors with simplicity and elegance. It is essentially the closest thing I've seen from the past thirty years to the great '50s melodramas like Peyton Place. Everybody does an amazing job here, but especially the lead performances by Sissy Spacek and Tom Wilkinson deserve all of the applause in the world. Without showing off or flinching as most other actors would they build and break down these fully formed humans. It's especially insane to think of Spacek lose to Halle Berry. I guess you just had to be there to understand that insanity.
Tragedy, heartbreak, a family torn. In the Bedroom exquisitely tells the story of a slow burn for vengeance, and what's morally right to do. The cinematography and direction are near perfect. The performances ( Tom Wilkinson and Sissy Spacek) are outstanding, and accurately capture a true, broken American family. It's a tough watch, but what a fine, fantastic film.
Frankly, I didn't really expect to like this and only watched it for Marisa Tomei, who I've been in love with since like the 7th grade, and because I was on Netflix on my phone. From a May-December romantic drama to a multidimensional portrayal of grief to its revenge thriller conclusion, its 3 acts are ever-so-distinct from one another but manage to flow together with almost effortless fluidity. It's far more contemplative than melodramatic, and even when the music kicks in, it's bare bones and quietly does its part to supplement the nuances. Also, between this and Bloodline, Sissy Spacek is amazing at playing grieving mothers who only wear blue button ups.
Combined the average ratings (Critic's & Users) from IMDb, Rotten Tomatoes, Metacritic and Letterboxd, and then weighted and tweaked the results…