All the films from all the editions, including those subsequently removed, presently totalling 1154. An easy way of seeing how…
Your mind is the scene of the crime.
Cobb, a skilled thief who commits corporate espionage by infiltrating the subconscious of his targets is offered a chance to regain his old life as payment for a task considered to be impossible: "inception", the implantation of another person's idea into a target's subconscious.
The Wolf of Wall Street stars in Christopher Nolan's smart dreamy dream so much more than just a popcorn muchin' Hollywood blockbuster. Ocean waves. Sand castles. Mush. Godzilla's pal. JGL's natural born screen charisma. Falling house. Triple dream? Fast train. Top spin. Poor Lukas. Betting on a chance. Sir Michael Caine is the motherfucker. Ellen after Juno. Maze test. Complicated as fuck architectural work. You can share dreams? Grumpy strangers. Moving mirrors. Dreamin' like you're Biggie Smalls. Intense baby mama drama. The totem. The moment you realize Tom Hardy is the real deal. Why doesn't Dileep Rao act more? Cold water. Sgt. Barnes. Verbal Kint's best mate. Scarecrow. The crazy as fuck hunch that Christopher Nolan likes to use the…
"Inception," at its most basic, is two things. It is a heist film dressed in science fiction conventions; and it is a study of a man trying to free himself from a near-suffocating past. "Inception," at its more complex, is a cerebral pop-masterpiece. It is an enthralling combination of thought-provoking, layered story-telling and sumptuous aesthetics enhanced by near-flawless editing, sound design, effects, and musical score. Driven by a pitch-perfect cast and the confident directorial hand of Christopher Nolan, "Inception" is a brilliant and unrivaled piece of filmmaking.
With big films like this I tend to weigh different aspects of filmmaking and rate them separately. The final rating is then an average of all scores. I don't know why, but I feel I need to structure this review that way and try to give an accurate analysis. Whenever one of Nolan's films is criticized it tends to veer towards a right wrong discussion. Nolan has a huge fanbase and they are welcome to defend his films, but as a self proclaimed 'Nolan indifferent' I honestly have to say that I haven't enjoyed his latest efforts and often for the same reasons. I will try to write up how the final rating is compiled. My apologies in advance for…
A week ago I wrote a particularly hateful piece on Christopher Nolan's latest abomination, The Dark Knight Rises. Since then I've been thinking hard, perhaps too hard, about why it is that I can't for the life of it enjoy the critically acclaimed “masterpiece” Inception. At the time it came out it was THE thing to talk about, nothing even came close to being as hot as the apparently intellectually stimulating blockbuster that is this movie. I had seen The Prestige, which I just loved, and the two Batman movies when I first saw it, so I was reasonably excited about it, especially because I'm a big fan of the Sci-Fi genre. The problems, however, are many-fold and it is…
I must have seen Inception a dozen times now, and on every single viewing it feels like the first time around. That surely testifies to the genuine brilliance pouring from Christopher Nolan's epic, which I first reviewed on release back in July 2010; that review, for the most part, stands below as I feel the same way about this movie as I did the first time I experienced it. Simply, this is exactly what a modern blockbuster should truly be - innovative, exciting, emotional and with something to say. The success of Nolan's film, and its subsequently populist seeping into pop culture, proves that with the right talent in front of and behind the camera you can create a truly…
So epic it hurts. I'm willing to gloss over the few plot questions it leaves and just be enveloped by the killer combo of Nolan & Zimmer (whose soundtrack, incidentally, makes *everything* feel epic if you put it on loud enough).
Cant believe I haven't watched it before...
Too long, it was okay
Un sistema complejísimo que no deja de romperte la cabeza nunca, jamás, ni por un segundo.
Me hizo falta un rewatch para entender todo bien, hay que estar muy atento a todo, porque cada cosa forma parte de la complejidad. Por ende, contribuye al entendimiento de la obra completa.
Bien por Nolan, y para mí, un final abiertísimo a cualquier interpretación.
On fourth viewing the film holds up quite well. It always seems a little long in retrospect, but doesn't seem to drag while watching so I'm not sure if that is a problem after all. Likely the result of all that Nolan stuffs into the thing.
>Balance of Elements: 9/10
>Special Effects- 10/10
>Production Design- 9/10
-Sets & Props: 5/5
This review reportedly contains spoilers. I can handle the truth.
A guy goes into the dream of another guy to put a thought in second guys head that benefits the client of first guy. Intra psychic relations unfold.
Wow, just wow. Whenever I go into this movie, I always expect it to not be as good as I remembered it. And thank god that this movie never gives me what I expected. Probably Nolan's best work, and it holds a special place in my heart as one of the films to actually start getting me to critically think about films. Such a fantastic film.
Still finding new things in this.
- A Trip to the Moon
- The Great Train Robbery
- The Birth of a Nation
- Les Vampires
- The Godfather
- Seven Samurai
- The Godfather: Part II
- 12 Angry Men
most recent update - Monday, July 12, 2014, 8:22 PM EST
The letterboxd crew has unveiled a new feature that…
- The Racket
- 7th Heaven
- Sunrise: A Song of Two Humans
- Chang: A Drama of the Wilderness
Every film that has ever been nominated for an Academy Award in any category. Enjoy!