All the films from all the editions, including those subsequently removed, presently totalling 1154. An easy way of seeing how…
Once upon a time in Nazi occupied France...
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
If there is one person who understands the power of language it is one Mr. Tarantino. He has already proven he is a master of dialogue and here he pushes himself even further and tries his hands at writing dialogue not only in a completely different time period but also in not one but three other languages than English.
And the thing that increases the insane amount of respect I already had for the man is the fact that he succeeds superbly in capturing the cadence and flair we've come to expect from him in all of them.
Tarantino is never one for the complicated plot, he is all about the narrative, both visual and lingual. Here, he perhaps finds…
The last time I watched Inglourious Basterds was in a movie theater in 2009. Upon revisiting it last night I was surprised to find I liked it even more the second time around.
I was almost surprised at how often I found myself laughing at Brad Pitt's character's facial expressions, he was really great as Lt. Aldo Raine. Mélanie Laurent was also fantastic as the brave, intelligent and dedicated, escaped Jewish Frenchwoman named Shosanna who owns a little movie theater in Nazi occupied France. I loved her character even more when she was putting on her war paint to the tune of David Bowie's "Cat People" (Putting Out Fire). There is a scene where Shosanna is unwillingly and unexpectedly sitting…
Upon its original release I approached Inglourious Basterds with some trepidation having found Tarantino’s previous two films (Kill Bill vol. II and Death Proof) to be self-indulgent, overly long and poorly plotted. Therefore it came as quite a surprise that I absolutely loved this comic book revenge fantasy despite it suffering from exactly the same issues that dogged his previous films. So why the change of heart despite it featuring familiar complaints?
Firstly, and perhaps most importantly, is that the film signalled a return to Tarantino’s great characters and dialogue. Death Proof was torturously boring for me because the film’s characters were just as dull (with the exception of the criminally underused Stuntman Mike) yet in Inglourious Basterds the film…
Oh yes...this is fantastic. Absolutely fantastic. Let's just review some of the things I love about it:
1. The fact that this may seem like a remake from the title, but has pretty much no relevance whatsoever to the original.
2. Christoph Waltz...his line delivery is the best in the world (looks like he's perfecting it in Django Unchained!)
3. The spaghetti western under-tones. It's possibly the first WW2 western ever, and hopefully the last.
4. The size of Brad Pitt's bowie knife.
5. Michael Fassbender's terrible mistake in the bar.
6. Mike Myer's cameo.
7. Enzo G. Castellari's cameo.
8. The name of chapter 5 (Revenge of the Giant Face).
9. Tarantino's cameo as 'First scalped Nazi'.
“Au revior Shosanna!”
Isn't every film a big lie? Almost every film creates some characters and puts them in the middle of a dramatic situation and then pretends that it is showing us the truth. Movies take some facts and by dramatizing them they make something new, something that has never existed before. This may explain the significance of cinema, you can lie and then show this lie to other people and if you’re a good liar then people will enjoy what they’re watching , but people lie when they have something to fear, when they are ashamed of what has happened. So why not to change something as…
Many, many films have played hard and fast with history over the decades, especially those that have dealt with World War 2. Many of those have even chosen to stir fictional incidents and characters in with fact.
I can only presume, then, that the problem that some people seemed to have with Quentin Tarantino's decision to make a war film that chose to play completely by its own rules and narrative is the fact that it was made by Tarantino. I suspect if Inglourious Basterds had been made by almost anyone else that no-one would have much cared about the liberties that he takes with history and even the outcome…
Interesting film with a premise of: what if someone had the chance to kill Hitler? Brad Pitt is great as Aldo Raine, though it's Christoph Waltz who steals the show as Col. Hans Landa. Another gem from Quentin Tarantino.
Nazi scalping bonanza.
I think trying to write a proper review of this would lose at least some of the fun of watching it. I don't want to analyse it, I just want to revel in how awesome it is.
So yeah, every single damn scene in this movie is five stars, without a doubt incredible. Except for that scene in the restaurant which is maybe a four, but it's a strong four and it's only one scene so it kind of evens out.
No, Tarantino, this isn't your masterpiece, but it's a great movie nevertheless.
An amazing masterpiece that's a send up of a light WWII view. Tarintino writes and direct an AMAZING slew of characters including an outstanding Christoph Waltz.
Tarantino doing what he does.
Great fun movie. What you can expect from Tarantino. The drinking game scene is brilliant. Brad Pitt is out of place. Christophe Waltz is top drawer.
- A Trip to the Moon
- The Great Train Robbery
- The Birth of a Nation
- Les Vampires
- The Godfather
- Seven Samurai
- The Godfather: Part II
- 12 Angry Men
- Pulp Fiction
most recent update - Thursday, March 6, 2014, 11:42 PM EST
The letterboxd crew has unveiled a new feature that…
- The Racket
- 7th Heaven
- Sunrise: A Song of Two Humans
- Chang: A Drama of the Wilderness
Every film that has ever been nominated for an Academy Award in any category. Enjoy!