All the films from all the editions, including those subsequently removed, presently totalling 1167. An easy way of seeing how…
Once upon a time in Nazi occupied France...
In Nazi-occupied France during World War II, a group of Jewish-American soldiers known as "The Basterds" are chosen specifically to spread fear throughout the Third Reich by scalping and brutally killing Nazis. The Basterds, lead by Lt. Aldo Raine soon cross paths with a French-Jewish teenage girl who runs a movie theater in Paris which is targeted by the soldiers.
If there is one person who understands the power of language it is one Mr. Tarantino. He has already proven he is a master of dialogue and here he pushes himself even further and tries his hands at writing dialogue not only in a completely different time period but also in not one but three other languages than English.
And the thing that increases the insane amount of respect I already had for the man is the fact that he succeeds superbly in capturing the cadence and flair we've come to expect from him in all of them.
Tarantino is never one for the complicated plot, he is all about the narrative, both visual and lingual. Here, he perhaps finds…
Upon its original release I approached Inglourious Basterds with some trepidation having found Tarantino’s previous two films (Kill Bill vol. II and Death Proof) to be self-indulgent, overly long and poorly plotted. Therefore it came as quite a surprise that I absolutely loved this comic book revenge fantasy despite it suffering from exactly the same issues that dogged his previous films. So why the change of heart despite it featuring familiar complaints?
Firstly, and perhaps most importantly, is that the film signalled a return to Tarantino’s great characters and dialogue. Death Proof was torturously boring for me because the film’s characters were just as dull (with the exception of the criminally underused Stuntman Mike) yet in Inglourious Basterds the film…
The last time I watched Inglourious Basterds was in a movie theater in 2009. Upon revisiting it last night I was surprised to find I liked it even more the second time around.
I was almost surprised at how often I found myself laughing at Brad Pitt's character's facial expressions, he was really great as Lt. Aldo Raine. Mélanie Laurent was also fantastic as the brave, intelligent and dedicated, escaped Jewish Frenchwoman named Shosanna who owns a little movie theater in Nazi occupied France. I loved her character even more when she was putting on her war paint to the tune of David Bowie's "Cat People" (Putting Out Fire). There is a scene where Shosanna is unwillingly and unexpectedly sitting…
Oh yes...this is fantastic. Absolutely fantastic. Let's just review some of the things I love about it:
1. The fact that this may seem like a remake from the title, but has pretty much no relevance whatsoever to the original.
2. Christoph Waltz...his line delivery is the best in the world (looks like he's perfecting it in Django Unchained!)
3. The spaghetti western under-tones. It's possibly the first WW2 western ever, and hopefully the last.
4. The size of Brad Pitt's bowie knife.
5. Michael Fassbender's terrible mistake in the bar.
6. Mike Myer's cameo.
7. Enzo G. Castellari's cameo.
8. The name of chapter 5 (Revenge of the Giant Face).
9. Tarantino's cameo as 'First scalped Nazi'.
“Au revior Shosanna!”
Isn't every film a big lie? Almost every film creates some characters and puts them in the middle of a dramatic situation and then pretends that it is showing us the truth. Movies take some facts and by dramatizing them they make something new, something that has never existed before. This may explain the significance of cinema, you can lie and then show this lie to other people and if you’re a good liar then people will enjoy what they’re watching , but people lie when they have something to fear, when they are ashamed of what has happened. So why not to change something as…
Quentin Tarantino knows how to grab your attention. Stylized violence, quotable scripts, memorable characters, and managing to turn relatively unknown actors into superstars. Inglorious Basterds has all those ingredients and much much more.
It was only a matter of time before Tarantino turned his attention towards a genre other than crime. What we got was this stunningly crafted alternate history war film littered with those Tarantino touches that made it unmistakably his. He gave us characters so vividly constructed that the ludicrously crazy plot seemed ever more plausible as the film progressed. Focusing on a twin story-arc that comes together in a fireball and a hail of bullets, it has one superb scene after another. From the moment Christoph Waltz…
This movie did not pull its punches. This is not an action movie. This is a violence movie. It shows the horrors of what the Nazis did as well as giving its own twist on historical events and characters. It was so engaging and unique. It is so strange how fun this movie felt while being so brutal and unforgiving. "Inglourious Basterds" (took me like 5 tries to spell that correctly) has some of the most intense scenes I have ever seen in a movie... but at the same time maintained a mix of fear, disgust, and every comedy. It was weird. So many things are thrown together in this movie that I never would have been able to see…
My favorite film of all time!
Rewatched with Lauren, at home in Fairlawn.
Seth Rogen was right.
someone wrote to me, don't know how they got my contact I tried to be vauge as possible. it reads
"Dear Stranger (if that is your real Name), I represent no one but myself, and I think your dumb. just some white guy with some Jewish guilt. oh Wow, my grandfather is a Nazi, I'm so sorry. Blah! Blah!
And it takes more than liking Adam Sandler to compensate the grief that my own great uncle went through when he and his wife both died in the concentration camps. Your an asshole"
First yes my real name is the Complete Stranger, Zany parents. Second, I like more than Adam Sandler, I like others. none put out but they're there.
Review coming soon.
I actually throughly enjoyed this movie. It was definitely better then I expected it to be. While not being a huge fan of Quentin, i love the visual dynamics it played into.
Over-long, over-impressed with itself, completely shapeless. But the sequences it's made up of are so marvelous.
The thing that sticks with me every time I watch this is the bitter irony of laughing my ass off at Hitler's corpse being riddled with machine gun bullets mere moments after he was laughing at a very similar propaganda film.
Basterds is pastiche artist Tarantino's ultimate statement on the power of cinema. In the words of Aldo Raine, "This just might be my masterpiece." Or, in the words of Adolf Hitler, "Extraordinary, my dear. Simply extraordinary. This is your finest film yet."
- A Trip to the Moon
- The Great Train Robbery
- The Birth of a Nation
- Les Vampires
- The Godfather
- Seven Samurai
- The Godfather: Part II
- 12 Angry Men
- The Racket
- 7th Heaven
- Sunrise: A Song of Two Humans
- Chang: A Drama of the Wilderness
Every film that has ever been nominated for an Academy Award in any category. Enjoy!