Doesn't the title of the list explain it well enough? This is a list of 200+ quality "short" films. Easy…
Island of Lost Souls
TERROR! Stalked the Brush-Choked Island...Where Men Who Were Animals Sought the Girl Who Was All-Human!
An obsessed scientist conducts profane experiments in evolution, eventually establishing himself as the self-styled demigod to a race of mutated, half-human abominations.
There are two ways to watch this movie.
You can watch it as an old movie, comparing it to others from its time period. In this context it is outstanding in almost every way. The story is compelling and multifaceted despite its short run time, and the actors' performances sell all the characters well. The production design including the sets and costume and makeup is all impressively immersive. The lighting and cinematography are classy and effective for maintaining the mood. I'm no expert on oldies, especially pre-1940, but from what I have seen this stands out as exceptional.
Then you can watch it as just another movie, comparing it to whatever you watched yesterday (or earlier today for those of…
Though it lacks the expressionistic style and gothic grandeur of some of its fellow era genre films, Erle C. Kenton's "Island of Lost Souls" should be considered a worthy member of the early horror canon. Adapting H.G. Wells' novel, "The Island of Doctor Moreau," Kenton's film tells a rich story of speculative science and weighty themes. The film is a textured chiller, both grotesque and quietly evocative.
The plot follows a man who finds himself on a remote island where a scientist creates hybrids of humans and animals. It is genetics-based science fiction with horrific effects as the grotesque combinations of man and beast grow too mighty for their master to control. The tale itself is straightforward, but it is…
Remake idea: The Island Of Lost Soles. Same film but the cast are shoes.
Bela Lugosi kills it. His voice booms out, and every man, woman, and mutant is cowed. This is a pretty powerful, dark film with some solid pre-Code imagery--references mostly, but to vivisection, sex with human-animals, and other mad science implications--that culminates in a well executed turn of events that has something to say about morality's deriving from on high rather than developing from within. In short, it suggests that God has to be be perfectly moral to convey a believable morality; it has no room for hypocrisy.
It also questions what it means to be human, and its message is fairly progressive, at least as it suggests that there is humanity even in constructed beings.…
In 70 short minutes the story tills enough fertile soil to foster readings of the movie as allegory for colonialism, nihilism, fascism, etc. I'll leave those discussions for someone else. What gets me excited about this movie is Charles Laughton. He is, if you made me choose, one of the greatest actors of all time, and 90% of the effectiveness of Island of Lost Souls as a horror film comes from the cool reservation with which he portrays Moreau.
He is not without his eccentricities (or terrible facial hair), but he behaves more like the rich kid who has all the toys rather than the traditional mad scientist. When he's touring the castaway through the "House of Pain" he puts…
Mr. Parker, do you know what it means to feel like God?
The first feature film adaptation of H.G. Wells 1896 novel The Island of Dr. Moreau. There has been at least three more adaptations of the novel since, but over 80 years later, director Erle C. Kenton's vision of Wells' classic still stands as the greatest and most memorable. Even the characters that were created by screenwriters Waldemar Young and Philip Wylie for the film have been used by all subsequent adaptations in one fashion or another.
The film is still disturbing even by today's standards as the main reason the film was made was to compete with the new horror craze in cinemas, so the horror…
Mad scientist in a white suit having diner with claret and twisted candles!
The panther woman!
Bela Lugosi giving it his all as the Sayer of the Law!
And I now know where Devo got the inspiration for the title of their album Q: Are We Not Men? A: We Are Devo!.
Brilliant movie. My favourite adaptation of H.G. Welles The Island of Dr.
Moreau. To the point without the pretentious fluff of contemporary cinema. Clocking in just over the hour, it still manages to get the job done, thrill me, chill me, entertain me without boring filler. Has fisticuffs, man-beasts and the cast arriving upon the "Island of Lost Souls" within the first fifteen minutes.
Edward Parker (Richard Arlen) gets in a ruckus with a drunk sea captain who dumps him overboard and ends up being taken to Dr Moreau's (Charles Laughton in a grand performance) desolate island. That first night Moreau advises Parker to stay in his room and not wander the isle after dark. He is introduced to Lota…
The most vicious American horror film of the 1930s. This adaptation of H.G. Wells's The Island of Dr. Moreau is a pre-Code and perverse nightmare in a predatory jungle setting, with Charles Laughton in one of his greatest performances. Laughton's Dr. Moreau is a smiling torturer and the devil in a chubby man's body. He's an effeminate homosexual, queenly in demeanor, though he seems to get his greatest kicks from sadism and science. He lords over a whole island of experimental half-human/half-animal deformities—one of them is Bela Lugosi hidden under wolf make-up—that he's created through vivisection. Outsider Richard Arlen has some bad luck at sea and ends up stranded there.
It's a cult classic today, but it got mixed reviews in 1932 when many critics blasted it for being too disturbing and the United Kingdom banned it until 1958 when they finally allowed a cut version to be shown.
Oh my gosh.
This is a Criterion?
This is SO. BLOODY. BORING.
The best best thing that came out of this movie was King Kong in '33 (it clearly drew inspiration from this). It's seriously like watching nothing happen for 70 minutes. I could've watched something so much more exciting than this bland sack of bollocks.
A wonderfully nasty and vicious pre-code horror film. Maybe it's because we assume old black and white films will be safe, but it's cruelty is more shocking than anything modern movies have to serve up.
Easily creepier than any of the Universal Monster flicks even if it doesn't have the great drama of the James Whale numbers. The entire cast is perfect, and Charles Laughton is delightfully nonchalant about his wickedness. There are some interesting class parallels being brought up in the film as well as some obvious anti-colonialism allegories.
One of my favorite classic b/w horror films. It still stands up today and the creatures are still pretty freaky.
There are enough great moments, performances, makeup effects, and shots to make this a classic if not a masterpiece. It's a bit campy at times and suffers from some early talk clunkiness, but it's a fun take on H G. Wells masterpiece novella, The Island of Dr. Moreau.
If you're watching the Criterion Collection version of the movie, take the time to listen to the audio commentary. It's one of the best out there.
It's crazy watching old movies knowing everyone involved is long dead. Bela Lugosi's dead...
The entire Criterion collection organized by spine number.
I don't know why I did this.
Number I've Seen: 189/764 (25%)
UPDATED: February 20, 2014
The Criterion Collection is a video distribution company that sells "important classic and contemporary films" in…