Complete list of movies for Essential viewing based on The Dissolve's Essential Viewing and Essential Retro selections..
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George Romero's unusual story of a modern-day Renaissance troupe whose participants follow a medieval code of honor.
One of those crazy and unique movies that it's sort of impossible to rate. On the one hand, George Romero isn't as good a dramatist as he is a genre stylist, so a lot of the scenes in this are hide-under-the-moat embarrassing. But on the other hand it's such a singular vision and exploration of themes that were obviously important to Romero that it's always fascinating (the fact that it's chock full of awesome motorcycle stunts doesn't hurt either).
Also in this movie's favor are two powerhouse performances from Ed Harris and Tom Savini. As ridiculous as this movie gets (and that is a significant figure), they're never anything but committed to their characters.
I love that Romero is so earthy a filmmaker that his idea of glitzy showbiz decadence is a bunch of dudes smashing lamps over each other in a cheap motel room.
A 2 1/2 hour George Romero film about medieval re-enactors including Ed Harris and Tom fuckin' Savini. Instead of horses they ride and joust on motorbikes. I was always going to love this.
I quickly got over how silly this all was by the general awesomeness on display. Great stunts, ace music by Donald Rubenstein (he's even in this one as a cool musician dude serenading Harris) and enough delicious subtext to make up for the last however many dodgy zombie films from George. Well, maybe not quite.
Let us ride to Camelot! It is a silly place.
An utterly unique and deeply personal adventure/drama from George A. Romero about a modern-day traveling Renaissance fair, in which the knights use motorcycles instead of horses, KNIGHTRIDERS is truly a strange bird of a film, but it's one of my all-time favorites.
In his very first leading film role, Ed Harris is characteristically intense and charismatic as the troupe's "King," whose commitment to living by an ancient code comes into conflict with power struggles among the knights and unwanted attention from media.
The cast is awesome and loaded with Romero alums, past and future. In addition to the biggest and most interesting acting role that Tom Savini has ever had (one that makes excellent usage of the FX genius's natural…
A 144 minute movie about Knights on Motorbikes???
A 144 minute Film about the internal struggle to choose artistic & spiritual freedom over fame & money and about finding happiness in your true identity.
Weekly reminder to independent filmmakers: you can make a movie about whatever you want. You could even make a straight-faced epic about a motorcycle riding Renaissance Festival troupe if you thought you could do it with sincerity. George Romero did, and it bears his fascination with turning small communities (be it zombie apocalypse survivors in a shopping mall or Society for Creative Anachronism on Wheels) into microcosms of America at large. Rather than establishing a utopia just to destroy it, here Romero seems more optimistic that staying true and not selling out actually will give a permanency to the ideas espoused by the good king Ed Harris (his best performance?). The temptations of money and fame that plague the troupe…
it's hard not to cringe at the excessive dorkiness on display here (not to mention the excessive runtime) even if it is clearly a very personal artistic mission statement from Romero. that's mostly mitigated though by the sheer quantity of insane motorcycle stunts and Ed Harris' total commitment to a performance of a guy's total commitment to a performance.
The most joyous Romero film, about people who are devoted to an ideal and express it. Each scene with the bikes are breathtaking, a movement so well captured as to resemble McTiernan's Rollerball. Ends in tragedy, but because it's obvious the entire time that this is a true embodiment of fantasy, and more so the inability to maintain devotion to ideals in the modern world. This is perhaps the theme of all Romero, and here it's shown with kinetic action, upturned bikes, social commentary, and badass helmets.
First time watch. I am richer for having seen this. Thanks Romero.
Knightriders is impossible to rate or review. It's a complete one of a kind movie ... I've never seen anything like it. What am I supposed to compare it to? What just went on? Where am I? When?
I will say that it was a little long, but I think the length is part of the style of Knightriders.
"I mean, it's real hard to live for something that you believe in. People try it and then they get tired of it, like they get tired of their... diets. Or exercise. Or their marriage. Or their kids, or their job, or themselves... or they get tired of their God. You can keep the money you make off this sick world, lawyer, I don't want any part of it. Anybody who wants to live more for themselves doesn't belong with us."
Man I gotta stop with these movies with overlong openings that end up redefining my love of my favourite directors, lol. I don't think I've ever seen a movie I so wanted to be better than it is than…
One of my favorite Romero films.
The spirit and immensely personal vibe of Knightriders won me over instantly the first time I saw it.
Fantastic in every sense of the word.
Apparently this is George Romero's second-favorite of his own films. It's very good and works simultaneously as a modern hippy/biker film and ancient Arthurian legend. Great stuff!
This is an exceptional one of a kind movie. I would dare say i like it more than director George Romero's more famous living dead movies. It tells the tale of a travelling troupe of knights who battle on motorcycles. Basically a Renaissance Faire with cool stunts. Sleazy big city promoters and press get involved and the group splits apart. Ed Harris and special effects god Tom Savini are superb as the two lead knights. Lots of people recognizable from other Romero movies pop up, including Ken Foree(dawn of the dead)
This is a movie that is over 2 hours long and it goes by so quickly that you just keep wanting more. It deserves WAY more of a following.
Romero doing what amounts to a drama with a lot of (well done) motorcycle stunts for sizzle. I think I enjoyed the mysticism more than more hackneyed human interest moments, but this is Romero, he doesn't really do subtlety. Harris owns this flick; it's easy to see why he went on to bigger movies, but Savini is very good for a guy who is most known for doing special effects.
This movie is a rare beast. It's a movie I saw as a child and loved, then saw as an adult and still loved.
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