Kramer vs. Kramer
1979 Directed by Robert Benton
Synopsis
Ted Kramer is a career man for whom his work comes before his family. His wife Joanna cannot take this anymore, so she decides to leave him. Ted is now faced with the tasks of housekeeping and taking care of himself and their young son Billy. When he has learned to adjust his life to these new responsibilities, Joanna resurfaces and wants Billy back. Ted however refuses to give him up, so they go to court to fight for the custody of their son.
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Too real. It sometimes makes me forget I'm even watching a movie.
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The screenplay and direction are admirable in this film, but its level of greatness would be determined by the effectiveness of the performers at the center of it all. Dustin Hoffman, Meryl Streep, and Justin Henry are all so convincing in their roles that they completely elevate the emotional impact it sneakily weaves on the viewer.
Hoffman in particular is flawless as a man suddenly left alone with his seven year-old son after his wife packs up and moves across the country. He is stunned when this happens, and realizes that he has been so wrapped up in his career that he has in turn been oblivious to her elevating depression. Streep plays the wife, who we see in the…
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Director - Robert Benton
Writers - Robert Benton (Screenplay) and Avery Corman (Story)
Cast - Dustin Hoffman, Meryl Streep, Jane Alexander, Howard Duff, George Coe, JoBeth Williams and Justin HenryKramer vs. Kramer tells the distressing and often brutal story of divorced couple Ted (Hoffman) and Joanna (Streep) who find themselves embroiled in a bitter custody battle over their young son Billy (Henry). Walking out of the family home after eight years of marriage, and leaving her workaholic husband to raise their child alone, Joanna disappears for almost fifteen months, only to later return and demand custody of the child. During that fifteen month period, Ted and Billy have grown much closer than they once were and Ted has…
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Of all the films I could have chosen to open 2013 with, I chose this. Why? I don't know, but I'm glad I did. Despite everyone saying "The Academy was wrong! Apocalypse Now should have won Best Picture!" I think they made the right decision on this one. A lot better than I was expecting. Powerful stuff.
Hoffman and Streep are excellent and deserved their Oscars, but I'm willing to say that the kid is so good here he gives the best performance. That says a lot.
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It's hard not to become engrossed in this family unit. The 3, especially the young Justin Henry, and the equally as praiseworthy Jane Alexander, all give brilliant performances.
Whilst the issues of shifting values, divorce law, parenthood and independence aren't tackled as much as they probably should have been, what's left is still a convincing performance-driven film. The actors are completely malleable to every word they say. We can see their change of direction and personality as they're speaking, giving the relationships an immersive sense of meaning.
Benton feels he's achieved something of intelligence here, because there's an annoying veil over every scene that screams "we're tackling issues". I'm happy though to ignore that veil, and perceive his screenplay as… -
Good dad, bad mom
Dustin Hoffman was good
Saves this from being a Lifetime movie
Is this how a haiku works
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Las mujeres revelándose a finales de los 70's. Dejar a tu esposo y a tu hijo por hacer tu vida, no es un crimen mayor. Un clásico.
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I choose to say that I hadn't seen this one until now, although quite a few scenes looked familiar. But I guess that's to expect from such a well-known film. But it could also have been that I saw it back then, but as a kid it didn't appeal much to me and quickly was forgotten. Anyway, I can appreciate it a bit more now, the acting for instance is quite good. And Justin Henry as Billy certainly is cute.
It went for a classic sweep at the Oscars, taking home the five big awards (picture, directing, writing, actor, actress). This left nothing for Coppola and his Apocalypse Now, Peter Sellers in Being There or Jane Fonda in The China Syndrome. -
Kramer vs. Kramer is a genuinely powerful domestic drama, with two extraordinary performances from Hoffman and Streep. Some may see it as the safe Best Picture choice at the 1979 Oscars, beating more challenging films such as Apocalypse Now and All That Jazz, but Kramer is a powerful and wonderful film.
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This film appears to be one of the more forgotten oscar winners in recent decades, and also is often referred to as an unjust winner in the wake of a greater films reputation.
However, this is a really powerful acting drama. Hoffman thoroughly deserves the oscar here. He really handles a lot of emotional scenes so well while playing off a kid for a lot of the film. While its just a single parent role, it's probably the most touching performance I have seen from Hoffman.
The other 3 here are awesome as well. Streep already has a facial canvas that tells a thousand words. She has the more difficult role, but despite being an antagonist of sorts, she still…
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It's hard not to become engrossed in this family unit. The 3, especially the young Justin Henry, and the equally as praiseworthy Jane Alexander, all give brilliant performances.
Whilst the issues of shifting values, divorce law, parenthood and independence aren't tackled as much as they probably should have been, what's left is still a convincing performance-driven film. The actors are completely malleable to every word they say. We can see their change of direction and personality as they're speaking, giving the relationships an immersive sense of meaning.
Benton feels he's achieved something of intelligence here, because there's an annoying veil over every scene that screams "we're tackling issues". I'm happy though to ignore that veil, and perceive his screenplay as… -
Director - Robert Benton
Writers - Robert Benton (Screenplay) and Avery Corman (Story)
Cast - Dustin Hoffman, Meryl Streep, Jane Alexander, Howard Duff, George Coe, JoBeth Williams and Justin HenryKramer vs. Kramer tells the distressing and often brutal story of divorced couple Ted (Hoffman) and Joanna (Streep) who find themselves embroiled in a bitter custody battle over their young son Billy (Henry). Walking out of the family home after eight years of marriage, and leaving her workaholic husband to raise their child alone, Joanna disappears for almost fifteen months, only to later return and demand custody of the child. During that fifteen month period, Ted and Billy have grown much closer than they once were and Ted has…
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One of my very favorite movies--very emotional. I rewatched it as part of TMC's "31 Days of Oscar," though I recorded and watched after that collection was over.
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After a rocky 5-10 minutes, Kramer vs Kramer takes you on an emotional roller coaster that will leave you reeling long after the credits roll.
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A powerful family drama with brilliant acting by the four leads, sensitive direction, and a surprisingly well done score and cinematography. A high recommendation.