Movies that are slightly off.
Yuki's family is nearly wiped out before she is born due to the machinations of a band of criminals. These criminals kidnap and brutalize her mother but leave her alive. Later her mother ends up in prison with only revenge to keep her alive. She creates an instrument for this revenge by purposefully getting pregnant. Yuki never knows the love of a family but only killing and revenge.
i think it can be said with some degree of certainty that this film contains the single greatest sword slice in cinematic history (you know the one... with the hanging body... i giggled like Harry Knowles, and then i moved to a monastery in order to repent for 7 years, and now i'm back with a vengeance).
it's a shame how the grindhouse product churned through '60s and '70s Japan displayed a far greater degree of thought / concern for artistry than many of the AAA studio titles made in the US (and Japan, for that matter) today. have snap-zooms ever felt so violent? for how many weeks was Quentin Tarantino catatonic after first seeing this thing? if you cut Meiko Kaji, does she bleed soupy orange blood? i suspect that anyone who knows the answer to that question is now in deepest hell.
Yuki, born and raised to inflict vengeance on the assholes that butchered her family. Prison childbirth. Umbrella ownage. Wearing white will get you killed. Throwing shit over a cliff. A traveling gambler. Crazy games with a knife. Draft riots. Swindlers. A sea of blood. A three yen hooker. Police brutality. A bamboo beat down. A cool as hell reporter. Blood splatter. Slicing a bitch in half. A masquerade party of death. Final vengeance is best served cold in the snow. While there is no Bill to kill, Lady Snowblood is an obvious influence for Richard Gecko's tale of Beatrix Kiddo.
It's not fast-paced and "hip" like a Quentin Tarantino movie because it's not a Quentin Tarantino movie. Cripes, is that really how people need to contextualize every pulpy foreign film? Anyway, this is a masterpiece of gaudy, operatic trash.
Watched this this morning and then somehow forgot I hadn't reviewed it. A very stylish film, bloody as hell, not super sexual, and it has the decency to curb its bloodlust vengeance plot with tragedy, but ultimately, it's just a solid exploitation flick.
Quentin Tarantino is no doubt one of the most popular directors in the world, noted for his abrasive yet entertaining films that have all in their own right became cult classics. From the early days of Reservoir Dogs and Pulp Fiction to Inglorious Basterds and Django Unchained, he has established himself as a director familiar with audiences all over the world. I’m a big fan myself --Jackie Brown being my favourite work from the man-- but I’ve never understood people’s claims of him being the unique and provocative filmmaker with this intense and nurtured creative streak in him. For me it’s no secret that his films play on, and are inspired, by past successes.
Lady Snowblood is the most definitive…
I could do with a thunder-sand bomb to clear the bus on a Monday morning.
I have to say that Lady Snowblood turned out to be a disappointment even though I thought it was pretty good. With the way that it starts off in a whirl of flashing blades, gushing blood staining pristine white snow and the ethereal beauty of Meiko Kaji, I really did think it was set up to be an absolutely great film.
And then it just....stops. For way too long. I think that just too much time is spent on the back story here. I appreciate that has to be filled in and I wouldn't have wanted the film to have passed over that completely but…
Simple, bloody, "feminist," fun - easy to see how Tarantino was inspired to make 4 hours of KILL BILL just to ape the best moments in this film.
Funky colors, funky chronology, funky compositions: it's all funky fresh even now!
Among the best of it's kind. Rich with visually inventive violence, icy stares, and wonderfully anachronistic music.
While the narrative rarely wanders outside of the realm of typical revenge faire, the lush and earthy visuals capitalize upon the emotional backbone of the character drama in a way where every over-emphasized thrust, hack and slash becomes a personal journey towards destructive and cathartic self-actualization.
Lady-vengeance bloodspurts are my favorite kind of bloodspurts.
Stylish, obviously influential, but a bit too straightforward to me, on the whole a well-made revenge story, that set the rubric for so many revenge stories that followed. Perhaps because of that it feels less fresh, but one obviously can't fault the film for that.
Holy shit this was amazing! Literally the best Japanese movie I've ever seen. It was shocking to me how beautiful and stylish this movie was because I assumed this would be very B movie, but this is so good!!! If you like Kill Bill at all, you will definetly like this.
totally a great time.
today during class something happened. My friend got there late and so missed the beginning of it so, once she…
"I'm a real messy bitch. A liar. A scammer. I love robbery and fraud. I'm a messy bitch who lives…