All the films from all the editions, including those subsequently removed, presently totalling 1187. An easy way of seeing how…
Hitman Jef Costello is a perfectionist who always carefully plans his murders and who never gets caught.
What an amazing film to finish the year with.
International superstar Alain Delon as Jef, an assassin whose world is turned upside down when a routine hit gets a tad bit tricky in this Jean-Pierre Melville crime drama. Chirping birds. The way Alain Delon looks wearing his raincoat and top hat. Barking doggie. Plate switcheroo. French hottie. Perfect alibi. High-stakes poker. Fuck the Surgeon General! Smoking is cool. Quick Draw Jef. Michael Jackson's white glove? Police harassment. Usual Suspects-esque moment. Hat game. Identity game. Alain's eyes. Sunny day rain. Subway escape. Stairway walk. Does Alain ever take his hands out of his pockets? Double-cross. Hat rack. Sexy piano playin' vixen. High-tech security system. A breaking and entering straight outta Le Cercle Rouge. Tricky coppers. Swivel chair. Shattered glass. The…
By choosing Alain Delon for the role of Jef Costello - the brooding, silent assassin who slinks through the murky shadows of the Parisian night - Jean-Pierre Melville highlights the importance of casting. Getting the right person onboard who can disappear into their character and embody their spirit. When a director can focus their lens onto a face that tells a story of its own, the hardest part of capturing the attention of the audience is done.
Very quickly after meeting the assassin, questions about Costello quickly rack up. Where has he come from to arrive at this point in his life as a consummate professional killer for hire? How long has he been living in solitude tending to his…
There is no solitude greater than that of the samurai unless it be that of a tiger in the jungle... perhaps...
There's a reason the word suave originates from the French language. This fantastic film noir, from its opening shot, swept me along accompanied by smooth jazzy music and told me the story of an incredibly intriguing protagonist.
Alain Delon is captivating. I watched him in a daze as he portrayed the steely eyed, methodical and outwardly emotionless killer. His look in this film has an iconic feel to it and, apart from being an important element in the first half of the film, really strengthens this film's fantastic style.
Melville is almost as methodical as his hero. He structures…
At the time of this review, some pillock has changed the name of this film in the database to The Samurai, which no-one bloody calls it. If you are reading this and you made that change, YOU ARE A KNOB.
Now obviously this film has been ruined forever due to its association with the user picture of that Adam Cook, who is currently in hiding after his latest Mafia hit. But I was able to see past that, put aside all my prejudices against the lad, and still thoroughly enjoy my third slice of Jean-Pierre Melville crime stuff.
Fortunately for you I'm not going to do a proper review of it because I'm sicker…
THE URBAN SAMURAI
Less you speak. More you say.
There is no greater solitude than that of the samurai unless it is that of the tiger in the jungle... Perhaps...
— Bushido (Book of the Samurai)
1) Tigre dans la jungle
Jeff Costello smokes his cigarette, and the title appears and one or two are said information on the screen, it's Saturday night and is. And that's enough for us. Le Samurai has a story and a simple and minimalist plot as everything else is. From the little dialogue that is spoken only 9 minutes and 58 seconds exactly and the first line is: Jef? - What is good to have a few dialogues can give a quick attention to…
Relentlessly cool and unapologetically cold.
Le Samouraï (8.1) 1967 Country: France | Italy
For the first ten minutes, this guy is so super cool, and all you want is to be him. Then you find out his name is Jef, and it's kinda hard to take him seriously.
The moment you instantly realize you're watching a masterpiece ...
I feel like I need to re-watch this film already. It is just pure intrigue. As a fan of James Bond films I half expected a french James Bond with better directing but this was not what I expected in any way and I loved it.
There's no doubt, that "Le Samouraï" is a fine, stylish, cool film, but sadly I couldn't find all the great things about it, unlike most of the viewers, who apparently found and saw all those things.
It's a quite and smooth piece of work, but unfortunately with a lack of intensity, action and thrilling story.
It's a good film, but little bit overrated, in my opinion.
I'm not sure if I can defend this rating. I enjoyed the silent protagonist, but I never felt like he was in danger. There was almost no tension.
Fall Film Festival: Film#21
Even though this french film was created in the 60's it feels like a contemporary film today. Lovely script and acting i like it. It is clearly easier to be an assassin in the 60's then today
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