Like many of you, I was completely enamored with The Witch, especially the ethereal qualities and the feelings it evoked…
Let's Scare Jessica to Death
Nightmare or sanity... which is which?
Newly released from a mental ward, Jessica hopes to return to life the way it was before her nervous breakdown. But when Jessica moves to a country house with her husband and a close friend, she finds a mysterious girl living in there who may or may not be a vampire. Jessica's terror and paranoia resurface as evil forces surround her, making her wonder: Are the visions real or is she slipping back into madness?
Fascinating atmospheric horror that feels so ahead of it's time. Ahead of most horror films made in America at the time, very much in the vein euro gothic horror. The closest i could think in terms of mood and framing will be Mario Bava. It's an effective slowburn horror tale that plays tricks with the audience, in a clever way. Never showing any contempt for the viewer. It's one of those few movies that truly feels that it fell from another dimension. Deserves a criterion BR pronto.
Part 9 of Hoop-Tober
"Nightmares or dreams? Madness or sanity? I don’t know which is which."
“Let’s Scare Jessica to Death” said absolutely no one ever.
Instead, it should be, “Let’s Take a Bite out of Jessica’s Day”. Now that’s an appropriate title.
Let’s Take a Bite out of Jessica’s Day is an odd little movie. From the get-go, the atmosphere and creepy mood come out of nowhere like the train in Arrival of a Train at La Ciotat and, to be honest, I was close to running out of my room because I thought the atmosphere and mood were coming right towards me.
Zohra Lampert stars as the titular character, Jessica. Jessica just got…
Originally published : blogvodfilm.wordpress.com/
John D. Hancock’s low budget horror is a journey into paranoia and atmosphere of the creepiest kind. Okay, so it takes a while for this movie to really kick in but we’re treated to some wonderful psychological scares and spine- tingling visuals from the very beginning as we’re not sure if what we’re seeing is a result of Jessica’s recent stay in a mental ward or something far more terrifying.
The film will drip feed you daringly obvious signs as to where this movie is going but don’t be put off by that because as this film comes to an end there is some truly terrifying scenes. Jessica, played by Zohra Lampert is doing her best…
John Hancock’s debut feature is a film with a very misleading title that makes it sound like it will be another Diabolique rip-off. Thankfully the film bucks expectation and delivers a disquieting and surprisingly effective psychological horror.
The eponymous Jessica is a young married woman recently released from a sanitorium. Along with her husband and family friend she moves to a secluded Connecticut farm house to begin a new life but discovers the troubling visions and voices continue to plague her in her new, possibly haunted, home. Based on an urban legend, Let’s Scare Jessica to Death, mixes familiar supernatural elements (vampires, ghosts etc.) with the fragile sanity of its protagonist.
Despite the genuine lack of chills or scares, Hancock…
This is my first time watching this. It has an incredible sense of dread, similar to Sole Survivor and It Follows. The music sounds modern, using synthesizers that sound ahead of their time, combined with a haunting piano melody. The performances are all excellent, and so are the locations. I watched what seemed like an old VHS transfer, and I think that added to the atmosphere, with the film scratches and print damage.
This review may contain spoilers. I can handle the truth.
The October Ordeal 2012 day #31a: Let's Scare Jessica to Death
Before Last House on the Left, Black Christmas, Halloween and Texas Chain Saw Massacre, there is Let's Scare Jessica to Death, perhaps the first seminal North American independent horror film. Synthesizing Rosemary's Baby and Night of the Living Dead, John Hancock's adult, "real folks" first feature matches style and thematic focus in a way that predates the classic genre films of the 1970s. While he had yet to make his masterpieces by 1971, Jean Rollin feels present, even if the filmmakers only accidentally craft a film indebted to his work.
Discharged from a psychiatric hospital for undisclosed symptoms, Jessica is taken by her aloof, insensible husband and a nearly…
Some lovely dreamlike moments, but there's too much amateurish about the production to be really lovable. What could live up to that title?
Издевательски нудный хаунтинг об истеричной женщине немного лошадиных свойств. Твист считывается с первым же намеком.
Exciting early synth soundtrack by Walter Sear was one of the best aspects of the film.
Really slow and at times boring low-budget 70s melodrama. It has some things going for it, but it's too little, too late.
A very somber and solemn folk-horror movie.
its misleadingly schlocky title and (complimentary, to be fair) synthy score only furthered the surprise of its restrained nature; deliberately mystifying, startlingly emotional and Eurohorror adjacent. crossing over from safety to judgement, from silence to screams, from sanity to madness.
Eerie, low key chiller which benefits from a creepy music score and good use of locations. I'm a little confused about what's actually going on in this movie though. It's kind of surprising that this hasn't been remade (yet).
Beautiful psychological horror. Has many flaws, but, paradoxically, works much better then a lot of more polished movies with more thought-out scripts. Great acting by 2 main actresses and beautiful cinematography is what made it work in spite of all its flaws in my opinion.
That's not a mole. It's a mouse.
Movies that are slightly off.
The 2016 (2nd) edition of the list. You can see the original and more info here.
With a list of…