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Step Two: Pick a Number.
Step Three: GET WEIRD!
Take no prisoners.
Set in the near future, Lockout follows a falsely convicted ex-government agent , whose one chance at obtaining freedom lies in the dangerous mission of rescuing the President's daughter from rioting convicts at an outer space maximum security prison.
An ounce of Die Hard
Two tablespoons of Escape from New York
Two packets of evil Scotsmen (plain)
A pinch of Mission Impossible
One prime sample of a wise cracking, hilarious Guy Pearce
A touch of Road Runner
Then, stir forcefully and vigorously, until you get an uneven and lumpy mixture.
Bake in the oven for 90 minutes and you get a cake you've eaten before, but which tastes nice enough to satisfy your appetite.
Oh my Holy God.
This god damn movie. What the shit is this? I was recommended this by a coworker. He said "It's stupid, but so much fun". When I go into work on Monday, I am going to kick him in the shins a bunch of times until he explains to me what was fun about this vapid, pathetic nightmare of a film.
Guy Pierce is wrongfully convicted of a murder. A woman goes to visit a big ole' space prison to see if the inmates are being treated well, since they are kept in stasis and it can have a negative impact on their well being. The prisoners riot and she is trapped up there, and guess what?…
Sucker-punched me in right from the opening credits, each of which appears in the empty space vacated by Guy Pearce's head after a hulk (named Rupert) knocks it sideways during an interrogation. For a while, this has the turbo-charged sense of its own ludicrousness that others seem to enjoy in Neveldine/Taylor joints—an abdication of reality that's enhanced, not violated, by the shoddy greenscreen effects. And Pearce makes the best sarcastic, can't-be-bothered action antihero in ages, more than compensating for Maggie Grace's usual vacuity. (I was so happy when "Lost" killed Shannon off.) That archetype went all but extinct decades ago, after multiple Die Hard clones beat it into the ground, and I hadn't realized until now how much I…
You're a big girl, right? Here's an apple and a gun. Don't talk to strangers, shoot them.
My first instinct before watching this movie was that it's simply Escape From New York in outer-space. After watching it, I can't see how the filmmakers can say it's not. The film's premise isn't the only thing similar, the entire tone of the film including the hero (anti-hero) are similar as well. Having a similar hero though is the best thing about the film because Guy Pearce is playing him. Granted it's his most one dimensional character he's ever done, but he was good at it and I enjoyed his one liners through out the movie.
Guy Pearce really made me want…
Eli Dingle vs. Shannon from Lost.
I'm actually quite surprised to read that John Carpenter was able to successfully sue the makers of Lockout for plagiarism of Escape From New York. I mean, yeah, there are obvious similarities between the two but I've seen plenty of films that are WAY more similar to other stuff than this and they weren't taken to court?
Although it's obviously more similar to Escape From New York than it is to Fortress, it actually reminded me more of the latter film. I think it's because of its setting in a futuristic prison. And also because Maggie Grace looks quite a lot like Loryn Locklin. Well, until she gets the pixie cut that is (Jean…
"Here's an apple, and a gun, don't talk to strangers, shoot them."
Pretty much exactly what I was expecting, and I was expecting an enjoyable film. The storyline that bookends the film is unesscary and stupid, but apart from that I liked just about everything about the film. Both Guy Pierce and Maggie Grace give solid performances, and they have fairly decent chemistry between them. The CG is pretty low tech, but in a charming way that I appreciate. All in all, it's obvious that everyone involved knew what type of film they were making, and that's something I can appreciate.
Good plot, great actors
So cheesy and good
Leichte Kost, schwer in Ordnung, finden die Üblichen Verdächtigen. 2079 – ein Gefängnis im Weltall. Meuterei und die Tochter des Präsidenten mitten unter den gefährlichsten Verbrechern der Welt – Luc Besson (an Drehbuch und Produktion beteiligt) schickt Ex-Agent Snow … Im Podcast reden die Üblichen verdächtigen über eine Weltall-Klapperschlange mit beiden Augen, Chipstüten, Belgrad und den Bodycount. schoener-denken.de/blog/lockout/
only for action lovers
Watching Lockout was an unusual experience, on the one hand Guy Pearce was fantastic, and very convincing as a wise cracking hero. On the other hand I kept thinking: Snake Pliskin...minus an eyepatch. Then you look at the plot of Lockout, a badass is sent into a high security space prison to save the day, and I kept thinking: Escape from New York...minus a New York. Lockout borrows heavily from John Carpenter's classic, it may not have been intentional, but I found it to be distracting, especially when I kept thinking I'd rather watch Escape from New York then this.
Una trashata fatta anche un po' male.
Pastuño muy grande.
Guy Pearce is a smooth motherfucker.
my date with the president's daughter, my date with her
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Up to date as at December 7th, 2016 (give or take a film or three).
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