Having joined the site back in February I was fully expecting Letterboxd to be another website I'd soon lose interest…
Have you ever felt alone?...What if you truly were?
After losing contact with Earth, Astronaut Lee Miller becomes stranded in orbit alone aboard the International Space Station. As time passes and life support systems dwindle, Lee battles to maintain his sanity - and simply stay alive. His world is a claustrophobic and lonely existence, until he makes a strange discovery aboard the ship.
Love is an ambitious and ambiguous slice of lo-fi sci-fi. Referencing everything from 2001 to Carl Sagan it is a film interested in BIG ideas but not necessarily equipped with the skills to explore and express them fully. It is a film that attempts to capture our insignificance within the universe but the extraordinary importance of the connections we make with those around us.
Astronaut Lee Miller, after losing all contact with Earth, is left to orbit our planet aboard the ISS. With no contact, Miller struggles to remain sane until he discovers a civil war diary aboard the ship. Is the diary imagined or real? Does it matter either way? Not particularly as the film’s ambiguity and non-linear structure…
Ambitious and reaching (it's titled "Love" for goodness' sakes) science fiction that drifts and wanders but delivers impressive visuals and a thought-provoking story. Numerous dialogue free passages feel like mini-music videos, but the rather generic soundtrack doesn't deliver a necessary strong motif or memorable theme to provide enough momentum or cohesion.
Quite a few directors have come from the world of music videos, often times when making the jump to feature films a director will bring over some of the stylings from their video days, though it's probably rarely intentional. The same cannot be said of Love, a film which is essentially the world's longest, most boring music video ever. The passion project of rock band Angels & Airwaves, Love tells the story of Captain Lee Miller, a lone astronaut taking care of the International Space Station, everything is all well and good, until his communication with Earth vanishes one day, leaving him truly and completely alone.
Except he's not alone, he has the ghosts of countless better sci-fi films to keep…
Love is about an astronaut, Lee Miller, who is relegated to a completely solitary existence aboard the International Space Station. After he's abandoned and completely cut off from the world and humanity, he quite understandably loses his grip on reality and is crippled by loneliness. When he finds an old civil war journal hidden in the station, things get… interesting. That's all I'll say to avoid spoilers.
I have a love-hate relationship with microbudget films. In the case of Love, I actually kinda dug the creative, lo-fi visuals. A lot of thought went into set and costume design, as well as creating a visual difference between the scenes that take place in the present and the past. Where the film…
Wholly fuck! Was I just totally enthralled for eighty minutes by a film in which virtually nothing happens!?!?
Wholly fuck! That wanker from that terrible band is the reason this film got made at all?!?!?
Wholly fuck! They made this with HOW little money?!?!?
Did nothing just happen...
... Or did EVERYTHING just happen?
“Why do we struggle to breathe a more righteous breath, when we all end up in the same place?”
Ah. Love. Oh how I was built up, and then slowly broken down. Not in emotion, but rather in disappointment. Love seemed to be primarily about a director trying to find his style, and doing so by presenting us with a medley of director homages.
Love opens up to a beautifully shot and narrated Civil War era theme, which I can only draw comparisons from something Malick would have produced. Key elements about death, living and how you get from one to another were contemplated and discussed in a way I felt moving. I was hooked. This was definitely the best…
Interesting, but you may as well watch Interatellar because it's so much better
It's not often that a film is criticized for being too ambitious, but that's what I'm going to propose here - Love tries to do too much. A film that's ostensibly about an astronaut that loses contact with mission control and faces pure isolation among the stars attempts to become something a lot grander in the final act. When the focus was on Captain Lee Miller's complete disconnect from the entire earth and his attempt to deal with the realization that he's probably more physically alone than any human in history, the film was in it's stride. It allowed director William Eubank to utilize cramped close-ups and a claustrophobic style that hid the fact that this is a low-budget film,…
Consummately made, beautifully photographed, this slides into the same canon as 2001, Solaris, Moon etc. Abstract and elegiac. For a $500k budget Eubanks has pulled off something more remarkable and far grander than many others could have done. Less a movie, more a work of art.
One of the more interesting space films I've seen in recent years. Love combines space and time to draw an interesting parallel between an 1864 Civil War soldier and a 2045 astronaut aboard the International Space Station.
The film was produced and scored by the band Angels and Airwaves. In addition to a swell score it has some amazing cinematography.
Lone astronaut on International Space Station, Lee Miller, loses contact with earth. Flashbacky obsession, Civil-War journal reading, and moody, atmospheric music result.
Perhaps it is the full-blooded Virginian DNA in my bones that makes me weepy at Civil War reminiscing, or maybe the opening sequence is just that good, but I was hooked from the start. Looping in the frustrations and flashbacks of Miller with his obsession with a civil war journal telling the story of the discovery of an alien object in the meteor crater near Winslow, Arizona that I drove right past last month, the film floats us through his isolation and despair. Excellent soundtrack music by Angels & Airwaves, who produced the film, keeps us floating. The cinematography…
I spotted this one on BBC iPlayer and went into it pretty much blind; not having heard of it or with any idea what it was about apart from an isolated astronaut. Looking at Rotten Tomatoes and the IMDB message board afterward, I can see that it's really divided opinions. As for me, well... I won't claim that I understood it entirely, but I will say that I loved it.
The story essentially follows a lone astronaut on a near future space station. Just as he's due to return to Earth something happens - what is never entirely clear, but let's say nuclear war - and he is left stranded. What follows is a slow, beautiful, impressionistic struggle with isolation backed by an incredibly atmospheric Angels & Airwaves added loads to the atmosphere.
I'd recommend it myself, but it really doesn't seem to be for everyone.
Looked nice, but it felt pompous. Its homages to sci-fis like 2001 felt more like blatant plagiarism in spots.
William Eubank must have seen a Malick film, he must love Aranofsky's The Fountain and he has clearly seen 2001 and he has a guilty love for Castaway which is all great but he mashes them all up and you get this intriguing, beguiling hugely ambitious Mess of a film that I have no real clue on how I feel about it. This film is the Scifi equivalent to Anh Hung Tran's masterfully chaotic noir/horror/religious allegory mish mash I Come With The Rain in the sense that I can see myself still processing its insanity in 3 or 4 years time.
Well.... I put this on my iPhone to watch on my journey home. It opens with good 5 minute scene depicting the American Civil War - it then cuts to a bloke Lee Miller on the international space station (in the future, although we don't find that out till half way through), he's on a solo mission, and after a little while of montaging about the place, he is cut off from 'Houston' and is isolated completely. This lasts for about 6 years... all the while it's cutting between video interviews of people talking about vague things, of the astronaut in his space suit wandering around a deserted contemporary metropolitan landscape... he then finds the diary of the civil war…
The term 'independent movie' doesn't mean anything at this point really, and is certainly not a particular genre. Most of…
I read the web-publication Filmmaker Magazine regularly. They publish each month a VOD-calendar with their picks and I have used…