Magnum Force
Synopsis
A man's got to know his limitations.
"Dirty" Harry Callahan is a San Francisco Police Inspector on the trail of a group of rogue cops who have taken justice into their own hands. When shady characters are murdered one after another in grisly fashion, only Dirty Harry can stop them.
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I think, considering that Dirty Harry is one of my favourite films of all time, that I should probably take some kind of offence to Magnum Force. It's not even because it's not nearly as good, but more to do with the fact that it takes the character of Harry Callahan to places that I did not want to see him go to in this film's predecessor.
Dirty Harry got Callahan perfect - it's one of the reasons the film is so good. All we see is Callahan the cop. We don't see his home life, we don't know anything about him outside of his profession, and we don't want to know anything about them. So they had a major…
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An interesting Dirty Harry film.
Good follow up to the first film. The tone is very similar-score is still great.
The plane sequence is cool.
Eastwood is great again in his role.
Holbrook is a great addition. I like the chemistry between him and Eastwood.
The plot is what makes this film so interesting. Vigilante cops are killing known criminals that have slipped through the justice system for a variety of reasons. Eastwood is brought in to investigate when it's not known whose behind the killings-he pieces things together and when confronted by the killers he says a line that made me rethink what I thought about the character of Dirty Harry in the first film. 'I think you've misjudged…
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Part of Clintfest '13
Dirty Harry returns for this slick but unexceptional sequel, written by John Milius and Michael Cimino, in which Clint's staggeringly trigger-happy cop hunts down a vigilante who's offing drug dealers, mobsters and pimps - much like the idea pitched by Sam Rockwell in Seven Psychopaths.
It's a promising premise, but the potential to explore the morality of Callahan's own commitment to bloody violence is almost completely squandered. It isn't that the script doesn't want to engage with those ideas - that seems to be its raison d'etre - it's more that it doesn't know how, as it tries, and fails, to address the criticism directed at the fascist (though classic) original simply by having Clint murmur…
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Although not nearly as cartoonish as later Dirty Harry movies, Magnum Force is still a lot more of a comic book thrill-ride than its moody, downbeat predecessor. But it's still a terrific thriller, with an evocative, gritty urban atmosphere, strong performances, another fantastic score from Lalo Schifrin and some knock-out action sequences.
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Excellent follow up to Dirty Harry. This time he's investigating vigilante murders that might just be the work of a rogue traffic cop, but as he digs deeper he finds something even worse.
Tense action sequences, the plane takedown in particular, with a great chase at the finale in the docklands.
"Tell you something. If the rest of you could shoot like them, I wouldn't care if the whole damn department was queer."
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Still a solid sequel in most respects. Clint is still a risk-taking badass, the plot is more mysterious, San Francisco is still glowed in that inviting sunny haze, Hal Holbrook is in it, the body count quadruples and you get vigilante cops picking off victims like faceless serial killers. It's still that reserved style of action, heavily focused on suits, sunglasses and gun shot wounds, and all devoid of camp. What's not to like?
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Harry fights wave after wave of awful '70s hair and fashion in this overlong but still enjoyable sequel. Ted Post is certainly no Don Siegel as evidenced by the languid pace here compared to the stripped-down propulsion of the original, but there are some well done shots here especially as the killer police motorcycles follow their victims. There are several scenes that really could have been cut: Harry taking out terrorists on a plane, Harry's meetings with the wife of a cop friend and a really odd sexual encounter with his Japanese neighbour, who standing about two foot smaller than Eastwood looks like a child next to him. Also, none of the villains here are remotely as good as Scorpio from the original. Hal Holbrook co-stars as the Police Lt. busting Harry's balls for being a loose canon.
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This review reportedly contains spoilers. I can handle the truth.
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Serviceable Dirty Harry sequel, though it lacks Siegel's zing. Great concept but a little loose and flabby, with a somewhat silly ending which ignores the intriguing moral angles brought up in favour of daft action.
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Fand ich persönlich besser als Teil 1, die Schurken hier waren um einiges cooler als Scorpio.
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This review reportedly contains spoilers. I can handle the truth.
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While the original Dirty Harry was a masterpiece of mood and direction, Magnum Force is a sloppy and cheap attempt to cash in on that film. Tonally it is the same, but it is miles away from the first film in quality. It is boring, and generally thrill less, and even Eastwood's presence can't save it fom mediocrity. At no point was I ever interested in any part of the plot whatsoever.
It is sad to say, but perhaps the Dirty Harry franchise climaxed at the first film. Ah well, perhaps Harry Callahan can go ahead and make my day once more, but it definitely did not happen with this film.
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It's better than the first film and yet sadly not remembered as much, but holy hell this is Clint Eastwood doing what he does best.
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Part of Clintfest '13
Dirty Harry returns for this slick but unexceptional sequel, written by John Milius and Michael Cimino, in which Clint's staggeringly trigger-happy cop hunts down a vigilante who's offing drug dealers, mobsters and pimps - much like the idea pitched by Sam Rockwell in Seven Psychopaths.
It's a promising premise, but the potential to explore the morality of Callahan's own commitment to bloody violence is almost completely squandered. It isn't that the script doesn't want to engage with those ideas - that seems to be its raison d'etre - it's more that it doesn't know how, as it tries, and fails, to address the criticism directed at the fascist (though classic) original simply by having Clint murmur…
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Clint takes on loads of salty dudes